Arts and Humanities Commons^™

The Conversational Dynamic In American Public Life, Hannah Goff Spicher

Theses and Dissertations

A confluence of factors has sparked a sustained, public preoccupation with conversation. Brewing since the fifteenth century and overtly public since the middle of the nineteenth century, the explosion of public models of conversation that emerged in the European and American rhetorical traditions is significant—without precedent—in the history of rhetoric. This interest in conversation is so pronounced as to penetrate not just public speaking practices, but subtler interpretations of law, philosophy, commerce, and government. I identify this as the conversational turn. The extent to which this saturation was truly conversational is the subject of much debate. However, the contours …

The Judgement Of Southern Motherhood In Works By Doris Betts, Gail Godwin, Dorothy Allison, And Kaye Gibbons, Jennifer Martin

Theses and Dissertations

My dissertation considers depictions of mothers in the works of four southern women writers published between the late 1970s and the early 1990s. During this period there was a conservative backlash to the progressive second-wave feminist movement. The tensions that women experienced between the ideas of feminism and the traditions in the South that women should aspire to motherhood above all other enterprises and should enact motherhood as selfless servants to their children and husbands are apparent in the fictional works examined in this study.

I consider texts by Doris Betts, Gail Godwin, Dorothy Allison, and Kaye Gibbons to explore …

Moral Ambiguity In The Works Of Cormac Mccarthy, Christina Xan

Theses and Dissertations

Cormac McCarthy’s works have presented a question since he first published The Orchard Keeper in 1965 – what are his characters’ motivations? McCarthy’s novels are known for showing little to no interiority of his characters. This choice to depict action and not thought makes it nearly impossible to discern the reasoning behind the actions of the characters. Not being able to definitively know the motivations of the characters in his novels makes it hard to argue that his characters are simply “good” or “bad,” and morality becomes hard to discern. Although actions such as murder appear immoral without having an …

Women’S Writing And The Poetics Of Scientific Knowledge, 1620-1740, Rachel Mann

Theses and Dissertations

Women’s Writing and the Poetics of Scientific Knowledge, 1620-1740 probes the porous boundary between science and literature, revealing that the methodologies undergirding scientific experimentation were developed communally and through a confluence of interdisciplinary and cultural concerns. Ultimately, it shows that our contemporary understanding of the natural world and the scientific method have a history that is largely one of fragments. Secondly, and more importantly, it demonstrates the value of reading imaginative writing alongside scientific developments of the day.

Focusing on women’s imaginative writing in particular reveals the power and limits that ostensibly liminal voices have. As such, Women’s Writing and …

Building Worlds Out Of Inadequate Materials: Infrastucture And Affect In John Dos Passos’ Manhattan Transfer And John Steinbeck’S The Grapes Of Wrath, David Scott Mathews

Theses and Dissertations

The beginning of the 20th century in America featured the rapid economic and infrastructural development of New York City, recently dubbed the “second metropolis.” The technological advancements in electric power and automobility made it possible, and economically desirable, for a larger and larger community to have access to the promise of good fortune that being connected to the metropolis signified. The result of this promise was the formation of the subway system and the highway system. Both John Dos Passos’ Manhattan Transfer and John Steinbeck’s The Grapes of Wrath explore the space between these poles. In this essay I argue …

“A Solid Foundation Of Stable Possessions”: Gendered Genealogies In Shirley Jackson’S We Have Always Lived In The Castle, Andi Waddell

Theses and Dissertations

Shirley Jackson’s odd and unsettling novel, We Have Always Lived in the Castle, explores the relationship between family, gender roles, and property through the murdered and murderous Blackwood family. Throughout the novel, Jackson associates objects with either male or female legacies within the family. Constance, Julian, and Merricat Blackwood engage in repetitive, formalized handling of objects, and these ritualized interactions create family history. Even as items associated with the women constitute narratives of female history and thereby subvert the family’s patriarchal structure, objects in the text reveal the way patriarchy reproduces itself in the mundane and the personal. Merricat …

The Warped One: Nationalist Adaptations Of The Cuchulain Myth, Martha J. Lee

Theses and Dissertations

In this dissertation, I trace the use of the mythic Irish hero Cuchulain by early Irish nationalists. From 1878 to 1939, Standish James O’Grady, Lady Augusta Gregory, and William Butler Yeats employed this figure for specific political and cultural agendas. Cuchulain makes a fitting symbol for the “poet warrior” stereotype that was purposely and incidentally cultivated during the cultural nationalist phase of the Irish Literary Revival, when writers were beginning to explore the Cuchulain myth to demonstrate cultural and linguistic ideals. Nationalists found in Cuchulain a symbol that could tie the cultural to the political and the political to the …

Sand, Water, Salt: Managing The Elements In Literature Of The American West, 1880-1925, Jada Ach

Theses and Dissertations

Sand, Water, Salt focuses on Progressive Era American literature that explores the theme of land management set in the so-called wasteland spaces of the arid deserts, semi- arid high plains, and Pacific Ocean. The rhetoric of turn-of-the-century land managers, engineers, and developers insisted that humans and their environments remained separate, thus affording humans the ability to control land from a safe distance. However, the works I examine in my project demonstrate that even thoroughly regulated environments remain lively and beyond total control. My project archive, which includes Progressive Era fiction, memoirs, irrigation maps, aerial photographs, dry farming manifestos, and other …

Russian Roots In Southern Soil, James Preston Edge

Theses and Dissertations

This dissertation explores the profound influence that 19th-century Russian authors had on 20th-century Southern writers. Recent analyses of the American South have looked to the fluid nature of this region’s borders, often spreading into the Caribbean, South America, and American West, but there has not yet been any book- length study of the ways in which several Russian literary masters, including Ivan Turgenev, Anton Chekhov, and Fyodor Dostoevsky, influenced Southern authors, particularly Ernest Gaines, Eudora Welty, and Richard Wright. In particular, these Southern authors, in interviews and essays, have repeatedly extolled these Russian figures for their elevation of communal folklore, …

Divine Absence, Divine Presence: The Theological Arguments Of Elizabeth Singer Rowe’S The History Of Joseph, Laura Macgowan

Theses and Dissertations

Elizabeth Singer Rowe’s Biblical epic The History of Joseph (1736), which dramatizes the events of Genesis 37-45, stands out in her oeuvre not only generically—it is her only long narrative poem—but because of how rarely God appears as an intervening agent or subject of narrative attention. Rather than highlight God’s splendor by imbuing Scripture with poetic embellishment, as is her wont, Rowe’s language downplays God’s hand in a famously Providential story (Genesis 50.20). While God shows up most often as an entity to beseech or a cultural token to reference, pagan deities govern the plot’s action; Rowe relishes in …

A Conceptual Mapping Approach For Presenting A Practical Past: Addressing Responsibility Through Contextualization In Information System Design For The Ward One Mobile Application, Sadia Obaid Khan

Theses and Dissertations

This paper presents and documents a model for telling history through technology using the Ward One application for iOS mobile devices as a test site for the idea of conceptual mapping. The historical-information delivery system was created to mobilize the rhetoricity of representation that is a procedural necessity of technological mediation.

The paper begins by explaining the exigence of the app—to tell the history of an African-American community displaced from the land now occupied by the University of South Carolina as a result of racially discriminating housing policies in Columbia, SC and across the United States. It then addresses the …