Arts and Humanities Commons^™

Broad And Narrow, James C. Schaap

Pro Rege

No abstract provided.

Provenance, Jennifer Ann Mutch

Honors Theses

Provenance is a term used in art history to refer to the record of an artwork’s life after its creation: the paper trail it has left through time showing who has purchased it, sold it, moved it, restored it, displayed it. Provenance’s intertwined stories use the things we leave behind, both physical and digital, to explore absence, mother-daughter relationships, formative friendships, and personal identities.

Jane is a middle-aged woman whose mother-in-law, an artist named Francie, has just passed away unexpectedly, leaving her home to be cleared out. As she sorts through a lifetime of belongings and paintings, she continues …

Cheating In The Digital Age Of Art, Madeline Haara

Line by Line: A Journal of Beginning Student Writing

Editor's note: This paper was named Best Persuasive Essay, which included a $100 award.

I wrote this piece for my research assignment in English 198. The course topic was cheating, and my paper delves into the morality behind the reuse of artistic ideas. I use five scholarly articles to support my argument that artistic reproductions should be encouraged and the current legal systems require a change. My writing process included multiple drafts, peer review, and a review with my professor.

Satori 2021, Caitlyn Salinas, Jacelyn Schley, Megan Haldorson, Carly Weber, Megan Martin, Amanda Gade, Shannon Laurance, Miranda Templeton, Ryanne Mikunda, Jay Lee, Emily Venné, Cheyenne Halberg, David Som, Xandra Okori

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2021 editors are Andrew Sitter, Cheyenne Halberg, Kaela Appicelli, Meghan Haldorson, and Xandra Okori. The Satori 2021 faculty advisor is Dr. Delta Eddy, Professor of English.

Overcome: Farmington Honors Journal, Volume 3, Spring 2021, University Of Maine At Farmington

Honors Journal

This marks our third Journal for the University of Maine at Farmington’s Honors Department. Looking back at the works submitted to us this year we no-ticed a common thread between them. The delicate thread we discovered was that our artists were working through things, whether that be the shape of the loss of a loved one or struggles with self identity. It became apparent as we read, that humans have the strength to overcome, to show growth and discover through writing and art different ways to cope and to identify. Their work has shown that our struggle during this pandemic …

Hello_World: A New, Not-Quite-Animated Story (First Draft), Jack Harbick

WWU Honors College Senior Projects

This story is meant for the medium of animation and is intended to act either as a pilot episode for a longer series or the beginning/skeleton of an animated film.

Synopsis: A robot awakens into a human-less world with seemingly no pre-programmed directive and a low battery. With the help of a new friend, a postcard, and some strange plants, they'll undertake a great journey to find whatever answers they can.

River Archives: A Visual Examination Of Self Through Personal Journal Entries Along The Deschutes, Wenatchee, And Colorado Rivers, Skylar Lynn Tibbetts

WWU Honors College Senior Projects

Final piece consists of three glass sheets of varying sizes, representative of (from left to right) the Deschutes, Wenatchee, and Colorado rivers. Collaged on the front side are scans of journal entries composed during my time on each particular river, with a topographic map of the river cascading through. On the back of each glass sheet are the journal entries transcribed in text.

The Erasure Of Black Women, Tamara D. Anderson, Maya Anderson

#CritEdPol: Journal of Critical Education Policy Studies at Swarthmore College

To what do we owe Black women? Everything. To be Black and female in America means that you are ignored, silenced, and sometimes erased. the very fabric of history would be quite different for all of us without the contributions, tears, blood, and love of Black women. As a result of the intersection of patriarchy and white supremacy, Black women are too often left exhausted, overworked, and left out of the historical narrative. This multi-modal creative work is a call to action to end the erasure of Black women with scholarship, visual art, and poetry.

Futurs Utopiques Et Dystopiques : Comment La Fiction Aide À Penser L’Évolution, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Cet article aborde le thème des futurs utopiques et dystopiques tel qu’il nous est transmis à travers la philosophie et la fiction (littérature et cinéma), et montre comment ces notions nous aident à penser l’évolution. Il propose une exploration historique des termes « utopie » et « dystopie », agrémentée d’exemples appartenant à la littérature, à la philosophie et au cinéma. L’article souligne aussi l’importance de réhabiliter l’utopie comme moyen d’inventer un futur radicalement différent.

Parnassus 2021

Parnassus

The 2021 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams

Animal Studies Journal

While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …

Nature In The Dark - Public Space For More-Than-Human Encounters, Jan Brueggemeier

Animal Studies Journal

Drawing on the continuing work of the Nature in the Dark (NITD) project, an art collaboration and publicity campaign between the Centre for Creative Arts (La Trobe University) and the Victorian National Parks Association (VNPA), this paper aims to explore some of the disciplinary crossovers between art, science and philosophy as encountered by this project and to think about their implications for an environmental ethics more generally. Showcasing animal life from Victoria, Australia, the NITD video series I and II invited international artists to create video works inspired by ecological habitat surveys from the Victorian National Parks land and water. …