Arts and Humanities Commons^™

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

Discourse And Discography: The Pushback Of Female Writers, Characters, And Pop Stars, Amara D. Stroud

Honors College Theses

In my senior thesis, I will be analyzing and comparing early modern literature and “pop” music in order to follow the development of women’s ability to gain power. Throughout history, there has been an ongoing struggle for women’s equity in education, publishing, and socially acceptable actions. While it may seem that comparing literature from the 17^th Century to current pop lyrics, there are major connections that show a consistent female struggle - the inability to voice one’s true feelings due to the reaction of an educated man or an unchanging society. My thesis will focus on literary works such …

Discourse And Discography: The Pushback Of Female Writers, Characters, And Pop Stars, Amara D. Stroud

Honors College Theses

In my senior thesis, I will be analyzing and comparing early modern literature and contemporary popular music in order to follow the development of women’s ability to gain power. Throughout history, there has been an ongoing struggle for women’s equity in education, publishing, and socially acceptable actions. Though the connection between literature and pop music is unordinary, there are major connections that show a consistent female struggle - the inability to voice one’s true feelings due to the reaction of an educated man or an unchanging society. Overall, the response of female characters, authors, and artists is to show their …

“They Do Us The Honour Of Treating Us Like Gods, And We Respond By Treating Them Like Things”: The Problem With Fathers In William Shakespeare’S Titus Andronicus And J.M. Coetzee’S Disgrace, Colleen Walsh

Theses and Dissertations

Titus Andronicus’s obsession with honor eclipses his daughter's agency whereas David Lurie’s acceptance of his daughter's choices ultimately creates conditions of possibility. Coetzee represents Lurie as ultimately shedding patriarchal preoccupation with “dignity” and “honor.”

Seeking The Feminine Divine: Mormon Women's Religious Authority, Power, And Presence In Rachel Hunt Steenblik's Mother's Milk, Kaitlin Hoelzer

Undergraduate Honors Theses

Literary theorists like Hélène Cixous and other French feminists have written about l’écriture feminine, a deconstructive force which allows female writers more freedom from male-dominated areas. Because Christianity has been historically male-dominated, Christian women have long used this idea to great effect, using their writing as a space in which they are free to assert power and authority. Mormonism, which arose in the 1830s during the Second Great Awakening, has grown to reinforce a patriarchal model for both family and church leadership, making Cixous’ separate space of writing necessary for Mormon women of the twenty-first century. The Mormon poet …

Trauma, Violence, And Deathly Consequences: Female Justice In Contemporary Literature And Television Adaptations, Allie Owens

English MA Theses

Over the past decade, a familiar villainous character has begun to arise in television adaptation: the mentally-fractured heroine who turns to villainy: women who have been attacked, raped, or lost loved ones to villains. These attacks and losses trigger murderous rampages and other violence that often leads to their descent into villainy. Netflix’s Jessica Jones, George R.R. Martin’s A Song of Ice and Fire, and its television adaptation Game of Thrones, feature heroines that turn to violence to get revenge. However, the violent heroines in these texts and television adaptations do not just become villains; some …

European Imperialist Violence And Feminine Influence In Joseph Conrad's Heart Of Darkness, Katlyn S. Davenport

English Department Theses

This thesis explores themes of influence and resistance to imperialism in Joseph Conrad’s Heart of Darkness. To contextualize the feminine control and resistance of imperialism and colonialism, the thesis first examines Marlow’s and Kurt’s roles as agents and representatives of the Company, and thereby reveals their complicity in the brutalities carried out against the native people of the Congo. Additionally, it compares the vivid descriptions of violence inherent in imperialist domination with the vaguer characterization of violence among the tribespeople. Finally, by examining relationships between male and female characters as well as the ideals of the Anglo/American New Woman, this …

"Monsters In Suburbia": Women's Bodies, Monstrosity, And Motherhood In The Mere Wife, Claire M. Bonvillain

Honors Theses

This thesis explores themes of monstrosity in Maria Dahvana Headley's novel The Mere Wife in connection with issues of women's bodies and feminism. It analyzes prominent female characters in the novel and the relationships of their bodies to patriarchal authority, showing how and why bodies are deemed monstrous. It discusses the role that motherhood plays in patriarchal society, as well as explores alternatives that the novel offers to this system.

