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Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Hurricane Girls, Kallie Comardelle
Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis
Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis
LSU Master's Theses
With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …
A Walmart With No Televisions, Samuel A. Bickford
A Walmart With No Televisions, Samuel A. Bickford
LSU Master's Theses
A Walmart with No Televisions is a deconstructed novel about the perils and heartbreak of adolescent drug addiction. What begins as a fad, a social affectation, quickly becomes a guiding light. The novel illustrates hope as a potentiality, and escape from oneself as something always in question. Happiness is uncertain, but the experience is not.
'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott
'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott
LSU Doctoral Dissertations
For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …