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Cultural Combinations In Japanese Art: The False Dichotomy Of Buddhism And Shintō, Danae Reaves-Bey Browne

Honors Program Theses and Projects

In the latter half of the nineteenth century, the Meiji regime (1868-1912) of Japan declared a mandatory separation of indigenous deities from Buddhist figures. The Meiji government sought to use indigenous rituals, instead of Buddhist rituals, to legitimize its power. It thus codified these beliefs as a national religion, today referred to as Shintō (神道), to emphasize their autonomy. Yet, in spite of its efforts to isolate these beliefs from all others, Japanese spirituality still bears traces of “extra-cultural” religious ideas. This is the result of a long history of religious syncretism (hybridity) in the region. An understanding of the …