Arts and Humanities Commons^™

The Fragmentation Of The Writing Self: Using Dialogic Reflection To Explore The Writing Process Of An Autobiographical Novel, Alberta Natasia Adji

Research outputs 2014 to 2021

In this article, the author-researcher presents three intertwined texts: excerpts from an autobiographical novel, extracts from a reflexive journal written during the writing of that novel, as well as a theorized account and analysis of the overarching creative process. These texts talk to each other as a form of intertextuality in the similar way that the three generations of a Chinese Indonesian family depicted in the novel interact with one another and present differing perspectives and fresh insights. The issues of the writer’s inner voices and multiplicity of the self feature prominently in this work, the result of a deep …

Bully Me, Bruce Roberts Mutard

Research outputs 2014 to 2021

What price bullying? Is it as simple as saying: ‘hit back’ or, ‘toughen up’? Or, is it to be endured, because it won’t last forever? But what if it does last? What if the bullies finally go away, but you’re left with the worst bully of all: yourself? Your inner voice telling you you’re no good, you’re ugly, you’re the worst in the world and it would be better off without you?

How do you escape the bully that lives inside your head, all day, every day, every night?

This is the story of how I managed to escape that …

Leadbetter, Bruce Roberts Mutard

Research outputs 2014 to 2021

A satirical comic about the rogue, right-wing, gun-loving US Senator Leadbetter, who wins the presidency and installs a dictatorship, which solves all social problems with extreme prejudice.

The Weave Of Youth Writing: Refiguring Authorship And Self-Representation In Michaela Deprince’S Collaborative Archive Of Life Narrative Texts, Alberta Natasia Adji

Research outputs 2014 to 2021

Young people have to struggle in navigating the complex cultural and socio-political frameworks of production if they would like to reclaim agency and legitimacy to voice their aspirations. This article focuses on questions of authorship and self-representation in both the traditional and digital life writing texts created by and produced for Sierra-Leonean-American ballet dancer Michaela DePrince, which turns out to be highly mediated by her Jewish Caucasian adoptive mother Elaine DePrince. I argue that the manners of Michaela’s collaborative archive of life narrative projects–which bring about issues of authorship–have conformed her self-representation to particular identity frames in terms of race, …

The Return, Bruce Roberts Mutard

Research outputs 2014 to 2021

1943: Robert Wells has returned home from the war, having spent months in hospitals recovering from combat wounds. While being rehabilitated at Heidelberg Military Hospital, a series of visitors come to see him and, in the process, old wounds open, some close. What does seeing and doing the worst acts a human being can do to one another, do to a person?

Thirteen years after The Sacrifice, the follow-up story of Robert Wells concludes in this elegiac story of how the impact of war is felt, even far from the front lines.

Youth Matters: Shedding Light On Displacement In Syrian Girls' Memoirs, Alberta Natasia Adji

Research outputs 2014 to 2021

In the face of war and political crisis, fleeing a country seems to be the best choice to get on with life. Among many refugee memoirs, so far young adult refugee texts have received little attention. This article analyses two young Syrian girls’ memoirs by Nujeen Mustafa and Yusra Mardini to investigate their experience of displacement. I argue that both Nujeen and Butterfly are prime specimens of young displacement memoir phenomena which act as a venue for identity negotiation. This point has much to do with their navigating the tensions between personal and collective selves to disclose their trauma and …

The State Of Dancingness: Staying With Leaving, Jo Pollitt

Research outputs 2014 to 2021

Borrowing from Cixous’ ‘State of Drawingness’ (1993), this article proposes a ‘State of Dancingness’ as method of inhabiting the practice of writing as dancing. Understanding the dancing body as a place of virtuosic attention, the practice of writing is activated as a ‘continuation’ of dancing; neither as creative response or description but as frame for housing (staging) emergent content. The work proposes that the dancer begin on the page from the vantage and experience of entering the stage as solo improvising performer. These words come with this body tucked and pressing inside them. Pressing. The State of Dancingness …

An Unapologetic Feminist Response, Bidisha Banerjee, Mindy Blaise

Research outputs 2014 to 2021

In the spirit of reformulating notions of critique, this response builds on the creative research experimentation that the authors enacted to consider air differently. The authors continue to be lured by generosity, curiosity, surprise, and wonder and suggest two feminist responses that relate to and generate knowledge in alternative ways. Two experimentations (collective experimental story writing and erasure poetry) are offered to readers with the aim of activating new thinkings, doings, and relations with air.

Laundry, Bruce Roberts Mutard

Research outputs 2014 to 2021

A minicomic that features no comics and no action. Instead, it relies upon the knowledge and cultural memory of beholders to induce the narrative from the pictures. A story about a different kind of money laundering.

Aurora Leigh And Elizabeth Barrett-Browning's Most Convenient Cousin, Jill F. Durey

Research outputs 2014 to 2021

The article examines the possibility that the fictional cousin marriage in Aurora Leigh was either a token of gratitude by Elizabeth Barrett-Browning for her real-life philanthropic cousin’s generosity to her or was a masked promise of immortality to him as he lay dying.