Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Violet Is One Letter Off From Violent, Audrey E. Spina
Violet Is One Letter Off From Violent, Audrey E. Spina
Master’s Theses and Projects
The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …
“Fetch M’Dear”: Healers, Midwives, Witches, And Conjuring Women In Select Ya And Toni Morrison Novels, Diane Mallett-Birkitt
“Fetch M’Dear”: Healers, Midwives, Witches, And Conjuring Women In Select Ya And Toni Morrison Novels, Diane Mallett-Birkitt
Electronic Theses and Dissertations
Accusations and persecution of witchcraft have been embedded in global culture for centuries. For as long as these persecutions have occurred, women have found themselves accused most frequently. Older women with herbal knowledge were often called on to assist with childbirth or termination of pregnancies and this “secret knowledge” often led them to be suspected of supernatural abilities, often of a satanic nature. Intrigued by these wise women who appeared to have mysterious powers and a penchant for arousing the ire of men in the legal, medical, and religious communities, I began to notice their frequent appearance in novels. Does …
Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue
Masters Theses
This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …
“They Do Us The Honour Of Treating Us Like Gods, And We Respond By Treating Them Like Things”: The Problem With Fathers In William Shakespeare’S Titus Andronicus And J.M. Coetzee’S Disgrace, Colleen Walsh
Theses and Dissertations
Titus Andronicus’s obsession with honor eclipses his daughter's agency whereas David Lurie’s acceptance of his daughter's choices ultimately creates conditions of possibility. Coetzee represents Lurie as ultimately shedding patriarchal preoccupation with “dignity” and “honor.”
The Psychological Effects Of Patriarchy And Courtship: Eighteenth Century Women’S Mentalities In Pamela And Clarissa, Peter J. Laporta
The Psychological Effects Of Patriarchy And Courtship: Eighteenth Century Women’S Mentalities In Pamela And Clarissa, Peter J. Laporta
English Theses
I plan to analyze the effects of a patriarchal courtship system on female mentalities during the English eighteenth-century. Samuel Richardson's first two novels, Pamela; or, Virtue Rewarded (1740) and Clarissa, or, the History of a Young Lady (1747-48), will be used toward this end based on their epistolary format. The usage of these letters and journals will be pivotal to the evidence based on the characters creating a written nexus of their minds and bodies through their writing. I plan to lay out the ways in which the reader can emotionally feel and understand both Pamela and Clarissa's breakdown …
Daenerys Targaryen: Mad Or Madly Ended? A Feminist Analysis Of Her Downfall, Barbara Yauss
Daenerys Targaryen: Mad Or Madly Ended? A Feminist Analysis Of Her Downfall, Barbara Yauss
Undergraduate Theses and Capstone Projects
The release of the final episodes of Game of Thrones was met with uproar, particularly in response to David Benioff and Weiss’s ending for the beloved Daenerys Targaryen, played by Emilia Clarke. Her descent into madness has sparked controversy over whether she deserved this fate, with the unexplained slaughter of Kings Landing being yet another example of the showrunners rushing through the eighth and final season. Popular belief agrees either way that Dany’s downfall is attributed to the madness that runs through Targaryen bloodlines. I argue, however, that it is patriarchal impositions that lead to her demise. Jon Snow, as …