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Dramatic Literature, Criticism and Theory

Loma Linda University

Theses/Dissertations

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Full-Text Articles in Arts and Humanities

John Ford: A Concise Annotated Bibliography, Jeffrey L. Johnson Jun 1985

John Ford: A Concise Annotated Bibliography, Jeffrey L. Johnson

Loma Linda University Electronic Theses, Dissertations & Projects

This study fills the needs for an annotated bibliography in John Ford studies. Until now, no such project has been attempted. Because of the tremendous amount of material available by and about Ford, the scope of this project was limited to published works about Ford in English.

In compiling the bibliography, I used previously published bibliographies on Ford and the annual MLA Bibliography. In addition, I consistently checked the bibliographies of each work cited in my bibliography to obtain those items which eluded me elsewhere.

I personally surveyed the contents of every book, essay, and other documents in preparing the …


Orestes And Redemption In Two Different Ages, Kevin Lantry Jun 1982

Orestes And Redemption In Two Different Ages, Kevin Lantry

Loma Linda University Electronic Theses, Dissertations & Projects

In the attempt to ascertain man's changes in world view, the Orestes stories of the Greek tragedians were compared with the Orestes stories of six 20th-century playwrights. The Orestes plays of Aeschylus, Sophocles, and Euripides were contrasted with the similar plays of Hofmannstahl, Jeffers, O'Neill, Giraudoux, Eliot, and Sartre. The Greek tragedians appear to terminate Orestes' retribution for inherited evil and a just crime by an actual, total, restorative redemption, divinely instigated. The 20th century playwrights portray only the potential termination of Orestes' retribution in a distant future, by means of a salvation that is self-instigated, costly, and completely non-restorative. …


Sir Gawain And The Green Knight : Entertainment--The Author's Intention, Gregory Kabanuk May 1982

Sir Gawain And The Green Knight : Entertainment--The Author's Intention, Gregory Kabanuk

Loma Linda University Electronic Theses, Dissertations & Projects

The subject of this paper is the Gawain poet and his monumental poem Sir Gawain and the Green Knight. The concern will not be with the poet's identity or social rank, but will instead be with his motives. In some places this paper will appear to work backwards, assuming that since a certain effect was achieved, it must have been intended, but that is not an uncommon assumption in literary criticism.

Entertainment value will be stressed not because Sir Gawain is exclusively entertainment, but because the primary purpose of the author was to entertain, as a sermon may be …


"Art For Truth's Sake" : James A. Herne As Social Critic And Literary Artist, Nancy Hoyt Lecourt Sep 1974

"Art For Truth's Sake" : James A. Herne As Social Critic And Literary Artist, Nancy Hoyt Lecourt

Loma Linda University Electronic Theses, Dissertations & Projects

James A. Herne, 1839-1901, is generally considered to be the best American dramatist prior to O'Neill. His dramas represent the first American attempts at dramatic realism. His early plays are melodramatic in tendency, but soon he began to eliminate villains, asides, stereotyped characters, and other trappings of that earlier dramatic form. When Hamlin Garland saw Herne's play dealing with the drinking problem, Drifting Apart, he was convinced that Herne could be groomed into a sort of American Ibsen. Garland soon introduced Herne to William Dean Howells, and the two authors encouraged Herne in his quest for realism. The result …


Three Studies In Characterization, Diana A. Kohler Aug 1973

Three Studies In Characterization, Diana A. Kohler

Loma Linda University Electronic Theses, Dissertations & Projects

THE WOMEN OF BEN JONSON IN EPICOENE AND BARTHOLOMEW FAIR. This paper compares and contrasts the method variations that cause the women of Epicoene to be less interesting and more stereotyped than those of Bartholomew Fair.

Basically, in the women of Epicoene, Jonson used character types exclusively. The women were all "masculine," and remained that type throughout the play. In Bartholomew Fair, Jonson created versatility in the characters by including more information on the women through rhetorical "places," particularly the consilium or reason behind their actions. The multiplied places in the women in Bartholomew Fair, the changes in the …