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Full-Text Articles in Arts and Humanities
"A Special Cause Of Corrupting Their Youth": The Long History Of Censorship, Hysteria, And The Representation Of Queer Desire In Literature, Kenia Torres
Student Theses and Dissertations
This thesis will focus on queer representation in literature, going all the way back to the works of Milton and Shakespeare and include an exploration of contemporary text Gender Queer by Maia Kobabe. I will trace queer representation back to these authors from the canon to show that queer representation in literature and societies’ hysterical reaction to it are neither new nor emergent. Chapter 1 addresses the trending outrage towards books that include LGBTQ+ representation, framing it as a “new” and “emergent” occurrence. Chapter 2 refutes the claims that LGBTQ+ representation is either of those things by introducing Milton’s angels— …
Don't Say Gay: Love Language In Coriolanus, Patrick Lynch
Don't Say Gay: Love Language In Coriolanus, Patrick Lynch
Dissertations and Theses
Coriolanus is one of Shakespeare's Roman plays, a sub-genre which also includes Titus Andronicus, Julius Caesar, and Antony and Cleopatra. The one element these plays have in common is the ideal Roman hero, the civis romanus, who meets a tragic end. These heroes are not generally considered queer as no free Roman male could allow himself, per social indoctrination instilled since youth, to take on a submissive role. However, Caius Martius and the relationship he maintains with Tullus Aufidius could arguably be seen as homoerotic or even, possibly, homosexual. This paper takes a closer look at …
The Ideal Elizabethan Marriage (Or Naught): How Fletcher’S Comedy, The Tamer Tamed Serves As A Sequel, Homage And Riposte To Shakespeare’S The Taming Of The Shrew, Katherine Brillante
The Ideal Elizabethan Marriage (Or Naught): How Fletcher’S Comedy, The Tamer Tamed Serves As A Sequel, Homage And Riposte To Shakespeare’S The Taming Of The Shrew, Katherine Brillante
Student Theses
In this thesis, I take my cue from Emma Smith, who observes that John Fletcher’s The Woman’s Prize, or The Tamer Tamed is “a sequel, an homage, and a riposte to Shakespeare’s own Taming of the Shrew” (xii). While demonstrating Smith’s point, I also explore the ideology of marriage in Renaissance England, considering what it means to be a rebellious woman with respect to that institution. While, as Ann Jennalie Cook observes, “a play is not an exact replica of the customs of the time” (83), these two plays nevertheless illuminate the ways in which marriage customs during this …
Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva
Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva
Publications and Research
This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …
Broken Harts: Mourning The Human/Animal Divide In Shakespeare’S As You Like It And Wordsworth’S “Hart-Leap Well”, Jennifer Jourlait
Broken Harts: Mourning The Human/Animal Divide In Shakespeare’S As You Like It And Wordsworth’S “Hart-Leap Well”, Jennifer Jourlait
Theses and Dissertations
This thesis compares the deer scenes in Shakespeare’s As You Like It and Wordsworth’s “Hart-Leap Well.” Both raise questions about man’s right to hunt animals with impunity. Shakespeare’s Jaques superficially takes up the issue of animal rights whereas Wordsworth’s personification of the stag evokes the reader’s sympathy for the animal.
