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Full-Text Articles in Arts and Humanities
'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman
'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman
Studies in Scottish Literature
This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of "pastoral improvement" on an individual and national scale and foresees--to a point--how his work will be received in the decades and even centuries to come. After situating his work within the uprising of the Galloway Levellers, pastoral, and the early work of agricultural improvement, I consider how the concept of improvement shapes the reception of his work in the Linley-Tickell production of the 1780s--including a surprising appearance from the Shakespearean forger, William Henry Ireland--and the key role The Gentle Shepherd plays in "The Young …
Mapping Changes To The Songs In The Gentle Shepherd, 1725-1788, Brianna E. Robertson-Kirkland
Mapping Changes To The Songs In The Gentle Shepherd, 1725-1788, Brianna E. Robertson-Kirkland
Studies in Scottish Literature
Examines the varying ways in which the songs in Allan Ramsay's ballad-opera The Gentle Shepherd were published between the 170s and the 1780s, noting variation in how particular songs were titled, in which songs were included and how they were placed within the dramatic text, in which tunes were used for which song-texts, and in how words were related to music in editions providing both. The discussion is supported by extensive tables and lists of 18th century Ramsay editions, and illustrated with transcriptions of the music in two editions. Concludes that the addition of the music in later editions served …
'Some Few Miles From Edinburgh': Commemorating The Scenes Of The Gentle Shepherd In Ramsay Country, Craig Lamont
'Some Few Miles From Edinburgh': Commemorating The Scenes Of The Gentle Shepherd In Ramsay Country, Craig Lamont
Studies in Scottish Literature
Traces the history of Ramsay commemoration, from the obelisk at Penicuik with an inscription from 1759 onwards, and successive attempts to identify actual settings for scenes and incidents in his ballad opera The Gentle Shepherd, in illustrations (notably by David Allan for the Foulis edition of 1788), other editions and memoirs, and competing contributions by the ministers of rival parishes to the Statistical Account of Scotland, giving particular attention to the roles in the "battle over Ramsay country" of two local landowners, Alexander Fraser Tytler (Lord Woodhouselee) and Robert Brown of Newhall; providing maps and illustrations to clarify …
Allan Ramsay: Romanticism And Reception, Murray Pittock
Allan Ramsay: Romanticism And Reception, Murray Pittock
Studies in Scottish Literature
Provides a review and interpretation of Allan Ramsay's career and reputation, and of scholarly and critical response to his work, exploring "the foundational nature of his contribution to the language of Scottish literature," reaching a wider audience, for Scots, his dominant role in the history of Scottish song, and the pivotal role of his writing, especially his ballad-opera The Gentle Shepherd, in the formation of Scottish romanticism, and of the wider romantic movement.
Networks Of Sociability In Allan Ramsay's The Fair Assembly, Rhona Brown
Networks Of Sociability In Allan Ramsay's The Fair Assembly, Rhona Brown
Studies in Scottish Literature
Discusses the background, publication history, and significance of Allan Ramsay's poem The Fair Assembly (1723), about an elite dance gathering in Edinburgh, the social connections of its aristocratic patrons ("Directresses"), and its political and cultural implications, especially in connection with the continuing role of Jacobite and other anti-Whig and anti-Presbyterian sentiment in the nation's capital.
Series Editors' Preface To Ssl 46.2, Patrick Scott, Tony Jarrells
Series Editors' Preface To Ssl 46.2, Patrick Scott, Tony Jarrells
Studies in Scottish Literature
Introduction to special issue on Allan Ramsay; comment on cover illustration from the William Aikman-George White mezzotint portrait of Ramsay.
Spatial Humanities And Memory Studies: Mapping Edinburgh In The First Age Of The Enlightenment, Murray Pittock, Craig Lamont
Spatial Humanities And Memory Studies: Mapping Edinburgh In The First Age Of The Enlightenment, Murray Pittock, Craig Lamont
Studies in Scottish Literature
Describes the first phase of a digital project mapping social and cultural relationships in early 18th century Edinburgh, Scotland, part of a larger AHRC grant-funded study Allan Ramsay and Edinburgh in the First Age of the Enlightenment; explores interrelations between urban history, digital mapping, and emerging interest in the field of memory studies; and suggests links between the heterogeneous and cosmopolitan nature of housing in early 18th century Edinburgh and the Scottish Enlightenment culture of innovation.
Dunbar And His Readers: From Allan Ramsay To Richard Burton, Priscilla Bawcutt
Dunbar And His Readers: From Allan Ramsay To Richard Burton, Priscilla Bawcutt
Studies in Scottish Literature
No abstract provided.
Old Bones Disinterred Once Again: Ramsay's Pastoral And Its Legacy For The Literati, A. M. Kinghorn
Old Bones Disinterred Once Again: Ramsay's Pastoral And Its Legacy For The Literati, A. M. Kinghorn
Studies in Scottish Literature
No abstract provided.
"'Minds That Move At Large': A Scottish Perspective On Collegiate Literary Societies, Past And Present", Patrick G. Scott
"'Minds That Move At Large': A Scottish Perspective On Collegiate Literary Societies, Past And Present", Patrick G. Scott
Faculty Publications
This paper contrasts two kinds of literary society, based on examples from eighteenth-century Edinburgh: the "ludic" or playful use of rhetoric in the early 18th century Easy Club, centred on the Scottish poet Allan Ramsay (1686-1758), and the "agonistic" or forensic rhetoric of the later 18th century Speculative Society, especially as seen in the Scottish lawyer and reviewer Francis Jeffrey (1773-1850) and in the influential Edinburgh Review for which he wrote. The paper originated as the keynote address to Rhetor '86: the Convention of the National Association of Collegiate Literary Societies, held in Columbia, SC, October 10, 1986.