Arts and Humanities Commons^™

Tearing Up The Tallgrass, Brett Salsbury

UNLV Theses, Dissertations, Professional Papers, and Capstones

This creative thesis project is a culmination of the Master of Fine Arts in Creative Writing degree at UNLV. The thesis—currently titled Tearing up the Tallgrass—was composed entirely during my graduate semesters at UNLV. As a book of poetry, it explores the dynamics of humans in nature, white privilege, objectivity, fact- and myth-making, and artistic practice. Written under the supervision of Claudia Keelan (committee chair) and Donald Revell (committee member), my committee further includes P. Jane Hafen (English) and Pierre Lienard (Anthropology). Their disparate subject and genre interests are meant to diversify the feedback received during this project’s composition. Some …

Multiplicity, Marianne Leslie Chan

UNLV Theses, Dissertations, Professional Papers, and Capstones

This manuscript, Multiplicity, is a collection of poems that addresses the varying dimensions within human interactions and the multiple nature of the self. The speakers in these poems confront the “arbitrary constraints” and the categories that define our identities, as well as how these categories are almost always blurred by the complexities of the self and the differences between people. These categories include gender, sexuality, ethnicity, siblinghood, daughterhood, and religion. Two of these poems— “Really, It is All Arbitrary Constraint” and “Other Stories,” which appear in the second section—attempt to dismantle these constraints and/or categories by breaking from traditional poetic …

Maps On The Backs Of Our Eyes, Joan Paulette Robinson

UNLV Theses, Dissertations, Professional Papers, and Capstones

A collection of poems related to places in the Mojave Desert and the Las Vegas area or in rural central Michigan. Most poems deal with history and memory and the overlapping nature of experience.

About A Yellow Ball, Shannon Alice Salter

UNLV Theses, Dissertations, Professional Papers, and Capstones

These are poems made from many things: color, eggs, oranges, many kinds of seeds, leaves, wind, California, the desert, birds. They are things alive in the world and alive in my heart. I cannot take them out of the world, but from my heart I can have whatever appears on its surface. The language of steam.

They are poems that like to be at home.

California is my home and so is the Mojave (and so is every desert). I live in a valley about four hundred miles from the Pacific Ocean, in the city of Las Vegas. What better …

Strike Out Across The Shoreless Ocean, Julia Claire Paajanen

UNLV Theses, Dissertations, Professional Papers, and Capstones

What happens between a reader and a poem is none of my business. The world has always been yours; find your own way.

(1) Every choice is correct.

(2) Everything is true.

(3) What is anything, unless so far as it is enjoyed?

All you have to do is see the course, and when you see it, go.

Sensory Imagery And Aesthetic Affect In The Poetry Of Keats, Hopkins, And Eliot, Clare Louis Gerlach

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation focuses on applying a new method of analysis to selected works by three major poets, John Keats, Gerard Manley Hopkins, and T. S. Eliot. The project considers their work in light of recent scholarship by Charles Altieri on the affects, such as emotion, feelings, passion, and mood; how these affects operate in artistic works; and, specifically, examines how these authors employ the affects in their poetry to express their own emotions and, in the creation of lyric poems, turn these emotions into works of art. In addition, the project strengthens the aesthetic readings with a study of the …