Shakespeare's Problem Comedies As Self-Critique, John-Paul Spiro
Shakespeare's Problem Comedies As Self-Critique, John-Paul Spiro
Dissertations, Theses, and Capstone Projects
I argue that Measure for Measure and All’s Well That Ends Well reveal underexplored features common to Shakespeare’s comedies. Often interpreted as “problem plays,” they are more representative of the genre than previously acknowledged. I suggest that Shakespeare wrote them to de-nature and de-familiarize his own practices. The plays present the coercion inherent in the normativizing of marriage as the basis for social and political order. The “happiness” achieved—or at least gestured towards—at the end of Shakespearean comedy restricts human possibilities and is often presented as an imposition or injunction rather than a reflection of spontaneous, collective emotion. In particular, …
Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu
Student Theses and Dissertations
Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …
Furious: Myth, Gender, And The Origins Of Lady Macbeth, Emma King
Furious: Myth, Gender, And The Origins Of Lady Macbeth, Emma King
Dissertations, Theses, and Capstone Projects
This thesis attempts to understand the fabulously complex and poisonously unsettling Lady Macbeth as a product of classical reception and intertextuality in early modern England. Whence comes her “undaunted mettle” (1.7.73)? Why is she, like the regicide she helps commit, such a “bloody piece of work” (2.3.108)? How does her ability to be “bloody, bold, and resolute” (4.1.81), as Macbeth is commanded to be, reflect canonical literary ideas, early modern or otherwise, regarding women, gender, and violence? Approaching texts in the literary canon as the result of transformation and reception, this research analyzes the ways in which Lady Macbeth’s gender, …
Shakespeare's Villains: The Displacement Of Iago And Edmund, Julius C. Adena
Shakespeare's Villains: The Displacement Of Iago And Edmund, Julius C. Adena
Theses and Dissertations
My thesis argues that Shakespeare’s villains, Iago and Edmund, are displaced from their rightful positions and are left isolated from society. While many critics either condemn or defend Shakespeare’s villains, I will examine how both characters use their knowledge of rhetoric and persuasion to survive the displacement that they have experienced. The first chapter explores the importance of military ranks and the mentality of a soldier in Othello. War becomes a metaphor to Iago, and because of his displacement as lieutenant, he takes initiative to win the war. I will examine the different masks he wears, his powers as …
Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers
Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers
Dissertations, Theses, and Capstone Projects
Mirroring its many definitions, the concept of hybridity has historically been a highly fraught one, with creatures such as the centaur or the satyr alternately treated as wild and wise. Defined as a “mixed entity,” the English word “hybrid” derives from the ancient Greek hybris, a term with several connotations, including wanton violence, lust, or outrage. The word is also synonymous with “hubris,” or excessive pride. Hybris also developed additional meanings, referring to a deed of excess, an attempt to rise above one’s station, or the desire to surpass the gods. More positively, hybris may also be translated as …
Idiot Science For A Blue Humanities: Shakespeare's The Comedy Of Errors And Deleuze's Mad Cogito, Steven Swarbrick
Idiot Science For A Blue Humanities: Shakespeare's The Comedy Of Errors And Deleuze's Mad Cogito, Steven Swarbrick
Publications and Research
Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting the thought of ‘our’ world under erasure. This is not a matter of turning thought around, such that, by turning to the sea, we turn thought away from calculation and instrumental reason and rediscover our true nature. Rather, the image of …
Dear Son Of Memory: Milton's Engagement With Shakespeare, Bradley Fox
Dear Son Of Memory: Milton's Engagement With Shakespeare, Bradley Fox
Dissertations, Theses, and Capstone Projects
Dear Son of Memory establishes new lines of inquiry into Milton’s engagement with Shakespeare, exploring explicit verbal allusions to Shakespeare’s plays in Milton’s works, as well as echoes of characters, scenes, and themes. It argues that Milton viewed Shakespeare sympathetically, rather than as a rival and it therefore revises the legacy of Harold Bloom’s “anxiety of influence” model, which still dominates scholarship in Milton studies today. More specifically, this project offers evidence from Milton’s early poems to show that Milton regarded Shakespeare as a fellow vatic poet and a friendly influence who helped him to dramatize the two central tenets …
Shakespeare And Chaucer: Dream Visions And Dramatic Designs, Michael Plunkett
Shakespeare And Chaucer: Dream Visions And Dramatic Designs, Michael Plunkett
Dissertations, Theses, and Capstone Projects
