Arts and Humanities Commons^™

Narratives Of Incarcerated Women, Kaceylee Klein

Honors Scholar Theses

Our criminal-justice system mandates the silencing and disappearing of 2.3 million people, a consequence of its historical context as an inherently violent institution, carrying on traditions of slavery, oppression, and extortion. While any voice that makes it out of a prison cell is resisting the effort to silence, smother, and make compliant the voices of those labeled criminal, the form of publication of that voice allows more or less agency to the author depending on its conventions and structures. There is a spectrum from more controlled or mediated forms of publications to more author-directed ones and they vary over the …

How Do You Stage A Problem Like Kevin Spacey? Reflections On Performance And Consent, With Help From Ellie Moon And Adam Lazarus, Kim Solga

Department of English Publications

How can theatre and performance open avenues for a nuanced exploration of consent in the wake of #MeToo? What aesthetic, generic, and dramaturgical choices may best contribute to this kind of exploration? As audience members, do we need to be made properly uncomfortable in our seats in order to think deeply about consent at the theatre? What are the ethical boundaries of such discomfort? Kim Solga investigates these questions and more as she revisits her experiences seeing Ellie Moon’s Asking for It and Adam Lazarus’s Daughter shortly after the Weinstein allegations broke in late 2017.

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

The Maternal Body Of James Joyce's Ulysses: The Subversive Molly Bloom, Arthur Moore

Lawrence University Honors Projects

This paper provides a feminist criticism of Ulysses in an attempt to understand the relevance of Joyce and this novel today, as academia is experiencing a welcome pressure to move away from the study of ‘old white men.’ The interest of this paper is an interest in the alterity of the bodies of Ulysses. While once these bodies challenged the common discourse because they were ruled obscene, the bodies of the text continue to challenge both critics and a male literary tradition. As Joyce said about Ulysses, “my book is the epic of the human body.” Ulysses itself …

Monsters, Marines, And Feminism In The 1980s: A Look At Ellen Ripley From Aliens, Summer Reardon

Spring Showcase for Research and Creative Inquiry

The battle between Ripley and the alien mother symbolizes how women of the 1980s were grappling with their changing roles of motherhood brought about in part by their increased power over their own reproductive health, as well as broadening career options for women. During this time, more women began to take on non-traditional gender roles in the workplace, the family, and in society. Ripley's character reflects this the growing wave of feminism, and presaged a more assertive and adaptable woman, while still demonstrating devotion to her adoptive offspring.

Francis Gregg And Horror Feminism, Sarah Jensen

Modernist Short Story Project

For centuries, humankind has been fascinated with horror. From the cruel arenas where gladiators fought to the death in Ancient Rome, to todays Halloween blockbusters, there is no short history for a genre that can creep into any particular story, with just a few ingredients. I believe that horror captures attention through the storytelling mode of relatability. Horror asks of its readers and viewers “what would you do?” Horror is inherently scary because it triggers human empathy and fear for the characters. Experiencing a horror movie or listening to a true crime podcast today can be a validating experience as …

Paralysis And Patriarchy: Moult’S “Stucco” And The Burden Of Responsibility, Elena Arana

Modernist Short Story Project

“Stucco” is a story about paralysis. A single man, around 50 years old, lives with and provides for his aging mother and spinster-sister. He is a blue collar factory employee who works six days a week, from dawn until dusk, humoring his family’s gossip around the dinner table each night in return for his weekend escapes to the country. When he finally gets the chance to retire, he pleads with his mother and sister to leave the city and move to the little cottage that he has always dreamed of owning. They refuse. He drops the subject. The end. “Stucco” …

“A Perfect Stranger”: The Domestic Power Struggle In “Samson And Delilah”, Shelby Shipley

Modernist Short Story Project

D.H Lawrence's short story “Samson and Delilah” was first published in vol. 21 no. 100 of The English Review, a modernist magazine that ran from 1908 to 1923 before it was absorbed into The National Review. According to the Modernist Journals Project, the magazine is described as “being more "modernist" than it actually was” however it was still “a major literary journal of the transitional period” (Modernist Journals Project). The English Review’s first editor, Ford Madox Hueffer, played an instrumental role in D.H Lawrence's literary career. In 1909, Impressed with Lawrence's talent, Heuffer published some of his poems in …

Hg Wells’ Anticipations : More “Perishable” Feminism, Kacey Sorenson

Modernist Short Story Project

In researching H.G. Wells’ evolving views on eugenics, race, anti-Semitism, and women, there was a noticeable absence of scholars referring to his last chapter of Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought. Regardless of why it has been overlooked, the aim of this study is to use the last chapter of Anticipations specifically to emphasize and confirm what feminist scholars have extracted as Wells’ view of women: what he proudly owned as feminism was dismissed by his contemporaries as “very perishable” (Kirchwey 308).

“The Price Of An Inspiration” And Feminism, Hana Buhler

Modernist Short Story Project

There is the saying, “Behind every great man is a great woman.” During the Victorian period, this saying could be considered the theme as women were supporting their husbands and children from within the home. Eventually though, women no longer wanted to be behind. Instead they wanted to be more involved with society by being alongside men. The short story “The Price of an Inspiration” by Ellen A. Smith published in The Argosy May 1900 volume demonstrates this eagerness through a woman named Kathleen Hayes alongside her classmate Carl Brenner. The two come to learn throughout the story that as …