Arts and Humanities Commons^™

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

To Be Everything: Sylvia Plath And The Problem That Has No Name, Alanna P. Mcauliffe

Student Theses and Dissertations

This thesis explores, in depth, how the poetry of Sylvia Plath operates as an expression of female discontent in the decade directly preceding the sexual revolution. This analysis incorporates both sociohistorical context and theory introduced in Betty Friedan’s 1963 work The Feminine Mystique. In particular, Plath’s work is put in conversation with Friedan’s notion of the “problem that has no name,” an all-consuming sense of malaise and dissatisfaction that plagued American women in the postwar era. This notion is furthered by close-readings of poems written throughout various stages of Plath’s career (namely “Spinster,” “Two Sisters of Persephone,” “Elm,” “Ariel,” “Daddy,” …

Choking Hazards, Tessa Hathaway

Electronic Theses and Dissertations

The following manuscript is a creative writing thesis in poetry. The goal of the thesis was to expand my abilities as a poet and find a cohesion in my work. I wanted to utilize some skills gain in a fiction workshop and apply them to poetry, as well as gain influences in various fields of expertise through the other courses I’ve been taking in the English department. Essays for a poetics class, novels for an American literature class, and short stories for a fiction workshop gave me a base from which to work from and draw inspiration. Not only was …

Who Died: Redefining The Elegy Through Affect And Trauma, Brittney La Noire

Dissertations, Masters Theses, Capstones, and Culminating Projects

This project introduces the claim that death literature, specifically elegies and epitaphs, do not rely on set structure or content, but rather are poetic effects of trauma and affect. Both have been defined and redefined by critical scholars, but there is still a division about their use. The beginning of the project will pull together Paul De Man, Cathy Caruth, Theresa Brennan, and Diana Fuss to apply the theoretical principle of trauma and affect transhistorically through Theocritus, John Milton, and Percy Shelley. The final portion will be an original creative collection of elegies combined with epitaphs as ending couplets about …

Introducing Godzilla To Marianne Moore's Octopus Of Ice At The Intersection Of Global Warming, Environmental Philosophy, And Poetry, David Seter

Dissertations, Masters Theses, Capstones, and Culminating Projects

This paper explores the question: how can a poet write an ecologically aware poem about global warming? Global warming impacts everything on earth, most visibly the glaciers melting away before our eyes. Adopting Aldo Leopold’s environmental philosophy of thinking like a mountain, the poet may describe the impact of global warming upon the mountain, glacier, flora and fauna, that form an interconnected web of life. A poem that thinks like a mountain already exists: Marianne Moore’s “An Octopus” (published in 1924), which takes its title from the system of glaciers (or octopus of ice) on Mt. Rainier. For a contemporary …

Breaking With Tradition(?) : Female Representations Of Heroism In Old English Poetry., Kathryn A. Green

Electronic Theses and Dissertations

For the Anglo-Saxons, strength, bravery, and the willingness to put oneself in harm’s way for king and kingdom were not only part of contemporary society but recurring themes in Old English literature. Poems like Beowulf and The Battle of Maldon reinforce the important bond between lord and retainer and the heroic ethos key to that relationship. Women were not historically part of this relationship and, therefore, not subject to the heroic code in the same way; consequently, they are rarely seen as anything more than conventional mothers, queens, wives, sisters, daughters, and virgins, all identified by their relationships to men, …

Maybe She Found Me In A Poem, Robin Gow

English Honors Papers

Maybe She Found Me in a Poem explores my own family relationship and family stories through a variety of poetic forms, persona poetry, and prose pieces centered on an imagined relationship with my grandmother who died before I was born. The collection asks, “How much are our family stories our own?” and “Can we create memory?” Themes of haunting, ghosts, queerness, shared memory, death, and burial are carried throughout the collection and brought forward in their respective sections. Images are placed throughout as part of the collection to amplify the “haunting” power of the text.

J.M. Coetzee’S Hall Of Mirrors: Elizabeth Costello And The Animal-Poet, Alec Ciferno

Masters Essays

No abstract provided.

