Arts and Humanities Commons^™

Jane Eyre: The Bridge Between Christianity And Folklore, Teagan Lewis

Student Publications

Charlotte Brontё’s acclaimed novel, Jane Eyre, was first marketed as an autobiography. The story, told from the point of view of a poor orphan girl, takes on a narrative similar to that of a fairytale. In this way, a reader may find difficulty in believing this novel to be a work of nonfiction. Charlotte Brontё employs aspects of both Christianity and fantasy in her novel not to discourage her readers from believing its validity but rather to emphasize how even poor orphan girls like Jane have forces of good guiding them. Jane Eyre is fictional, yet the hardships she …

Struggling Towards Salvation: Narrative Structure In James Baldwin's Go Tell It On The Mountain, Darren Spirk

Student Publications

This paper argues that John Grimes, the protagonist of James Baldwin's Go Tell It on the Mountain, represents the struggle inherent in the path towards salvation and holds the potential ability to break down the binaries that create this struggle. Of particular interest is a similarity in the narrative framing of John’s story with Jesus Christ's, as told in the four Gospels. The significance of both their symbolic power is dependent on a multitude of narrative viewpoints, in John’s case the tragic pasts offered of his aunt, father and mother in the novel’s medial section. Their stories inform the …

Reconciling Christianity And Paganism, Susanna L. Mills

Student Publications

In her novel "Jane Eyre," Charlotte Bronte works to bring opposing ideas of Christianity and Paganism together to strengthen her protagonist, Jane. Bronte uses symbols of supernaturalism, nature, and the moon to highlight Jane's complex spiritual growth. This essay explores those symbols in conjunction with Christianity and their influences on Jane Eyre as she becomes an empowered woman.

Jesus Lives, But Should He Live In My Front Yard?, Christin N. Taylor

English Faculty Publications

As I drove home from church, I eyed the bright foam sign my 6-year-old daughter held. “Jesus is Alive” it read in kid scrawl. “We’re supposed to put them in our yards!” Noelle beamed, eyeing her creation proudly through pink-rimmed glasses.

I imagined our wide, open yard in Pennsylvania, the green grass stretching without fences from one neighbor to the next. Our best friends in the neighborhood, secular humanists, would easily see it. I cringed. What would they think? [excerpt]