Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 30 of 32
Full-Text Articles in Arts and Humanities
Dear America (American Dream), Luisa Igloria
Dear America (American Dream), Luisa Igloria
English Faculty Publications
No abstract provided.
I Planted The Sun In The Middle Of The Sky Like A Flag: In And Of Etel Adnan’S Arab Apocalypse, Hilary Plum
I Planted The Sun In The Middle Of The Sky Like A Flag: In And Of Etel Adnan’S Arab Apocalypse, Hilary Plum
English Faculty Publications
No abstract provided.
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
English Faculty Publications
The two poems belong to a lyric sequence that loosely tracks the emotive trajectory of Thomas Mann's Death in Venice.
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
English Faculty Publications
The poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poem contains passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Motus Animi Continuus, Mark Anthony Cayanan
Motus Animi Continuus, Mark Anthony Cayanan
English Faculty Publications
The poem part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum.
Outside A Binary System, The Brighter Object Is A Dream, Luisa A. Igloria
Outside A Binary System, The Brighter Object Is A Dream, Luisa A. Igloria
English Faculty Publications
No abstract provided.
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
English Faculty Publications
The three poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. All the poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Six Poems From I Look At My Body And See The Source Of My Shame: ("We've Arranged Our Lives," "My Soul, Steeped In My Pride," "The World Is A Funny House," "My Joy From You Lives Free," "Our Hunger Like A Cockroach," And "Nothing Is Ever Clean In Me"), Mark Anthony Cayanan
English Faculty Publications
Six Poems from I Look at My Body and See the Source of My Shame: ("We've arranged our lives," "My soul, steeped in my pride," "The world is a funny house," "My joy from you lives free," "Our hunger like a cockroach," and "Nothing is ever clean in me")
Poems From "Sentence", Mark Anthony Cayanan
Poems From "Sentence", Mark Anthony Cayanan
English Faculty Publications
The three poems are from a sonnet sequence titled "Sentence."
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum, Jonas Zdanys
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum, Jonas Zdanys
English Faculty Publications
As one of those educated to consider the primacy of the word – written and spoken – as the vehicle for creating and transferring knowledge, I am often surprised by the evidence around me that we live in a world inwhich technological devices of variousshapes and sizes have blunted the reliance on the layerings of words to define and engage in favor of various shortcuts to knowledge. Complexity of expression in the textures of language has given way, because of those devices and their applications, to abbreviations, neologisms, emojis, deliberate misspellings, instagrams, tweets, and other avenues of expression that focus …
Maybe So, Charles Hartman
Maybe So, Charles Hartman
English Faculty Publications
The article presents the poem "Maybe So," by Charles O. Hartman. First Line: We have a little time here; Last Line: every fear we came to love with, and the love.
Yo Yu, And Christopher Reeve's Filipino Nurse (Two Poems), Luisa A. Igloria
Yo Yu, And Christopher Reeve's Filipino Nurse (Two Poems), Luisa A. Igloria
English Faculty Publications
No abstract provided.
The Strange, Charles Hartman
The Strange, Charles Hartman
English Faculty Publications
Presents the poem "The Strange," by Charles O. Hartman. First Line: fungus raised by the night's rain; Last Line: thread cubic miles of humus.
Petting Zoo, Charles Hartman
Petting Zoo, Charles Hartman
English Faculty Publications
Presents the poem "Petting Zoo," by Charles O. Hartman. First Line: Spring: the edges and middles; Last Line: think of it, mammals with wheels.
Excerpts From "Morning, Noon, And Night", Charles Hartman
Excerpts From "Morning, Noon, And Night", Charles Hartman
English Faculty Publications
Presents the poems "Syzygy," "Offering," and "Giving," excerpts from "Morning Noon and Night," by Charles O. Hartman.
Smoke, Rénee Olander
What Does That Mean?, Carolyn Rhodes
What Does That Mean?, Carolyn Rhodes
English Faculty Publications
No abstract provided.
Decision, Edith White
Grandma, Matilda Cox
Songs Of A Turning Body, Luisa A. Igloria
Songs Of A Turning Body, Luisa A. Igloria
English Faculty Publications
No abstract provided.
Cover Girl Run For Cover, Rénee Olander
Cover Girl Run For Cover, Rénee Olander
English Faculty Publications
No abstract provided.
Pai Dos Burros, Luisa A. Igloria
Excerpts From "Death Journal", Nancy Olthoff
Excerpts From "Death Journal", Nancy Olthoff
English Faculty Publications
No abstract provided.
Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner
Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner
English Faculty Publications
We are--almost all--born into families, born into relationship. Like Mary Ann Evans, I was born a little sister--but had I encountered her "Brother and Sister" sonnets at twelve, I might have thrown the book across the room. George Eliot's fantasy of a perfected brother-sister relationship in these sonnets rings hollow and yet resonates profoundly with me. As a little sister myself, I wonder what could make the relationship--so often fraught with competition, envy, and neglect, yet potentially so richly rewarding--seem so powerfully right, so important to and adult woman's self-identification? For the narrator of the sonnets is certainly an adult …
Limpet, Charles Hartman
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
English Faculty Publications
Writing in the Old English Andreas is at once both a productive and a destructive activity. We first become aware of the dangerous power of the written word quite early in the poem, when we learn that the Mermedonians have subverted the normally productive activity of writing into a tool for calculating the execution dates of their prisoners (134-37). Later, the words uttered by the devil to incite the Mermedonians against Andreas illuminate the lexical relationship between the destructive nature of writing and the productive nature of torture in the semiotic context of the poem. Finally, in a sort of …
At Aunt Meg's Funeral [And] Poetic License, David F. Curtis
At Aunt Meg's Funeral [And] Poetic License, David F. Curtis
English Faculty Publications
Two poems by David Curtis, an associate professor of English at Sacred Heart University, published in Coe Review, a contemporary anthology which publishes a variety of writings from within the Coe community and throughout the country.
Love Song: Accidental Species, Charles Hartman
Love Song: Accidental Species, Charles Hartman
English Faculty Publications
No abstract provided.