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Full-Text Articles in Arts and Humanities

Violence And Identity In Richard Wright's Native Son, Anna M. Gee Dec 2016

Violence And Identity In Richard Wright's Native Son, Anna M. Gee

Criterion: A Journal of Literary Criticism

No abstract provided.


Wordsworth's Autobiographical Crafting, William D. Chandler Dec 2016

Wordsworth's Autobiographical Crafting, William D. Chandler

Criterion: A Journal of Literary Criticism

No abstract provided.


The Revolution Of Bath: The Writing And Re-Writing Of Social History In Jane Austen's Persuasion, Erica L. Pratt Dec 2016

The Revolution Of Bath: The Writing And Re-Writing Of Social History In Jane Austen's Persuasion, Erica L. Pratt

Criterion: A Journal of Literary Criticism

No abstract provided.


Front Matter Dec 2016

Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.


Table Of Contents Dec 2016

Table Of Contents

Criterion: A Journal of Literary Criticism

No abstract provided.


Editors' Note Dec 2016

Editors' Note

Criterion: A Journal of Literary Criticism

No abstract provided.


Eve's Feminist Wave, Heather Randall Dec 2016

Eve's Feminist Wave, Heather Randall

Criterion: A Journal of Literary Criticism

No abstract provided.


Beyond Reason: Ophelia's Quest For Truth, Jacob K. Nielsen 9443167 Dec 2016

Beyond Reason: Ophelia's Quest For Truth, Jacob K. Nielsen 9443167

Criterion: A Journal of Literary Criticism

No abstract provided.


Who Wears The Pants: The Unraveling Of Gender In The Things They Carried, Zoe Meyer Dec 2016

Who Wears The Pants: The Unraveling Of Gender In The Things They Carried, Zoe Meyer

Criterion: A Journal of Literary Criticism

No abstract provided.


Wherefore Art Thou, Bae Romeo?: An Argument For Modernizing Shakespeare's Texts, Erin M. Ritchie Dec 2016

Wherefore Art Thou, Bae Romeo?: An Argument For Modernizing Shakespeare's Texts, Erin M. Ritchie

Criterion: A Journal of Literary Criticism

No abstract provided.


Criterion: A Journal Of Literary Criticism, Vol. 9: Iss. 2 Dec 2016

Criterion: A Journal Of Literary Criticism, Vol. 9: Iss. 2

Criterion: A Journal of Literary Criticism

No abstract provided.


The Scandal Of Sources Of Henriette-Julie De Murat's Histoires Sublimes Et Allegoriques, Jared Willden Dec 2016

The Scandal Of Sources Of Henriette-Julie De Murat's Histoires Sublimes Et Allegoriques, Jared Willden

Criterion: A Journal of Literary Criticism

No abstract provided.


Contributors Page Dec 2016

Contributors Page

Criterion: A Journal of Literary Criticism

No abstract provided.


The Ontology Of Immanence: Arriving At Being In Nan Shepherd's The Living Mountain, Rachel R. Gilman Dec 2016

The Ontology Of Immanence: Arriving At Being In Nan Shepherd's The Living Mountain, Rachel R. Gilman

Theses and Dissertations

In response to the economic and political upheaval of World War I, Scottish Modernism explored the cultural and linguistic changes of a nation trying to identify itself amidst a world-wide conflict. Scholars and critics have considered Nan Shepherd's fiction in this context—focusing on issues of gender, female identity, language, and land—but have yet to look seriously at her work The Living Mountain and its contributions to the Modernist movement. More recently, critics like Louisa Gairn and Robert MacFarlane have called attention to Shepherd's small but powerful text in an ecocritical and philosophical light, reframing her contribution to issues of Scottish …


"Twenty Or Thirty Or Forty Years Ago": Time, Posthistory, And The Hyper-Present In Patrick Mccabe's The Butcher Boy, Benjamin Moroni Killgore Sep 2016

"Twenty Or Thirty Or Forty Years Ago": Time, Posthistory, And The Hyper-Present In Patrick Mccabe's The Butcher Boy, Benjamin Moroni Killgore

Theses and Dissertations

This thesis is a commentary on Patrick McCabe's novel, The Butcher Boy, which was published in 1992. The novel is told through the perspective of the main character, Francie Brady, who through the majority of the narration is depicted as a young boy. Francie's life is riddled with tragedy with his moving from the loss of one important person in his life to another until the pain of these losses triggers a violent paranoid outburst resulting in the murder of the fixation of an obsession of his, Mrs. Nugent. This thesis looks at the events of the novel through …


Embracing Multiplicity: Autobiographical Personae In Ruth Hall, Gina Marie Schneck Jul 2016

Embracing Multiplicity: Autobiographical Personae In Ruth Hall, Gina Marie Schneck

Theses and Dissertations

Sara Payson Willis Eldredge Farrington Parton, more famously known as the elusive Fanny Fern, employs three autobiographical personae mediated by fiction in her debut novel, Ruth Hall: (1) Ruth Hall, the novel's protagonist; (2) Floy, the fictional Ruth's pseudonym; and (3) Fanny Fern, Parton's real-life pseudonym and the name under which Ruth Hall was published. Together these personae assert a fragmented presence that incorporates various voices and lives, allowing for exploration, growth, and interactivity.Philippe Lejeune's autobiographical contract outlines three specific guidelines for autobiography—that it be a narrative, that it explore personal history, and that it link author and protagonist. Ruth …


