Arts and Humanities Commons^™

Shakespeare's Dowry: Subjectivity And Resistance In The Taming Of The Shrew, Romeo And Juliet, And The Merchant Of Venice, Homer Lee Simms

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation analyzes dowry in three Shakespeare plays—The Taming of the Shrew, Romeo and Juliet, and The Merchant of Venice. The analysis aims to show that the dowry negotiations and agreements are the most important component of the patriarchal structure of marriage depicted in Shakespeare’s plays. Since dowry agreements signal the impending transition from feme sole to feme covert, they are appropriated by the women in the three plays under consideration as the first stage in a process to assure subjectivity after their marriages. To maintain subjectivity, Katharina, Bianca, Juliet, Portia, and Jessica seek to create and occupy a liminal …

The Skinny House, Leo August Jilk

UNLV Theses, Dissertations, Professional Papers, and Capstones

The title of my thesis is The Skinny House, a phrase which might indicate: 1) The body of a human or other animal, 2) A coffin or grave, and 3) A residence in Mamaroneck, New York built of recycled materials (e.g. railroad ties and a chicken coop) by an African-American carpenter named Nathan T. Seely in 1932. Seely and his brother ran a business that thrived for several years prior to the Great Depression, catering specifically to Southern blacks moving north. While only a few pages of my thesis are directly concerned with the Mamaroneck residence and its social implications, …

A Natural History Of Teasing: British Women Writers And The Shakespearean Courtship Narrative, 1677-~1818, Mary Vance

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation considers the complex roles that nascent Bardolatry, the rise of women

writers, and the persistence of satiric impulses played in engineering the teasing relationships of eighteenth-century courtship fiction. I argue that in a period reputedly dominated by sentiment, women’s comedy largely hinged on anti-sentiment, particularly in its appropriation of the antithetical wooing practices so pervasive in Shakespeare’s romantic comedies. Such a perspective endows female authors (and their protagonists) to assume control of the discursive field and resituates the love story into a love game. I begin by tracing the continued influence of the Elizabethan culture of jest, aligning …

Consanguinity Protocols, Kinship And Incest In Literature Of The Anglo-Saxon Through Early Renaissance Periods, Richard J. Warren

UNLV Theses, Dissertations, Professional Papers, and Capstones

Incest appeared as a frequent motif of medieval literature. The tales ranged from inadvertent encounters, intentional acts and incest narrowly avoided through recognition. Stories served as cautionary tales warning the populous of one of the many sins of the flesh. Along with detailing the ecclesiastical and secular prohibitions against incest, I explore the reasons for the frequency of narratives and verse centered upon incest. Examining literature form the Anglo-Saxon period through the early Renaissance shows the popularity of the theme but also illustrates how the perceived consequences of incest changed from one period to the next. The genetic consequence of …

Tearing Up The Tallgrass, Brett Salsbury

UNLV Theses, Dissertations, Professional Papers, and Capstones

This creative thesis project is a culmination of the Master of Fine Arts in Creative Writing degree at UNLV. The thesis—currently titled Tearing up the Tallgrass—was composed entirely during my graduate semesters at UNLV. As a book of poetry, it explores the dynamics of humans in nature, white privilege, objectivity, fact- and myth-making, and artistic practice. Written under the supervision of Claudia Keelan (committee chair) and Donald Revell (committee member), my committee further includes P. Jane Hafen (English) and Pierre Lienard (Anthropology). Their disparate subject and genre interests are meant to diversify the feedback received during this project’s composition. Some …

Water, Prestige, And Christianity: An Ecocritical Look At Medieval Literature, Cortney Nicole Lechmann

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines four medieval works, Beowulf, Pearl, The History of the Kings of Britain, and Lancelot, the Knight of the Cart from an ecocritical perspective. Specifically, it looks at how water affects the human culture described within each work, how the characters and their culture affect the water in return, and how they position themselves in regard to nature. This examination includes any relevant influences which affect the characters’ perception of the various bodies of water, such as the religion, technological advances, and historical background of the time period during which the authors wrote each work. It discusses each …

"Mother, I Will": Female Subjectivity And Religious Vision In The Brontës Novels, Amanda Scott

UNLV Theses, Dissertations, Professional Papers, and Capstones

Anne, Charlotte, and Emily Brontë have long attracted sustained critical attention, in

large part because of their strong female protagonists. These strong-willed women self-assuredly reject oppression and model new paradigms for the Victorian woman to empower her subjectivity. This subjectivity serves, in turn, not only as the ability to form and express views counter to outworn social prescriptions, but it also serves as the centralized interior focus that allows their protagonists to think of themselves as the foremost subjects of their lives, rather than see themselves as pawns to be moved about in the games of patriarchal hierarchy. This study …

Heaven On Their Minds, Rebecca Kate Robison

UNLV Theses, Dissertations, Professional Papers, and Capstones

Heaven on Their Minds is a novel written from the first-person perspective of teenage

protagonist Melody O’Malley. The plot details Melody’s attempt, along with two close friends, to undermine their conservative Christian theater camp’s summer production of Godspell via the edgier songs and theology of Jesus Christ Superstar. Though ostensibly a satire of the Evangelical Christian community, Melody’s insecurities are the true heart of the novel--her fraught relationship with her best friends, her concerns about her post-high school future, and her ill-advised crush on the most prominent RFC (Robot for Christ) in the camp, a crush that has terrible consequences …