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Full-Text Articles in Arts and Humanities

“And Those That Are Fools, Let Them Use Their Talents”: Looking At The Power Of Music In The Hands Of Shakespeare’S Wise Fools Apr 2019

“And Those That Are Fools, Let Them Use Their Talents”: Looking At The Power Of Music In The Hands Of Shakespeare’S Wise Fools

Noelle Conder

This paper explores Shakespeare’s fools and their use of music. Throughout Shakespeare’s plays, he developed two different styles of fools: the “natural fool” based on the acting style of Will Kemp, and the “artificial fool” based on the acting style and personality of Robert Armin. Armin also helped influence Shakespeare’s increased use of music through his career. Artificial fools use music for two main purposes; either as a shield from the negative repercussions of their words, or as a weapon to more effectively persuade their audience to something. As a shield, the fools make use of the cultural connection between …


The Perverse In Historical Perception: Anne Frank And Neutral Milk Hotel In The Aeroplane Over The Sea, David Rando Apr 2015

The Perverse In Historical Perception: Anne Frank And Neutral Milk Hotel In The Aeroplane Over The Sea, David Rando

David P. Rando

The cover art for Neutral Milk Hotel's In The Aeroplane over the Seareproduces a turn-of-the-century postcard that depicts bathers in an ocean. In the foreground, the figure of a woman leans propped against a railing. For the album, her head has been replaced with a well-worn drumhead. She and the nearest bather have an arm raised. From behind the woman, another raised arm of an otherwise subtended bather appears. Two figures farther in the distance are in the water up to their heads. The blithe face of the nearest bather looks up toward the woman, whose own face has become …


An Oblique Blackness: Reading Racial Formation In The Aesthetics Of George Elliott Clarke, Dionne Brand, And Wayde Compton, Jeremy D. Haynes B.A.H. Sep 2013

An Oblique Blackness: Reading Racial Formation In The Aesthetics Of George Elliott Clarke, Dionne Brand, And Wayde Compton, Jeremy D. Haynes B.A.H.

Jeremy D Haynes B.A.H.

This thesis examines how the poetics of George Elliott Clarke, Dionne Brand and Wayde Compton articulate unique aesthetic voices that are representative of a range of ethnic communities that collectively make-up blackness in Canada. Despite the different backgrounds, geographies, and ethnicities of these authors, blackness in Canada is regularly viewed as a homogeneous community that is most closely tied to the cultural histories of the American South and the Atlantic slave trade. Black Canadians have historically been excluded from the official narratives of the nation, disassociating blackness from Canadian-ness. Epithets such as “African-Canadian” are indicative of the way race distances …


Performance And Music In The Poetry Of Ciaran Carson, Seán Crosson Dr. Jan 2004

Performance And Music In The Poetry Of Ciaran Carson, Seán Crosson Dr.

Seán Crosson

Ciaran Carson has established a reputation as one of Ireland's most important poetic voices. However, Carson is also an accomplished musician whose work reflects the liminal borderland that has always existed between Irish music and Irish literature. Music is a prominent theme throughout Carson's work with songs and musical allusions frequently a feature of his poems. While music has influenced Carson's work thematically, it has played a formative role in one of the most distinctive features of his poetry until recently - that is his use of the long line. This paper argues that it is even possible in some …


Poetry, Music, And The Sustainability Of Language, Jan Wellington Dec 2002

Poetry, Music, And The Sustainability Of Language, Jan Wellington

Jan Wellington

No abstract provided.