Edgar Allan Poe And Alan Parsons: All That We See Or Seem Is Nevermore, Kimball R. Gardner Jun 2016

Edgar Allan Poe And Alan Parsons: All That We See Or Seem Is Nevermore, Kimball R. Gardner

Student Works

Edgar Allan Poe was one of the greatest poets of the nineteenth century, and several critics and experts agree that he was well ahead of his time. As a result, he has had heavy influence on the twentieth and twenty-first centuries. One group that he impacted greatly was the progressive rock band the Alan Parsons Project. This group recorded an album titled Tales of Mystery and Imagination—an homage to Poe and his works.

This paper investigates two of Poe's poems: "A Dream within a Dream" and "The Raven," and how the song adaptations by the Alan Parsons Project can …


The Need For Shadows: The Death Of The Ego For Virginia Woolf In Night And Day, Jennifer A. Beck Miss Jun 2016

The Need For Shadows: The Death Of The Ego For Virginia Woolf In Night And Day, Jennifer A. Beck Miss

Student Works

Following Woolf’s own belief that the human character and condition changed in 1910, Woolf examines in Night and Day the human condition by destroying the identity of Katharine and following her reconstruction of self to evaluate just how far the human character has changed and where this change will lead the modern novelist. Through a Freudian melancholic reading, we identify what Katharine has lost, the ambivalence that shadows cast upon her play in one’s self-discovery, and the death of her ego, which causes her to retreat into her imaginary world. Although Katharine fails to gain a new ego at the …


How Do Law Students Develop Writing Expertise During Summer Internships? An Interview-Based Study, Jonathan Francisco Garcia Jun 2016

How Do Law Students Develop Writing Expertise During Summer Internships? An Interview-Based Study, Jonathan Francisco Garcia

Theses and Dissertations

Many law students are required to take first-year writing courses. With the increased emphasis in legal education on practical skills training (Sullivan et al. 2007), legal writing scholars have begun exploring how these writing courses equip students with practical skills (Felsenburg and Graham 2010; Cauthen 2010). However, these scholars have not explored how summer internships serve as opportunities for students to practice the skills they gained in the classroom. Following the lead of writing studies scholars who examine the transition from classroom and workplace writing (Russell and Fisher 2009; Devitt 2004, Wardle 2004; Winsor 1990), this study explores how the …


The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer Jun 2016

The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer

Theses and Dissertations

In the first chapter of Anne Brontë’s The Tenant of Wildfell Hall, Gilbert Markham invites his reader to join him as he attempts to recall the past. Because Gilbert uses the journal of another to supplement his own memories, the novel's frame narrative structure becomes saturated with complex memory-based issues and problems. Thus, the complicated frame narrative provides fertile ground for exploring the novel through memory. In studying the frame narrative, scholars have typically devoted their criticism to Gilbert and how he shapes the frame. Few scholars afford the other primary narrator of the novel, Helen, any power in shaping …


Out Of The Best Books: Mormon Assimilation And Exceptionalism Through Secular Reading, Lauren Ann Fields Jun 2016

Out Of The Best Books: Mormon Assimilation And Exceptionalism Through Secular Reading, Lauren Ann Fields

Theses and Dissertations

This thesis seeks to explore the relationship between Mormon assimilation, exceptionalism, and their endeavors in secular reading by analyzing Out of the Best Books (OOBB), a 1964–71 five-volume reading guide and reading program on secular reading established by the Mormon Church for its women’s organization, the Relief Society. Examining the approaches to secular literature in the OOBB program suggests that Mormons can respond to their competing desires to separate and assimilate by making efforts that fulfill both aspirations simultaneously rather than moving exclusively in one direction. Yet OOBB’s efforts to achieve both objectives did not amount to an entirely seamless …


Hope For Susan: Moral Imagination In The Chronicles Of Narnia, Emily Rose Kempton Jun 2016

Hope For Susan: Moral Imagination In The Chronicles Of Narnia, Emily Rose Kempton

Theses and Dissertations

The fate of Susan Pevensie has been one of the most controversial and interesting topics of debate about The Chronicles of Narnia since readers realized that she was no longer a friend of Narnia. Many critics have condemned C. S. Lewis for being sexist, thus making the stereotypically feminine Susan with her love of parties, nylons, and lipstick ineligible for salvation. This thesis proposes to look at Susan's choices and fate from the perspective of moral imagination. It argues that Lewis did not bar Susan from heaven to belittle femininity, but rather to comment on the consequences of choice, belief, …


Shakespeare, Orson Welles, And The Hermeneutics Of The Archive, Benjamin Lynn Wagner Jun 2016

Shakespeare, Orson Welles, And The Hermeneutics Of The Archive, Benjamin Lynn Wagner