"We Were Framed To Fail And Die": The Ethics And Poetics Of Mortality In The Works Of Gerard Manley Hopkins, Brett C. Beasley

Dissertations

This dissertation is the first comprehensive analysis of the subject of mortality in Gerard Manley Hopkins's writings. Hopkins's writings on this subject are broad and varied: while still a student at Oxford, Hopkins became fascinated by martyrs; later, as a priest he would go on to write movingly about the deaths of parishioners in his care and would extol the virtues of soldiers, or "daredeaths" as he refers to them in one poem; finally, toward the end of his life, Hopkins became preoccupied with the role our own mortality plays in shaping our life, perspective, and choices. While previous scholars …

“While The Imagination Strains / After Deer”: William Carlos Williams’S Interrogations Of The American Transcendental Imagination And The Proto-Suburban Scene, Tyler Wagner

Undergraduate Honors Thesis Collection

Oftentimes the American suburbs are considered through the lens of architecture, economics, fiction, and visual media. And, typically, the conversation centers on their cultural zenith in the 1950s. One literary form is neglected in this conversation: poetry. This omission is peculiar, as a fascination with the vastness of the continent’s landscape—and its significance—pervades the history of the American verse. For Ralph Waldo Emerson, the apparently endless expanses of space and rejuvenative qualities of the American landscape provide the poet’s ideal inspiration, and Walt Whitman, in perhaps the most important collection of poetry of the nineteenth century, Leaves of Grass, is …

Notes On Survival, Despite, Jason Harris

ETD Archive

In this collection of poems, the issue of damage-based thinking and desire-based thinking is being examined. It is being examined through the use of several different types of poetry techniques. Within the poems, the past, the present, and the future are examined and asks a larger question: How can we, as people take the daily violence that we encounter and find – and/or work our way to – joy.

Love, Kissed Into Verse: Swinburne, Tennyson, And The Failure Of Love In Consummation Versus The Triumph Of Love Through Time In Poetry, Julia E. Berry

Senior Projects Spring 2018

At its core, this project seeks to examine the veracity of identifying love and sex as inextricable concepts within romantic relationships. Locating this exploration in the study of Victorian poetry, various poems from A.C. Swinburne’s “Poems and Ballads” and Alfred, Lord Tennyson’s elegy “In Memoriam A.H.H.” provide portraits of love with and without consummation. The first chapter focuses its gaze upon Swinburne’s poems, where consummation in romantic relationships erodes love and causes love’s inability to survive through time. The second chapter analyzes “In Memoriam A.H.H.” and its portrayal of loving, even after the death of the beloved. Ultimately, after considering …

African-American Poetry, Music, And Politics, Tyler H. Macdonald

Honors Theses

The 2016 decision to award songwriter and musician Bob Dylan the Nobel Prize in Literature sparked a worldwide debate on the relationship between music and poetry and raised many questions about music’s place in literary canon. However, this debate is nothing new. Questions about the relationship between music and poetry have long been debated. Some scholars believe the two disciplines should be studied separately, while others prefer to consider the connections between the two.

My project begins with a question: if Bob Dylan’s songs can be considered poetry, what other forms of music might also be considered poetry? Rap implements …

“Poetry Doesn’T Restore Ecosystems”: Garbage And Poetry In The Anthropocene, Joseph Russell Hendryx

Theses and Dissertations

This dissertation examines the representation of material garbage in American poetry, from the development of industrial waste management in the late nineteenth century to the present day ecological crises. In the early to mid-twentieth century, garbage serves as a new Romantic nature, allowing poems’ speakers to reflect on themselves and their society through this trashed landscape. The presence of the material garbage itself, however, was never a central concern and continued to be hidden behind its various metaphorical utilizations. A.R. Ammons’s poem Garbage opened up the poetic conversation by searching for a more nuanced and worldly treatment of garbage. The …

‘Held By Thy Voice’: Navigating Time In John Milton’S Poetry, Jessica Junqueira

Theses and Dissertations

My dissertation, “‘Held by Thy Voice’: Navigating Time in John Milton’s Poetry” explores how and to what extent John Milton uses the formal device of suspension in “Lycidas,” Paradise Lost, and Paradise Regained. I argue that by using suspension, Milton negotiates between multiple categories of time. These moments are important because they highlight characters’ perspectives and expose the limitations of their viewpoints. Milton also employs suspension to introduce potential scenarios that reveal characters to be out of step with a providential framework. He uses suspension to connect two or more temporal categories and to reveal an individual’s position in relation …