This dissertation explores echoes of Chaucer's dream visions in two of Shakespeare's late plays, Cymbeline and The Tempest, and in the induction to The Taming of the Shrew. Shakespeare turns to Chaucer's dream visions, particularly The Book of the Duchess and The House of Fame, not to use them as narrative sources, but to appropriate conventional elements of artistic self-exploration and self-definition in them. Chaucer's dreamers, who are also writers, read classic stories in bed, dream dreams that react to those stories, and then wake up and write new poems that report on what they have read …
Famed Communities: Trojan Origins, Nationalism, And The Question Of Europe In Early Modern England, Joseph Bowling
Famed Communities: Trojan Origins, Nationalism, And The Question Of Europe In Early Modern England, Joseph Bowling
Dissertations, Theses, and Capstone Projects
Throughout medieval Europe, royal families traced their genealogies back to the ancient Trojans. Beginning in the Carolingian court, this practice persisted into the early modern period, when narratives of ancient Troy—from accounts of the war to rewritings of Virgil—saturated literary production. Constituting the translatio imperii tradition, in which civilization “translates” from east to west, these legends of Trojan descent allowed European monarchs to legitimize their authority, or imperium, as derived from the Roman Empire, which Virgil famously celebrated as descending from Trojan Aeneas. This tradition formed what I call feudal cosmopolitanism: an affiliation among nobility premised on shared descent …
In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick
In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick
Publications and Research
No abstract provided.
Sonifying Hamlet, Ashleigh Cassemere-Stanfield
Sonifying Hamlet, Ashleigh Cassemere-Stanfield
Dissertations, Theses, and Capstone Projects
Sonifying Hamlet uses data-mining techniques and algorithmic composition to read Shakespeare's Hamlet through sound. In so doing, it attends to pre-semantic, textual data that is only visible when one steps back from reading for narrative and instead focuses on formal details that, being individually small, but collectively numerous, are more visible to computational sorting than they are to human eyes that have been trained to look for broad semantic content. This use of algorithmically generated sound to reconstruct textual data continues the western trend towards ubiquitous quantification, while also challenging that trend's underlying assumption that reality is reducible to fully …
Literary Theories Of Circumcision, A. W. Strouse
Literary Theories Of Circumcision, A. W. Strouse
Dissertations, Theses, and Capstone Projects
“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …
Ecologies Of The Passions In Early Modern English Tragedies, Roya Biggie
Ecologies Of The Passions In Early Modern English Tragedies, Roya Biggie
Dissertations, Theses, and Capstone Projects
Ecologies of the Passions recovers a neglected model for understanding early modern relationality, one that turns the seemingly inward experience of emotion outward toward the environment. Drawing on early modern medical texts, I argue that the period’s dramatists imagine bodies as humorally vulnerable to other bodies, both human and nonhuman, within dynamically affective environments. As such, my project illustrates the intimate configurations of human and nonhuman life in early modern tragedies. Building upon recent work in the emerging fields of ecocriticism and affect theory, I argue that the period’s dramatic literature exposes the porous fluidity of the Galenic body—its embeddedness …
"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom
"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom
Dissertations, Theses, and Capstone Projects
This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …
Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick
Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick
Publications and Research
This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …
The Mystification Of Christian Salvation: On The Anxiety Of Redemption In Renaissance Poetry And Drama, Kimberly Paige Ambroziak
The Mystification Of Christian Salvation: On The Anxiety Of Redemption In Renaissance Poetry And Drama, Kimberly Paige Ambroziak
Dissertations, Theses, and Capstone Projects
"The Legend of the Red Crosse Knight," "Doctor Faustus," "Hamlet," and "Samson Agonistes" are secular poetic explorations with a common idea: the possibility of Christian salvation. These examples of the redemptive quest seem to reveal the uneasiness of salvation which is representative, if only broadly, of the atmosphere in which their authors were writing. More specifically, the intention of this study is to reveal the possibility and nature of Christian uncertainty as it is firmly rooted in the early modern period. As Christian doctrine proves protean from its beginnings in the first century to Protestant tracts in the sixteenth, these …
Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick
Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick
Publications and Research
No abstract provided.