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To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
The Ethics Of Perception In Transatlantic Romantic Poetry, Charles W. Rowe
The Ethics Of Perception In Transatlantic Romantic Poetry, Charles W. Rowe
Dissertations, Theses, and Capstone Projects
The Ethics of Perception in Transatlantic Romantic Poetry is a report on the ethical significance of British and American Romantic poetry composed between 1785 and 1865. This study focuses on the poems of William Cowper, William Wordsworth, Ralph Waldo Emerson, and Walt Whitman. Its central claim is that these poets composed a body of work that sought to show readers how their sustained attention to everyday perceptual experience could lead them towards a more empathic way of being.
The first chapter argues that the late-eighteenth century poet William Cowper is the initiator of the ethically-oriented poetry of perception that Wordsworth, …