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Navigating The Wreck: Writing Women’S Experience Of The Japanese Occupation Of Singapore. Salvaged From The Wreck: A Novel -And- Diving Into The Wreck: A Critical Essay, Dawn Nora Crabb

Theses: Doctorates and Masters

This thesis is in two parts. The first and major part consists of a historical novel followed, in part two, by an essay. The title of this thesis, “Navigating the Wreck”, refers metaphorically to the Fall of Singapore in 1942, the ensuing human tragedy unleashed on the people of Singapore and Malaya, and the literary and historical processes of exploring, interpreting and depicting the past. The Japanese occupation of Singapore has, to date, been described mostly by Western historians and former prisoners of war who have forged a predominant patriarchal narrative. In that narrative—despite the all-encompassing nature of the occupation …

Embracing The Abject: Explored Through Kristeva’S Theory Of The Maternal And The Abject In The Creative Work “Listening”, Michelle Symes

Theses : Honours

Kristeva and Jung are both concerned with marginalization. For Jung, it is marginalization of the hidden unconscious (Hauke, 2000). For Kristeva, it is marginalization of the hidden physical realm of women and the “feminine” (Hauke, 2000, p127). Using Kristeva as my primary theorist, I will compare her subject-inprocess theory of the maternal and abject to Jung’s static unitary theory of individuation and the Shadow. Because of the parameters of this project, I have not been able to focus on the nature of Jung’s central feminine principle. By comparing Kristeva to Jung, women’s shame, as represented by patriarchy’s rejection of the …

Sexuality, Desire And The Ageing Female Body: An Essay, Lauren Marsh

Theses: Doctorates and Masters

This thesis consists of a novella, ‘One Night in Hong Kong’, and an essay, ‘Sexuality, Desire and the Ageing Female Body.’ The novella tells the story of an erotic affair between the female narrator and a man in a hotel room in the neon city of Hong Kong. Told in four parts, the story shifts in time, reflecting on earlier events in the narrator’s life and a trip she made to the Sicilian city of Catania in 1954.

Older female protagonists and their sexuality are rarely depicted in contemporary Australian fiction. Where representations do exist, they act as ‘interventionist’ texts, …