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Full-Text Articles in Arts and Humanities
Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu
Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu
Publications and Research
"Excerpts from an Anti-Standardized '수능'” experiments with design fiction to disrupt overly rehearsed ways of thinking about Korea’s past(s), present(s), and future(s).
Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu
Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu
Publications and Research
- Chu, Seo-Young. “Translator of Soliloquies: Fugues in the Key of Dissociation” (chapbook). Black Warrior Review 46.2, Spring 2020.
Science-Fictional North Korea: A Defective History, Seo-Young J. Chu
Science-Fictional North Korea: A Defective History, Seo-Young J. Chu
Publications and Research
- Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …
Word Into Idea: The Four-Column Association And The Placket, Stephen W. Fried
Word Into Idea: The Four-Column Association And The Placket, Stephen W. Fried
Publications and Research
Two aleatory exercises in experimental poetry and prose for face-to-face classrooms are described step-by-step, In the first, a round-robin of word associations provides a lexicon from which first a poem and then a prose piece are generated and optionally shared. In the second, participants compile lists of rhyming words that are transferred to templates that position the rhyming words among blanks to be filled in. The sequence generates first a four-line poem from two triple rhymes, then a six-line poem from three triple rhymes and finally a ten-line poem from five quintuple rhymes. Results are shared on a voluntary basis.