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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Too Soon Forgot: The Ethics Of Remembering In Richard Iii, Now, And House Of Cards, L Monique Pittman
Too Soon Forgot: The Ethics Of Remembering In Richard Iii, Now, And House Of Cards, L Monique Pittman
Faculty Publications
Three interconnected performances of Shakespeare's Richard III display the extreme hermeneutical volatility of representation when remediated through a celebrity's personal history. The film NOW: In the Wings on a World Stage (dir. Jeremy Whelehan, 2014) documents the Bridge Project Company's Richard III directed by Sam Mendes and starring Kevin Spacey (2011-12), a production launched at London's Old Vic and transferred to twelve cities across the globe. Just prior to the distribution of NOW, Netflix released its first season of House of Cards (2013) with Spacey as the politician, Francis Underwood, at the center of its seamy landscape. Spacey insists …
Get Out And The Remediation Of Othello's Sunken Place: Beholding White Supremacy's Coagula, Vanessa I. Corredera
Get Out And The Remediation Of Othello's Sunken Place: Beholding White Supremacy's Coagula, Vanessa I. Corredera
Faculty Publications
As a result of director and writer Jordan Peele's remediation of the horror genre to create a racially polemic film, breakout horror-thriller Get Out (2017) has achieved critical and commercial success while substantially affecting how Americans think about and approach race. As stories about a black man amidst an all-white community who ultimately strangles his white female lover, Get Out and Shakespeare's Othello share obvious narrative overlaps. Othello, however, maintains a more tenuous status regarding race and its function within the storyline than does Get Out. Othello remains a play mired in questions about how or even whether …
"They Called Me Kimchi Breath" And Other Short Narrative Essays: A Study In Composing Asian-American Identity In Short Nonfictional Essays, Teddy Kim
Honors Theses
The heterogenous lifestyle of Asian-Americans is one of duality. For this ethnic group, personal identity is a mix between American standard practices and inherited Asian traditions. However, even if their cultural practices are primarily American, Asian-Americans are often “Otherized” and outcast when claiming an American identity, forcing them to be regarded as “just Asian.” As such, they are Americans being rejected by America, and as a result have no other place to call home . In this project, I seek to heal the strife this rejection creates, attempting to confront these tensions and resolve them. As a hyphenated American, I …
A Comparative Analysis Of National Identity Construction And Rhetorization In William Shakespeare's King Henry V And Aphra Behn' Oroonoko; Or, The Royal Slave, David Forner
Honors Theses
Positioned at the climax of both William Shakespeare’s King Henry V (1600) and Aphra Behn’s Oroonoko; or, The Royal Slave (1688) are dynamic calls for battle. While King Henry rallies his forces against the French, Oroonoko—an enslaved African prince—ignites a slave revolt against English colonial masters. This comparative analysis of the speeches’ rhetoric identifies three sets of similar appeals: to martial masculinity, honor as a moral code, and collective political identities. From Behn’s application of Shakespeare’s canonical rhetoric derives commentary on each rhetor’s ability to construct and rhetorize his national identity. Importantly, analysis reveals the impact of racialized difference on …
The Blame Game : Complicity And Rape Culture In Margaret Atwood's Novel And Hulu's Adapted Series The Handmaid's Tale, Hannah Gallant
The Blame Game : Complicity And Rape Culture In Margaret Atwood's Novel And Hulu's Adapted Series The Handmaid's Tale, Hannah Gallant
Honors Theses
Margaret Atwood’s The Handmaid’s Tale (1985) and the Hulu award-winning televisual adaptation (2017-Present) portray a dystopic, theocratic regime known as Gilead. The regime’s focus on female bodies and reproduction exemplifies what feminist theorists call rape culture, a culture Gilead perpetuates through sexual violence, rape, and surveillance. Using critical race theory, media and close-textual analysis this project examines both works, arguing that complicity within the novel must be discussed in relation to rape culture and that while the series accounts for rape culture, it problematically manifests a type of feminism that privileges white women over women of color.
Ever With Thee: A Vespers In Music And Poetry, Department Of Music
Ever With Thee: A Vespers In Music And Poetry, Department Of Music
Concerts and Event Programs 2019-2020
Presented as a joint effort by the Department of English and Department of Music, Ever With Thee is an evening of music and poetry, including poetic works by Shauna Niequist, Denise Levertov, Dana Faulds, and others, as well as musical pieces by Scarlatti, Tchaikovsky, Haydn, and others.