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

Pioneering Feminism: How Early American Female Authors' Heroines Defy Gender Norms, Julie Short

Undergraduate Theses and Capstone Projects

As I began to make decisions about what I wanted to write on, I started to consider the novels that have impacted me. After realizing that many of my favorite novels featured female protagonists from the early twentieth century, I came to the conclusion that I could use these novels to discuss feminism, a topic I am passionate about. I selected O, Pioneers! by Willa Cather, The Awakening by Kate Chopin, The House of Mirth by Edith Wharton, and the short story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman. Each of these authors use their protagonists to represent women who …

“Part Of That (Man’S) World”: Analyzing “Cinderella” And “The Little Mermaid” Fairy Tale Variants Through A Feminist Lens, K. Morgan Mitchell

Honors Theses

Fairy tales are often reduced to nothing more than the moral lesson that can be taught to children. However, when we move past the impulse to search for the simplified moral of the story, we can begin to ascertain the impact of fairy tales on different audiences. This thesis uses both impact theory, which yields a close reading of the textual and cinematic evidence, and reception research, which provides an opportunity to discuss the significance of the material by speculating about the message that readers receive. Under consideration are four variants each of the “Cinderella” and “The Little Mermaid” fairy …

"Don't Look At Her, She's Mad": Mama And Frankenstein Reveal Modern-Day Preoccupations, Caitlin Gamble

Graduate Research Theses & Dissertations

Viewing the film Mama (2013) through the lens of a certain Gothic text, Mary Shelley’s Frankenstein, reveals similar fears of the feminine alongside the focus of the nature of the in-between. These commonalities between the texts reveal an emerging trend in modern monster-horror films—the narrative-driven analysis of the role of the other and multiculturalism in the social consciousness. In this paper, I examine how Mama as an Imperial Gothic film builds on the tradition of indigenous stories, like La Llorona, and the Gothic. By referencing and combining these histories in the genre markers, it uses motherhood and the other to …

Filming Reconciliation: Indigenous Screen Cultures In An Age Of Redress, Kyle L. Killebrew

Graduate Research Theses & Dissertations

This dissertation examines Indigenous cinematic cultures in the United States and Canada since 1998 in the context of international reconciliation movements between settler and Indigenous states. This project examines the contested intersections of twenty-first century Indigenism and multiculturalism, exploring the ways in which Native voices in media navigate international cultural marketplaces. I focus on Georgina Lightning’s Older than America, Igloolik Isuma’s Atanarjuat: The Fast Runner, Sherman Alexie and Chris Eyre’s Smoke Signals, and Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning. Specifically, I am concerned with Indigenous cinemas and media that envision and enact models of reconciliation, healing, and social justice using …

Where Virtue Goes: Stories, Radhika Vu Thanh Vy

Honors Theses

This story is a parallel narrative featuring the life in a fictional remote village in Vietnam some time during the 1800s, as well as the present-day life of a Vietnamese immigrant family in the US. The first narrative explores the efforts of a feminist duo, a matchmaker and a midwife, to help a young pregnant woman get out of an unhappy marriage. In doing so, the duo attempt to unravel traditional gender roles and oppressive social customs, and reweave the village social fabric. The other narrative explores a present-day marriage, one that is as much a disintegrating relationship as one …

Disrupting An(Other): Sexuality As Political Resistance, Emma C. Downey

Master’s Theses

If sexual knowledge can threaten social and political institutions and their control, how do the contents and subjects of literature and publications in the interwar period make that legible? Moreover, if female sexuality–represented or real–was seen as something disruptive to the normal functioning of society, did sexuality offer a useful entry point for social, political, or ideological critiques of the interwar period? My project responds to these questions by analyzing the lives and writings of two female authors of the interwar period: Djuna Barnes (1892-1982) and Katharine Burdekin (1896-1963). In my analysis, I focus on two major points of connection. …

A Transnational Look At The Modern Women, Isabella Hardesty

Honors Undergraduate Theses

Spanning forty years apart, the short story “Miss Sophia’s Diary” (1926) by Ding Ling and The Bell Jar (1963) by Sylvia Plath can speak to one another in revealing the position of women in a revolutionary new era. The two stories may be generationally and geographically distant, yet both hold a collective female consciousness in the context of the emerging modernist epoch. By examining these two pieces of literature in relation to one another, similar attitudes and stylistic trends emerge regarding the treatment of women. The common archetypes, for each respective time and country, imprinted onto women are at some …