Arts and Humanities Commons^™

Subjects Of Economy: Social Documentary Poetics And Contemporary Poetry Of Work, Michelle B. Gaffey

Electronic Theses and Dissertations

Although the term “documentary” originated in film and photography studies, it has been used to describe a range of compositional and research strategies in discussions of twentieth and twenty-first century poetry as well. A study of such documentary poetics, however, requires us to distinguish between documentary poetics in general and social documentary poetics in particular. To illustrate this distinction, I discuss five contemporary books of poetry and photographs: C.D. Wright’s and Deborah Luster’s One Big Self: Prisoners of Louisiana, Cynthia Hogue’s and Rebecca Ross’s When the Water Came: Evacuees of Hurricane Katrina, Chris Llewellyn’s Fragments from the Fire: …

Emily Dickinson: 19th Century Poet In A 21st Century World, Stephanie Merrigan

Master of Arts in Professional Writing Capstones

This capstone will discuss what channels mediate public access to literary content in the case of Emily Dickinson’s poems and letters. The discussion continues with how this was a problem for Dickinson while she was alive due to her reclusiveness and unorthodox punctuation. The capstone then looks at the other aspects of this in the roles that editors, the merchandise now made with lines from Dickinson’s work, and digital technologies play in that circulation, but also how they have played a role in making Dickinson a pop culture icon in the 21^st century.

Violet Is One Letter Off From Violent, Audrey E. Spina

Master’s Theses and Projects

The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

"Wake Up In Moloch:" Modernity, "Howl," And The Beats' Spiritual Quest, Felix Freeland

English Honors Theses

This capstone seeks to shed light on the spiritual nature of the Beat Generation's philosophy, using Ginsberg's poem "Howl" as a primary text. By first comparing Beat spirituality to the transcendental poetry of Whitman and then comparing their belief to Kierkegaard's idea of Faith, I demonstrate that Beat spirituality is a reaction to and protest against the ethics of secular, American Modernity.

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

Aesthetic Activisms: Language Politics And Inheritances In Recent Poetry From The U.S. South, Sunshine Dempsey

Theses and Dissertations

The purpose of this dissertation, Aesthetic Activisms: Language Politics and Inheritances in Recent Poetry from the U.S. South, is to illustrate how four contemporary poets incorporate and adapt literary forms and linguistic structures to emphasize the exclusionary systems of language that undergird accepted southern cultural practices. Aesthetic Activismslooks at four poets, Natasha Trethewey, Fred Moten, Allison Adelle Hedge Coke, and C.D. Wright, who challenge concepts of regional literary inheritances that refuses to recognize a broad plurality of voices and histories.

Aesthetic Activisms focuses on poets whose work re-orients, or centralizes, marginalized experience through form and content, resisting essentialist …

The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay

English Honors Theses

The thesis culminates in the twentieth century and yet it begins with the Ulster Cycle, a period of Irish mythological history that occurred around the first century common era. Indeed, since the time frame was before the arrival of the Gaels, Normans, or Christianity, the extent of this mythology’s relevance today is whatever extent it is conceptualized as “Irish.” As such, the first chapter locks onto an aspect that could feasibly transcend time and resonate with modern Irish society: gender. Of course, the epistemological dynamics of gender^[1] in the first-century common era are vastly different than the twentieth century …

The Hair You Wished To Comb, Sarah Barch

Honors Theses

This thesis is a collection of poems exploring gender and trauma in Greek mythology by retelling classical stories in a female voice.

The Powerful Presence Of Dams In Appalachian Poetry, Zoe Hester

Electronic Theses and Dissertations

Contemporary Appalachian poetry offers a lens through which we can see the immense impact that the Tennessee Valley Authority has had in Appalachia. In this thesis, I explore the powerful presence of dams in Appalachian poetry by analyzing three poems. Jesse Graves’s “The Road into the Lake” centers on personal and familial loss, Jackson Wheeler’s “The TVA Built a Dam” mourns the loss of communities, and Rose McLarney’s “Imminent Domain” focuses on the ecological destruction that has occurred in Appalachia and around the globe as the result of the construction of TVA dams. Ultimately, all three poems serve as eulogies …

The Typewriter And The Literary Sphere: An Analysis Of Turn-Of-The-Century Literature, Emma K. Holdbrooks

Honors Theses

My thesis explores the typewriter’s impact on early 20^th century American literature. By providing authors with the means to produce work accurately and effectively, the typewriter changed the process of writing. Typewriters also created job opportunities for women, who often served as typists. The typist became the foothold position that changed America’s perception of women in the work force and helped usher in a new social concept, “the New Woman.” To illustrate my claim, I show how the typewriter allowed poets like E. E. Cummings to experiment with spacing. Cummings made the typewriter’s standardization of text and spacing into …

The Roadmap: Exploring T.S. Eliot’S The Waste Land With World War One Literature, Matthew Bennett

Undergraduate Honors Theses

Through careful analysis paired with poetry, war memoirs, and novels from the same period, one can break down T.S. Eliot’s The Waste Land to recognize the impact of The Great War on the world's modern memory while pondering the possibility of memory as a tool to overcome trauma.

Tell All The Truth But Tell It Slant: The Essential Role Of Metaphor In Constructing Physics, Theodora E. Zastrocky

Regis University Student Publications (comprehensive collection)

The common understanding of interdisciplinary work is that it is a partial merger of two related disciplines, such as history and philosophy or chemistry and biology. This understanding does not account for the interdisciplinary work possible between seemingly disparate disciplines, such as physics and poetry, and as a result this ignores the immense potential of true interdisciplinary study. Interdisciplinary work has the power to further research, better educate students, and redefine the script that dictates which people are allowed within certain disciplines, allowing for more diverse and inclusive fields of study. Zastrocky looks at metaphor in physics as a way …

Letter Blocks, Lukas Graham Hemmer

Senior Projects Spring 2020

A collection of prose and poetry exploring language as a material object.

Spontaneous Minds And Electric Romanticism: Kerouac, Ginsberg, Dylan, Joplin, Sasha Tamar Strelitz

Electronic Theses and Dissertations

This dissertation postulates a sub-category of Romanticism: electric Romanticism. As opposed to its “acoustic” forebear, electric Romanticism exists in an electric age, beginning after Henry David Thoreau’s rumination on the telegraph wire as an electric rendering of the æolian harp image. Romantic poets used the æolian harp to analogize the act of writing activities set into motion by spontaneous thoughts, a central attribute of the Romantic literary movement. The modernized electric version of the æolian harp—the telegraph wire—signals that electric Romanticism branches off from its source and evolves along with technology to engage more synchronously with the spontaneous.

Electric Romantics …

Early Black Poetry, Social Justice, And Black Children: Receptions Of Child Activism In African American Literary History, Tabitha Lashay Joy Lowery

Graduate Theses, Dissertations, and Problem Reports

In spite of the substantial amount of critical work that has been produced on the recovery of early African American literature in the last few decades, our representations of black authors are still limited. Current studies of early African American poets privilege the identification of African American literature with resistance to slavery. This identification has persisted and has made the field one-dimensional. My dissertation provides reception histories of four early black poets—Phillis Wheatley, George Moses Horton, Frances Harper, and Paul Laurence Dunbar—to argue for and present an expansive understanding of African American literature. A thorough examination of these authors’ circulation …