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Bad Blood: Octavia E. Butler Takes A Bite Out Of Gender And Racial Stereotypes In Fledgling, Abigail Cole

Senior Theses

For contemporary audiences the word “vampire” typically conjures two figures: a Damon Salvatore-esque[1] man with devil may care eyes, dark hair and an equally dark past. Dripping with sex and charm, he struggles with an internal dilemma, his animalistic urge to kill constantly at war with his human morality. On the other hand, we have the sexy, scantily clad white female vampire who uses her feminine wiles and socially “perfect” body to prey upon poor, unsuspecting men, until she is eventually corralled into domestic submission, or killed. While this description fits the broader scale of what the vampiric figure …