Arts and Humanities Commons^™

“I Don’T Want To Be Human”: The Neurodivergent Reader Response To Martha Wells’ Murderbot Diaries Series, Rachel S. Anderson

Ought: The Journal of Autistic Culture

This article explores how readers have responded to the Martha Wells series The Murderbot Diaries by identifying the titular character as neurodivergent and the recent ways in which the author has responded to questions about the character—and herself—as potentially autistic. While initially resisting this reader-supplied diagnosis, Wells has more recently acknowledged a neurodivergent identity. By examining Murderbot’s sense of self and relationship with the humans around it, this article will explore our current society’s relationship with human/machine intelligences and how we define such concepts as “neurotypical” and “human.” Specifically, this article will examine how the concept of a “governor module” …

Whatever Happened To The Princess Bride?: Thoughts For Further William Goldman Research, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This note considers why research on William Goldman, best known to fantasy fans as the author the the screenplay for The Princess Bride, has been sparse, and the potential to study him as a mythopoeic author.

Anxieties About The Future: Ecocriticism And Dystopian Landscapes In The Three Stigmata Of Palmer Eldritch And Selected Fiction By Philip K. Dick, Nickolas Michael Sykora

Cal Poly Humboldt theses and projects

In a literary analysis of selected fiction by Philip K Dick through an ecocritical framework, the focus of this study reveals the consequences of ecological destruction on futuristic societies reflecting the Anthropocene. Drawing correlations between various texts by the author, the separation of nature from humanity demonstrates how dystopian landscapes influence the identity of the characters in these settings and how dystopia serves as a prism which distorts or reflects what it means to be human. With this, ontology and artificial intelligence are analyzed as a notable facet of his literature which addresses the progress of innovation in society and …

Narratives Of Feminist Resistance: Women's Bodily Autonomy And The Dystopian Mode, Grace J. Bromage

English Honors Theses

This undergraduate thesis examines how dystopian fiction has responded to the sociopolitical issue of restrictions on women’s bodily autonomy, a question that has become more timely since the reversal of Roe v. Wade in Summer 2022. Particularly, I aim to understand how readers can use dystopian novels to shape real-world dialogue and how authors can use narrative strategies to encourage readers to resist oppression. My first chapter takes a broad approach, tracing the development of dystopian fiction from a genre to a mode and using Marge Piercy’s Woman on the Edge of Time (1976) as a case study of how …

Bad Blood: Octavia E. Butler Takes A Bite Out Of Gender And Racial Stereotypes In Fledgling, Abigail Cole

Senior Theses

For contemporary audiences the word “vampire” typically conjures two figures: a Damon Salvatore-esque[1] man with devil may care eyes, dark hair and an equally dark past. Dripping with sex and charm, he struggles with an internal dilemma, his animalistic urge to kill constantly at war with his human morality. On the other hand, we have the sexy, scantily clad white female vampire who uses her feminine wiles and socially “perfect” body to prey upon poor, unsuspecting men, until she is eventually corralled into domestic submission, or killed. While this description fits the broader scale of what the vampiric figure …

Speculative Constitutions In Ursula K. Le Guin’S Hainish Cycle And The Rights Of Nature, Ted Hamilton

Faculty Journal Articles

This paper examines two speculative examinations of humanity as a unified species and agent of ecological change: Ursula K. Le Guin’s Hainish Cycle and the rights of nature movement. Le Guin’s Cycle imagines the slow interplanetary reintegration of human polities against a backdrop of cultural and environmental difference. I read the novels of the Cycle as an allegory for the rights of nature movement, which seeks to synthesize traditional and modern knowledge in a legal solution to ecological crisis. Both discourses, I argue, productively imagine a new historical understanding of humanity’s place on Earth, but they provide a weak theory …

Female Pleasure And Theories Of Desire In Narrative Structure: Evolution, Futurity, And Species Survival In The Post-Human And Science Fiction Imaginary, Laura L. S. Bauer

CGU Theses & Dissertations

This dissertation explores the complex relationship between an expanded narratological theory of narrative desire, inseparable in its relation to evolution and biological reproduction, and the future survival of humanity imagined across the narrative structures of three 21st-century works of dystopian science fiction. By examining the genre's potential to address species survival specifically through female forms of desire identified as narrative recurrence, prolonged duration, and emotional resolution, this study concurrently develops a metatextual methodology that cultivates the overlooked liminal space of quiescence. This analytical framework emphasizes narrative structure over theme-based analysis to unlock the radical imagination present in the texts …

