Open Access. Powered by Scholars. Published by Universities.®
- Publication Type
Articles 1 - 2 of 2
Full-Text Articles in Arts and Humanities
Harlem And Abroad: Notes To An International 'Renaissance', Joshua I. Cohen
Harlem And Abroad: Notes To An International 'Renaissance', Joshua I. Cohen
Publications and Research
Like other intractable figures of the Harlem Renaissance, the movement’s visual artists sometimes exceeded their expected parameters, and thus their anticipated representativeness of a locality. Their images, in other words, did not automatically disclose Harlem-bound or even US-bound concerns. Now familiar through continual reproduction in exhibition catalogues, scholarly monographs and literary compendia, certain artworks from the period – such as Archibald J. Motley’s Blues (1929; Figure 1) and Aaron Douglas’s Congo (c. 1928; Figure 2) – subverted any definition of the Harlem Renaissance that would hinge on a narrowly delimited urban geography or national imaginary. Motley, who painted ‘Blues’ during …
Being Together: Imaginaries Of Coexistence And Resistance In Contemporary South Asian Writings, Mahendran Thiruvarangan
Being Together: Imaginaries Of Coexistence And Resistance In Contemporary South Asian Writings, Mahendran Thiruvarangan
Dissertations, Theses, and Capstone Projects
Being Together is a critical inquiry into selected writings that produce a counter-hegemonic imagination of pluralism, coexistence and cultural resistance to the violence, dispossession and exclusions perpetuated by nationalist, racist and neoliberal forces in South Asian and South Asian diasporic contexts, primarily spaces within or associated with Sri Lanka. Due to the historical role the nation, homelands, native culture, sovereignty, and self-determination have played in liberating South Asia from the clutches of British colonialism in the mid-twentieth century, these ideas have enormous political valence to the socio-political lives of the communities that consider the region their homeland today. While this …