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Full-Text Articles in Arts and Humanities
Aoyama Shinji, Aaron Gerow
Aoyama Shinji, Aaron Gerow
Aaron Gerow
A "new and improved" version of my essay on the Japanese film director first published in Fifty Contemporary Filmmakers (Routledge, 2002). It analyzes his work up until Sad Vacation (2008), especially in relation to his theoretical stances.
Visions Of Japanese Modernity: Articulations Of Cinema, Nation, And Spectatorship, 1895-1925 (Excerpt), Aaron Gerow
Visions Of Japanese Modernity: Articulations Of Cinema, Nation, And Spectatorship, 1895-1925 (Excerpt), Aaron Gerow
Aaron Gerow
Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi …
Research Guide To Japanese Film Studies (Introduction), Aaron Gerow, Markus Nornes
Research Guide To Japanese Film Studies (Introduction), Aaron Gerow, Markus Nornes
Aaron Gerow
The Research Guide to Japanese Film Studies provides a snapshot of all the archival and bibliographic resources available to students and scholars of Japanese cinema. Among the nations of the world, Japan has enjoyed an impressively lively print culture related to cinema. The first film books and periodicals appeared shortly after the birth of cinema, proliferating wildly in the 1910s with only the slightest pause in the dark days of World War II. The numbers of publications match the enormous scale of film production, but with the lack of support for film studies in Japan, much of it remains as …
Repetition And Rupture In The Films Of Kawase Naomi / Ripetizione E Rottura Nei Film Di Kawase Naomi / Repetición Y Ruptura En Las Peliculas De Naomi Kawase, Aaron Gerow
Aaron Gerow
An analysis of the films of Kawase Naomi, from her first 8mm works to The Mourning Forest, focusing on the thematic and stylistic tension between repetition and rupture.
Uchida Tomu And The Missing Links / Materialität Und Existenz: Uchida Tomu Und Die Fehlenden Bindeglieder Des Japanishcen Kinos, Aaron Gerow
Aaron Gerow
A short article written for an Austrian film journal which argues that the director Uchida Tomu can serve as a sort of missing link, connecting especially pre- and postwar cinema.