Theses and Dissertations

This paper examines certain theoretical underpinnings of the historical processes by which Shakespeare's history plays became the de facto collective memory of the events they depict, even when those events are misrepresented. The scholarly conversation about this misrepresentation has heretofore centered on Shakespeare's potential political motivations. I argue that this focus on a political, authorial intent has largely ignored the impact these historical distortions have had over the subsequent 400 years. I propose that, due to Shakespeare's unique place in the historical timeline of the development of collective memory, Shakespeare's historical misrepresentation in the history plays is a byproduct of …


Death As Meridian: Paul Celan's Translations Of Emily Dickinson's "Because I Could Not Stop For Death" And "Let Down The Bars, Oh Death", Alyssa Devey Jun 2016

Death As Meridian: Paul Celan's Translations Of Emily Dickinson's "Because I Could Not Stop For Death" And "Let Down The Bars, Oh Death", Alyssa Devey

Theses and Dissertations

Paul Celan's translations of Emily Dickinson's poems Because I could not stop for Death and Let down the Bars, Oh Death illuminate the global metaphor inherent in both poems' exploration of death. Celan's The Meridian speech, coupled with Dickinson's poems I saw no way and Tell all the truth, suggest that language can move in different directions across a globe at the same time. When these different lines meet, they reach a meridian of the spiritual and the material. As Celan translates Dickinson's two poems, he uses this global metaphor to place more emphasis on death and to further illuminate …


From Epistolary Form To Embedded Narratological Device: Embedded Epistles In Austen And Scott, Tonja S. Vincent Jun 2016

From Epistolary Form To Embedded Narratological Device: Embedded Epistles In Austen And Scott, Tonja S. Vincent

Theses and Dissertations

The perception that the epistolary form was rejected by novelists during the Romantic Era has largely been accepted by scholars. However, in looking at the period's two most prominent authors, Walter Scott and Jane Austen, we see that the epistolary form remained vibrant long after its supposed demise. Throughout their careers, both Austen and Scott employed embedded letters as a tool to create authenticity. Both Austen and Scott use what I call "literary letters" to create a sense of realism in their novels that contributed to the rise of the novel. Scholars often claim that Austen eschewed the epistolary form …


Poe's Entangled Fiction: Quantum Field Theory In "The Colloquy Of Monos And Una" And "The Mystery Of Marie Rogêt", Jean A. Little Jun 2016

Poe's Entangled Fiction: Quantum Field Theory In "The Colloquy Of Monos And Una" And "The Mystery Of Marie Rogêt", Jean A. Little

Theses and Dissertations

When seen among the constellation of Edgar Allan Poe's works culminating in Eureka, "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt," take on an important role as vehicles for scientific contemplation. Similar to early quantum physicists, such as Einstein and Schrödinger, Poe uses macro-level analogies to explore the unity of individual entities, which becomes an important tenet of his explanation of the universe. His thought experiments also resemble those of modern physics in their approach to reality as probabilistic, an idea that finds its echo in quantum field theory, which distinguishes between observed particles and their …


From The Office To The Classroom: Computer Simulations And Student Engagement In Advanced Composition, Lauren Fine May 2016

From The Office To The Classroom: Computer Simulations And Student Engagement In Advanced Composition, Lauren Fine

Theses and Dissertations

Higher education professionals are always seeking new and better ways to prepare students for life after college—a goal that requires not only providing knowledge and experience in their chosen field, but also helping them stay engaged in the process. Recently, computer based simulations have magnified role playing and case study techniques that have been used in classrooms for many years. These simulations have found great success in many settings, including engineering, business, and medicine, but there have been very few computer simulations designed for writing classes. Given that some of the greatest challenges in such classes are teaching students to …


God And Man, Nicole A. Ratliff Apr 2016

God And Man, Nicole A. Ratliff

Student Works

An analysis of John Steinbeck's The Grapes of Wrath in regards to Samuel Johnson's "The Vanity of Human Wishes." The paper's argument is structured as the book progresses. In regards to Samuel Johnson's piece, both pieces of literature progress in the same way- starting off with very vain characters and ending with a change towards a more religious side. This paper tries to expand upon the religious aspects of The Grapes of Wrath, and come up with a theory that defies the socialist aspect.


Harry Potter And The Analysis Of A Hogwarts Education, Kayla M. Nelson Apr 2016

Harry Potter And The Analysis Of A Hogwarts Education, Kayla M. Nelson

Student Works

A Hogwarts education is one that is coveted by many young (and old) people. The idea of a magical school is tantalizing. However, the magic only goes so far. This article exposes the flaws of a Hogwarts education.


Folklore, Stories, And Truth, Rebekah Hartshorn Apr 2016

Folklore, Stories, And Truth, Rebekah Hartshorn

Student Works

An exploration of Michael Ende’s The Neverending Story through the lens of the academic discipline of Folklore. Where is the line between reality and imagination? Stories are true because they influence lives and people interact with them. Many stories believed to be true have origins that are lost to time and their truth is questionable at best. However, when an audience interacts with a story, the story begins to exist within the timeline of the audience members’ lives. The story becomes part of the truths that they live.