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Articles 1 - 18 of 18
Full-Text Articles in Arts and Humanities
Reshaping The United States' Anti-Trafficking Legislation: The Need For Uniform Reporting And Victim Rehabilitation, Bryant Cross
Reshaping The United States' Anti-Trafficking Legislation: The Need For Uniform Reporting And Victim Rehabilitation, Bryant Cross
Honors Theses
Trafficking in persons—or “human trafficking”—is a prevalent issue in the United States in the twenty-first century. Since the turn of the century, awareness surrounding the national and international problem of human trafficking has gradually risen. This rise in awareness came hand-in-hand with Congressional efforts to combat the trafficking of human beings through federal law—namely, the Trafficking Victims Protection Act (TVPA) of 2000 and its subsequent reauthorizations. Unfortunately, federal legislators’ initial framing of the trafficking in persons problem as an international issue—rather than a national issue—led to the creation of a weak legislative foundation for anti-trafficking efforts in the United States. …
“Called Forth By Imminent Dangers”: The American Gothic In Mysteries Of Detection And Detective Fiction (1799-1929), Keli Masten
“Called Forth By Imminent Dangers”: The American Gothic In Mysteries Of Detection And Detective Fiction (1799-1929), Keli Masten
Dissertations
The period from 1799 through 1929 marks a remarkable era of development for gothic themes in American mystery and investigative fiction. From early “mysteries of detection” through more structurally formalized detective stories, this project examines the differences in the gothic modes and devices employed by Charles Brockden Brown, Edgar Allan Poe, Anna Katharine Green, Mark Twain, and Dashiell Hammett, and their significant contributions to the progression of the popular gothic detective genre. Through the study of each author’s specific style and focus, there is much to learn about literary development and cultural influence. All of the authors mentioned here address …
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Accessus
Even though Gower identifies Godfrey of Viterbo's Pantheon in the first two lines of the "Tale of Apollonius of Tyre" in Book VIII of the Confessio Amantis as the main source for his retelling of this tale, the connection between these two works has long been mostly ignored, and even denied. This essay aims to remedy this oversight by showcasing how Gower went beyond merely mentioning the Pantheon and used Godfrey's version of the tale as a thematic and stylistic model for his account of this incestuous tale of desire. Gower takes his cue from Godfrey in imbuing the titillating …
Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek
Accessus
Trauma has long played a role in queer narratives, including Ovid’s “Iphis and Ianthe”, which many scholars have interpreted as reinforcing heteronormativity through Iphis’s transformation into a man in order to marry Ianthe. However, I argue that John Gower’s rendition of this tale reframes Iphis as a trans man and allows us to understand the poem as a subversive trans narrative that revolts against cisnormative conceptions of gender. Utilizing Judith Butler’s writing on the medicalization of gender, I explore the relationship between trauma, performance, and gender within the Ovidian and Gowerian versions of Iphis.
Foreword, Georgiana Donavin, Eve Salisbury
Foreword, Georgiana Donavin, Eve Salisbury
Accessus
This is the Foreword to Accessus 5.1
A Space Of Her Own: Genderfluidity And Negotiation In The Life Of Christina Of Markyate, Meghan L. Nestel
A Space Of Her Own: Genderfluidity And Negotiation In The Life Of Christina Of Markyate, Meghan L. Nestel
Medieval Feminist Forum: A Journal of Gender and Sexuality
This paper draws on transgender studies and theories of gender performativity and genderfluidity to consider how twelfth-century holy woman Christina of Markyate resists traditional and third-gender binary policing. It argues that Christina is genderfluid, and that as a secular, masculinized, and religious virgin, she co-exists within and moves among multiple gender spaces that allow her to establish her own authority.
Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley
Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley
Medieval Feminist Forum: A Journal of Gender and Sexuality
This article draws on methods from transgender theory, historicist literary studies, and visual analysis of medieval sealing practices to show that Empress Matilda of England was controversially styled as a female king during her career in the early to mid twelfth century. While the chronicle Gesta Stephani castigates Matilda’s failure to engage in sanctioned gendered behaviors as she waged civil war to claim her inherited throne, Matilda’s seal harnesses both masculine and feminine signifiers in order to proclaim herself both king and queen. While Matilda’s transgressive gender position was targeted by her detractors during her lifetime, the obstinately transgender object …
Architectural Rhetoric In Shakespeare And Spenser, Jennifer C. Vaught
Architectural Rhetoric In Shakespeare And Spenser, Jennifer C. Vaught
Research in Medieval and Early Modern Culture
Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches …
Darkness, Depression, And Descent In Anglo-Saxon England, Ruth Wehlau
Darkness, Depression, And Descent In Anglo-Saxon England, Ruth Wehlau
Richard Rawlinson Center Series
This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Life of Saint Guthlac, the Junius manuscript, the Wonders of the East, and the Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and …
Playing Merlin: Authorship From Geoffrey Of Monmouth To Neomedievalisms, Keith Russo
Playing Merlin: Authorship From Geoffrey Of Monmouth To Neomedievalisms, Keith Russo
Dissertations
The twenty-first century is the age of new media for old stories. Just as film, television, and print have adapted medieval literature into movies like Excalibur and Monty Python and the Holy Grail, video games have produced new versions of Arthurian tales whose mysterious origins blur the distinction between history and myth. Many academics are concerned with the authenticity of the various representations of the Middle Ages and the “historical” Arthur and Merlin and label any postmedieval adaptation as an “anachronistic” medievalism. However, electronic texts have provided a different focus: studying the multiplicity of rewritings of those names through …
Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy
Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy
Medieval Feminist Forum: A Journal of Gender and Sexuality
One of the most ambiguous and contentious characters in Geoffrey Chaucer’s fourteenth-century Canterbury Tales is the Pardoner, the last (and arguably worst) of the pilgrims described in the General Prologue. The Pardoner accused of being a gelding or a mare endowed with several effeminate traits, plays on multiple gendered associations—including that of a cross-dressing woman. Throughout the Canterbury Tales Chaucer manipulates gender expectations and assumptions in the figure of the Pardoner without fully clarifying the Pardoner’s sex, sexuality or gender, leaving the text open to potentially subversive interpretations. By the fourteenth century, cross-dressing was a relatively common literary motif, …
Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman
Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman
Medieval Feminist Forum: A Journal of Gender and Sexuality
In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …
“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris
“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris
Medieval Feminist Forum: A Journal of Gender and Sexuality
This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …
The Laureate, Hannah Ryder
The Laureate, Hannah Ryder
Honors Theses
In its eighteenth edition, the only undergraduate literary journal on Western Michigan University’s campus returns with more phenomenal student creations. The Laureate, led this year by senior Hannah Ryder, compiles fiction, non-fiction, plays, poetry, art, and photographs to provide a yearly snapshot of the best work from the university’s brightest individuals. Inside, the pieces explore not only what it means to be an individual, but how different surroundings and influences shape characters and experiences. The journal kicks off with a photograph staring up at a golden-leafed tree, representing both hopefulness and light. It then moves quickly and seamlessly through a …
The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu
The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu
Studies in Medieval and Early Modern Culture
This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …
The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter
The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter
Late Tudor and Stuart Drama
This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She illuminates how playwrights both satirized and perpetuated the notion of the womb’s insatiable appetite.
Early Modern Britain’S Relationship To Its Past: The Historiographical Fortunes Of The Legends Of Brute, Albina, And Scota, Philip M. Robinson-Self
Early Modern Britain’S Relationship To Its Past: The Historiographical Fortunes Of The Legends Of Brute, Albina, And Scota, Philip M. Robinson-Self
Research in Medieval and Early Modern Culture
This volume considers the reception in the early modern period of four popular medieval myths of nationhood—the legends of Brutus, Albina, and Scota—tracing their intertwined literary and historiographical afterlives. The book is particularly timely in its dialogue with current investigations into early modern historiography and the period's relationship to its past, its engagement with pressing issues in identity and gender studies, and its analysis of British national origin stories at a time when modern Britain is considering its own future as a nation.
Blind Spots Of Knowledge In Shakespeare And His World, Subha Mukherji
Blind Spots Of Knowledge In Shakespeare And His World, Subha Mukherji
Studies in Medieval and Early Modern Culture
A "blind spot" suggests an obstructed view, or partisan perception, or a localized lack of understanding. Just as the brain "reads" the "blind spot" of the visual field by a curious process of readjustment, Shakespearean drama disorients us with moments of unmastered and unmasterable knowledge, recasting the way we see, know and think about knowing. Focusing on such moments of apparent obscurity, this volume puts methods and motives of knowing under the spotlight, and responds both to inscribed acts of blind-sighting, and to the text or action blind-sighting the reader or spectator. While tracing the hermeneutic yield of such occlusion …