The Unwatched Pot, Grace Lyde

Scripps Senior Theses

From the inside out:

The staff of the Gell-Mann Zweig Library are going through it. Edith, who had been transferred to another branch has just been transferred back and promoted, bumping their ex, Augustine, down a step. On their first day back, Edith ends up turning their contentious ongoing flirtationship with Heidi, a different co-worker, into… something else. Meanwhile, both Green and Heidi’s chronic nightmares have taken a turn for the strange devolving into encoded messages and countdowns.

And Felix is there. Doing his best.

Slowly but surely the five of them are going to have to grapple with the …

Science Fiction’S Enactment Of The Encouragement, Process, And End Result Of Revolutionary Transformation, Katharine Blanchard

Doctoral Dissertations

This dissertation examines contemporary science fiction texts with utopian impulses through the lens of Marxist literary theory to show how these texts enact the encouragement, process, and end result of revolutionary transformation. The interdisciplinary theoretical framework of this dissertation utilizes Tom Moylan’s analysis of critical utopias, Darko Suvin’s theory of cognitive estrangement, Fredric Jameson’s concept of cognitive mapping, theories of postcapitalism from the sociological, economic, and political fields, the findings presented in Why Civil Resistance Works, and Erik Olin Wright’s definitions of the ruptural, interstitial, and symbiotic strategies of revolutionary transformation. The analysis of Dissidence, Insurgence, Emergence …

The Underappreciated Intersection Of Science Fiction And Satire, Christopher Nicholson

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

This thesis considers, from a creative writer’s perspective, the largely untapped potential for combining the strengths of satire and science fiction to create stories that provide both escapism and real-world commentary without sacrificing one for the other. It discusses background information and examples of both genres, and then illustrates the principles discussed with three original short stories.

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …

Ghosts, Hauntings, Kinship, And Contamination: Key Tropes For Narrating Extinction In Jeff Vandermeer's Hummingbird Salamander And James Bradley's Ghost Species, Christopher Hardesty Nicholson

Graduate Student Theses, Dissertations, & Professional Papers

This thesis examines the narrative portrayals of issues pertaining to anthropogenic extinction in two contemporary speculative fiction novels: Jeff VanderMeer’s Hummingbird Salamander (2021) and James Bradley’s Ghost Species (2020). This focus leads to consideration of narrative genre, tropes, and affective resonance. The first half of this thesis centers the genres of tragedy and elegy, their tropes of ghosts and hauntings, and the affective processes of grief and horror. Within these narrative frameworks extinction is experienced as a claustrophobic site of horror in Hummingbird Salamander, and as a time-warping inspiration of grief in Ghost Species. However, in each novel …

David Lindsay's A Voyage To Arcturus: An Anti-Fantasy, Bryan Wysopal

Masters Theses

This is a study of David Lindsay’s A Voyage to Arcturus (1920) in which I argue that the novel is an anti-fantasy, that is, a fantasy that negates certain tropes common to the genre as part of the author’s wider intentions for writing. I contextualize Lindsay by comparing him to several authors of his time who also worked in the mode of fantasy, then explain how the generic traits of the novel are handled unconventionally to promote Lindsay’s personal philosophy. I explore Lindsay’s treatment of the basic generic traits of the hero and his quest, the imaginary world, and …

Dorothy Scarborough. 'Supernatural Science' (1917), Arthur B. Evans

Global Language Studies Faculty publications

Introduced and annotated by Arthur B. Evans In its day, Dorothy Scarborough’s book The Supernatural in Modern English Fiction (1917) was considered to be the best scholarly study on the subject. As the author points out in the book’s preface, the sheer size of its corpus was impressive: “the supernatural in modern English fiction has been found difficult to deal with because of its wealth of material. While there has been no previous book on the topic, and none related to it ... the mass of fiction itself introducing ghostly or psychic motifs is simply enormous” (v). Scarborough divided her …

Not So Dystopian: A Historical Reading Of Eugenics In Science Fiction, Riley Sanders

The Forum: Journal of History

Broadly, this paper is an effort in complicating traditional readings of eugenic themes in science fiction. Two landmark novels, Wells’ The Island of Dr. Moreau (1896) and Huxley’s Brave New World (1932), are highlighted as representative of the early and late stages of eugenics. By focusing on the troubling historical context surrounding these authors, I denounce the simple reading of these works as merely “dystopian”. Scholars like Francis Fukuyama advance these simplistic readings by instinctively assuming that Wells and Huxley were against eugenics. This paper continues the tradition that David Bradshaw popularized in his book The Hidden Huxley, which argues …

Miracle, Gabrielle Sullivan

Honors College Theses

This original, speculative fiction novella follows Miracle Beckett, a young woman raised on a dying, climate-change ravaged Earth in an isolated religious cult. While she eventually escapes, she finds herself trapped in another deathtrap, abandoned by her crewmates on a spaceship that is rapidly running out of air. Struggling to reconcile her past with her present and her imminent death, Mira cannot avoid remembering everything she has tried to leave behind.

Engaging with sexual identity, religious trauma, and the difficulty found in reconciling the complexities of a left-behind existence, Miracle highlights the power of memory, friendship, and knowledge in guiding …

The Ever-Present Dystopia, The Non-Present Utopia, And The Thirdspace: The Role Of Contrasting Coteries In 20th-Century Dystopian Literature And Parable Of The Sower, Billie Rose Newby

HON 499 Honors Thesis or Creative Project

Octavia Butler’s Parable of the Sower is a standout work of dystopian science fiction that features commentaries on governmental failings, race and gender discrimination, and class divides that are all highlighted by an apocalyptic and oppressive crumbling society. Butler uses a dystopic setting, characteristics, and tropes to embellish her world and social commentaries including the use of the dystopic and thirdspace coteries structure: two personal communities within which the central character interacts that hold very specific roles and characteristics across most works of dystopian literature. This structure allows dystopian literature to establish their distinctive world and tone as well as …

Crossing Borders, Crossing Genres: Utilizing Genres To Explore Literary Themes Through Genre Fiction, Michael W. Rickard Ii

English Theses

Genre fiction can be used to explore literary themes found in marginalized literature such as Alicia Gaspar de Alba’s Desert Blood: The Juárez Murders, Emma Pérez’s Forgetting the Alamo or Blood Money, and Octavia Butler’s Kindred. Each author uses the respective genres of hard-boiled detective fiction, American Western literature, and science fiction to explore the elements of borderland literature and the neo-slave narrative. These elements include hybrid identities, the clash between two cultures, disjunctive localities, and the marginalization of both ethnic groups and women. This thesis will show how each genre’s elements are used to further explore the elements of …

Utopian Discourse In Contemporary Speculative Fiction, Casey Alan Jergenson

Dissertations

I argue in this dissertation that utopianism is a vibrant form of cultural production in the post-Cold War period, despite the paucity of recent texts depicting €œgood€ societies. Most literary historical accounts of the genre place the decline of the utopian narrative in the early twentieth century, with a brief resurgence in the 1960s and 1970s. Contemporary culture has since become inundated with dystopian and post-apocalyptic visions of the future. If we take this generic distribution at face-value, it seems symptomatic of the utopian idea's retreat from cultural production since the 1980s. Influential critics have resisted this narrative by demonstrating …

Dobby The Robot: The Science Fiction In Harry Potter, Emily Strand

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Science fiction author Arthur C. Clarke has famously argued that “Any sufficiently advanced technology is indistinguishable from magic.” This paper starts by exploring a few general ways in which science fiction influences Harry Potter, then focuses attention on one key element of science fiction which Potter quite clearly appropriates: the classic trope of the robot or created servant. First, using close textual analysis, the paper traces the robot trope and its accompanying features from its origins in Golem legends and in Shelley's Frankenstein, through classic works of science fiction, including Čapek’s R.U.R., Asimov’s I, Robot, Heinlein’s …

The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris

Theses and Dissertations

Frequently in their respective oeuvres, Verne and Wells write in a rhetoric of conquest that almost always translates to discovering a more efficient means of taming wild, non-European environments. These goals extend not only to the lands that their protagonists explore, but also to human beings and other life that may populate them. Indeed, the underlying focus—the one that is masked behind the thrill and adventure of both Wells and Verne—is none other than the march of progress as understood by middle-class Europeans in the latter half of the nineteenth century. Progress can produce positivistic optimism, and it can also …

Gender In Apocalyptic California: The Ecological Frontier, Marykate Eileen Messimer

Graduate Theses and Dissertations

Climate change is the consequence of ideologies that promote human reproduction and resource consumption by sacrificing human justice, nonhuman species, and the land. Both biology and queer ecologies resist this notion of human separation and supremacy by showing that no body is a singular, impermeable entity, that all beings are biologically and inexorably connected. My dissertation demonstrates that fiction writers use this knowledge to locate a utopian vision that can counteract the dystopian impotence of living within climate change. This argument is founded on novels written by women and set in California, a state that uniquely inhabits a utopian and …

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

Course Syllabus (Sp19) Coli 214b--Literature & Society: "A.I. And Other Radical Humanisms In Cyberpunk And Science Fiction", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

As that which we call “technology” continues to evolve as both concept and practice, we discover ever more inventive ways to answer its call, and science fiction seems to serve as a universal standpoint from which global societies manage to confront, question, and reimagine the nature of our shared humanity as a radically technical relation. While the growing social pervasiveness of artificial intelligence and the attendant encoded transformations of “the human” appear, together, to form a relatively absolute horizon of political thinking, social agency, and aesthetic experience, it seems certain that our current crisis also offers us …

Imagining Action In/Against The Anthropocene: Narrative Impasse And The Necessity Of Alternatives To Effect Resistance, Ariel Kroon

The Goose

The Anthropocene has emerged as the dominant conception of the contemporary moment, centering the human individual as both responsible for and bearing the responsibility to counteract its numerous interrelated socioeconomic, political, and environmental issues including the staggering loss of biodiversity across the globe and the reality of anthropogenic climate change. This constitutes a significant psychological impasse that disempowers and disenfranchises humans living in this epoch, discouraging any substantive individual effort. Drawing on the posthuman feminist philosophy of theorists such as Rosi Braidotti and Stacy Alaimo together with a reflection of the power of science fiction as a literature of cognitive …

“My Books Will Be Read By Millions Of People!”: The Laguardia Community College Octavia E. Butler Project On Wikipedia.”, Ximena Gallardo C., Ann Matsuuchi

Publications and Research

[This book chapter (“My Books Will Be Read By Millions of People!”: The LaGuardia Community College Octavia E. Butler Wikipedia Project.”) originally appeared in Approaches to Teaching the Works of Octavia Butler, edited by Tarshia Stanley, published by the Modern Language Association of America." Pages 45-51. ISBN: 9781603294157]

In this essay, we examine the innovative community college classroom project that resulted in the first installment of Wikipedia Project Octavia E. Butler: the crafting of thorough, rigorously researched, well-written Wikipedia entries for Butler’s works by teams of undergraduate students.

The first part of the essay focuses on our design of a …

"Black Panther:" Some Thoughts On Anti-Colonialism, Feminism, Xhosa, And Black Pixels In The Film (With An Aside On Ava Duvernay’S "A Wrinkle In Time"), Peter Schmidt

English Literature Faculty Works

No abstract provided.

The Persistence Of The Past Into The Future: Indigenous Futurism And Future Slave Narratives As Transformative Resistance In Nnedi Okorafor's The Book Of Phoenix, Ellen Eubanks

Graduate Theses and Dissertations

In recent years, a number of authors have written science fiction works that express the concerns and experiences of marginalized people groups, including those in postcolonial societies, Indigenous/First Nations peoples, and other racial minorities. These works provide counter narratives to that of much canonical science fiction, which developed from narrative forms that often explicitly and implicitly supported colonial ideologies, and still often includes these ideologies today. This thesis analyzes the way The Book of Phoenix (2015) by the NigerianAmerican speculative fiction author Nnedi Okorafor uses a combination of the forms of Indigenous futurism and what Isiah Lavender terms meta-slavery narratives …

The Terranauts By T.C. Boyle And The Addlands By Tom Bullough, Carly E. Thomas

The Goose

Review of T.C. Boyle's The Terranauts and Tom Bullough's The Addlands.