Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner
Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner
English Faculty Publications
An orphan is mistreated by a cruel surrogate family. The orphan is special, however, and with the intervention of kind and magical parental substitutes, rises to dizzying heights and achieves a happy ending. It’s a familiar tale, from “Cinderella” to Harry Potter —the difference is all in the details. In two fairy tale films of the 1980s and 1990s, those details remove the Cinderella story from the realm of fantasy. Ashpet and Ever After take pains to “realize” Cinderella—to remove almost all elements of magic and fantasy and to imagine, instead, what might make such a story real. Both incorporate …
The Mill On The Floss, Elisabeth Rose Gruner
The Mill On The Floss, Elisabeth Rose Gruner
English Faculty Publications
The Mill on the Floss was the second novel Marian Evans published under the pseudonym George Eliot. Born in 1819 to a prosperous estate manager, Marian Evans spent her youth much as her heroine did, in reading and outdoor activities. In 1850 Evans moved to London where she worked as a translator and editor, and fell in love with the writer and editor George Henry Lewes, a married man. Contemporary marriage law prevented Lewes from obtaining a divorce from his adulterous wife; the law held that, having condoned the adultery previously, he now had no grounds for divorce. Knowing this, …
Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka
Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka
English Faculty Publications
Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …