Arts and Humanities Commons^™

Preserving The Trauma Narrative Of The Hunger Games: As Based In The Novels, The Films, And Morality, Rio Turnbull

Undergraduate Honors Theses

This thesis discusses both the technical aspects and the moral aspects of preserving trauma when adapting a trauma novel to film, in specific relation to Suzanne Collins’s The Hunger Games. The thesis begins by arguing the Hunger Games story as a trauma narrative in its original form, but not so in its film adaptations, and supports this argument by defining the defining characteristics of the trauma narrative–which is voicelessness and an altered sense of self and society, embedded in the internal experience–and applying it to The Hunger Games trilogy, identifying where these occur in the novels and do not …

The Ethics Of Perception In Transatlantic Romantic Poetry, Charles W. Rowe

Dissertations, Theses, and Capstone Projects

The Ethics of Perception in Transatlantic Romantic Poetry is a report on the ethical significance of British and American Romantic poetry composed between 1785 and 1865. This study focuses on the poems of William Cowper, William Wordsworth, Ralph Waldo Emerson, and Walt Whitman. Its central claim is that these poets composed a body of work that sought to show readers how their sustained attention to everyday perceptual experience could lead them towards a more empathic way of being.

The first chapter argues that the late-eighteenth century poet William Cowper is the initiator of the ethically-oriented poetry of perception that Wordsworth, …

Paper: Investigating The Work Of William Styron: The Perpetuation Of The Fantastic Hegemonic Imagination, William Sikich

Womanist Ethics

William Styron's Confessions of Nat Turner depicts a fictitious characterization of the historical Nat Turner. Styron, a white southerner, assumes Turner's perspective in order to tell a speculative story about his slave rebellion of 1831. Similarly, he tells the story of a fictional holocaust survivor in his novel, Sophie's Choice. The decision to take on these perspective evinces some arrogance on Styron's part, and the way in which he executes the narrative of each novel delivers their stories with varying levels of respect to their subjects: Styron's indirect telling of Sophie's story allows Styron some freedom to speculate, while …

What Does It Mean To Be Human?, Natasha Phillips

Publications and Research

This Poster will go in depths of the different elements, that will allow readers to understand from the author’s perspective on the question, what does it mean to be human? Various elements that will be discussed will include the following: wealth, social media, and religion. These three elements alone play a huge role in the lives of individuals all across the world. Furthermore, while discussing these elements, there will be critical concepts that readers will be able to think about based on additional facts being provided about each component. Lastly, the different types of resources that will be discussed in …

Trauma, Ethics, And The Body At War In Brittain, Borden And Bagnold, Carolina Sánchez-Palencia Carazo

CLCWeb: Comparative Literature and Culture

In her article “Trauma, Ethics, and the Body at War in Brittain, Borden and Bagnold,” Carolina Sánchez-Palencia Carazo discusses how the autobiographical accounts of the conflict by Vera Brittain, Enid Bagnold and Mary Borden, inspired by their experiences as voluntary nurses in the front, deconstruct the meanings of femininity, masculinity and patriotism, contesting the official rhetoric of passivity that defined the role of women in World War I. Their extreme engagement with the precariousness and vulnerability of others elicits an empathic response that can be interpreted through Judith Butler (2004; 2009), Emmanuel Lévinas (1969) and Alan Badiou’s (1993) ethics of …

Why Analyze A Sonnet? Avoiding Presumption Through Close Reading, Devon Madon

Faculty Publications & Research

In the first session of my Introduction to Shakespeare course, I always teach one of Shakespeare's best-known sonnets: Sonnet 130, "My mistress' eyes are nothing like the sun:' I open with this sonnet because students frequently think that they know what the poem is about. W hen I ask the class, someone will usually give me the most common misreading of the sonnet: the speaker tells his mistress that she does not look like other women, but he loves her all the same. Rather than dismissing this reading, I ask many questions. How did you reach this conclusion? What do …

The Revolt Against Mourning: Woolf, Joyce, Faulkner, And Beyond, Andrew Leo Beutel

Theses and Dissertations--English

The Revolt against Mourning calls into question the widespread critical alignment of literary modernism with Freudian melancholia. Focusing instead on “mourning,” through close readings of Virginia Woolf’s Mrs. Dalloway, James Joyce’s Ulysses, and William Faulkner’s The Sound and the Fury, I demonstrate how their depictions of this notion overturn both its traditional and contemporary understandings. Whereas Freud conceives mourning as a psychic labor that the subject slowly and painfully carries out, Woolf, Joyce, and Faulkner convey it as a destabilizing, subversive, and transformative force to which the subject is radically passive. For Freud, mourning is a matter …