Arts and Humanities Commons^™

Diasporic Strangers In The Mirror: Ever-Evolving Identity And The Immigrant Experience, Meriam Metoui

Theses and Dissertations

This text explores the disparity between immigrant parents and their American born or raised children and show the chasm of misunderstanding between generations navigating different national and cultural contexts found in novels such as The Joy Luck Club, The Namesake, Americanah, and Everything I Never Told You.

Taming The Beast: Heathcliff As Dog In Wuthering Heights, Anna Cittadino

Theses and Dissertations

This paper examines the human/animal distinction in Wuthering Heights by Emily Brontë, focusing specifically on the animal within Heathcliff, and the way this animal undermines his ability to be human as a result of the violence and abandonment he endured in childhood.

Contradictions Of Freedom In The Tempest And The Brief Wondrous Life Of Oscar Wao, Menaka Serres

Theses and Dissertations

In William Shakespeare’s The Tempest (1610-1611) and Junot Diaz’s The Brief Wondrous Life of Oscar Wao (2007) the character negotiate contradictions of freedom: the entitlements that justify violence as well as oppression on the one hand and rights that grant access to emancipation from violence and imposition on the other.

The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick

Theses and Dissertations

After the terror attacks of 9/11, zombie stories experienced an unprecedented boom, or for some critics, a renaissance. Fears of mass death, infiltration by the Other, and life before and after the apocalyptic moment were played out through zombie stories. The longevity of the boom also saw the zombie myth move into strange new places including Young Adult novels, resulting in what I refer to as the “Gen Z zombie.”

In his discussion of the sympathetic zombie, Kyle William Bishop mentions YA zombie texts including Carrie Ryan’s The Forest of Hands and Teeth and Isaac Marion’s Warm Bodies but groups …

The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris

Theses and Dissertations

Frequently in their respective oeuvres, Verne and Wells write in a rhetoric of conquest that almost always translates to discovering a more efficient means of taming wild, non-European environments. These goals extend not only to the lands that their protagonists explore, but also to human beings and other life that may populate them. Indeed, the underlying focus—the one that is masked behind the thrill and adventure of both Wells and Verne—is none other than the march of progress as understood by middle-class Europeans in the latter half of the nineteenth century. Progress can produce positivistic optimism, and it can also …

Words Speak Louder Than Actions: The Power Of Vocality And Oral Communication In Medieval Viking Literature, Yasmine Abdel-Jawad

Theses and Dissertations

This paper examines the nature of oral communication within medieval Nordic societies, specifically focusing on the usage of various speech acts in classic Viking literary texts. This essay explores the language employed by Viking characters, noting the ways in which they could demonstrate their power/authority through words as well as the way in which verbal ability could either elevate or diminish one’s social status.

Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn

Theses and Dissertations

John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

Shakespeare's Villains: The Displacement Of Iago And Edmund, Julius C. Adena

Theses and Dissertations

My thesis argues that Shakespeare’s villains, Iago and Edmund, are displaced from their rightful positions and are left isolated from society. While many critics either condemn or defend Shakespeare’s villains, I will examine how both characters use their knowledge of rhetoric and persuasion to survive the displacement that they have experienced. The first chapter explores the importance of military ranks and the mentality of a soldier in Othello. War becomes a metaphor to Iago, and because of his displacement as lieutenant, he takes initiative to win the war. I will examine the different masks he wears, his powers as …

"Mute Flesh": Women's Death-Worlds In David's Story And Waiting For The Barbarians, Kate Finley

Theses and Dissertations

This thesis expands upon Achille Mbembe's theory on necropower and death-worlds to incorporate the consideration of gender. This is done using the lens of violence against women during South African apartheid and through an examination of two novels: Zoë Wicomb's David's Story and J.M. Coetzee's Waiting for the Barbarians.

An Incurable Malady? Representations Of Female Madness In Nineteenth Century-Twenty-First Century Literature, Kimberly Sooklall

Theses and Dissertations

From the mad heroines of classic Victorian literature to the depictions of female insanity in modern Western writing, women suffering from mental instability have been a common recurrence at the center of plotlines. This thesis will explore the historical context of madness as a gendered concept by examining several literary works published in different centuries.

Virginia Woolf And Gertrude Stein’S Repurposing Of Feminine Domestic Language Through The Lens Of Bakhtinian Heteroglossia And Dialogic Theory, Samantha Ortiz

Theses and Dissertations

This essay examines the ways that Virginia Woolf in A Room of One’s Own and Gertrude Stein in The Autobiography of Alice B. Toklas and “The Good Anna” recapture feminine domestic language in order to produce a new form of feminist heteroglossia, a reworking of Bakhtinian heteroglossia and dialogic theory.

Thornfield, Wragby, And Their Discontents: Nature And Civilization In Jane Eyre And Lady Chatterley’S Lover, Marianna Alvarado Teuscher

Theses and Dissertations

In Jane Eyre and Lady Chatterley’s Lover, Charlotte Brontë and her literary inheritor, D.H. Lawrence, locate the potentially revolutionary romance between their protagonists in natural settings, distant from the social sphere, in order to demonstrate the un-naturalness of an administered capitalist society in which class distinctions work in dehumanizing ways.

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.