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Full-Text Articles in Arts and Humanities

Speculative Realism And Systems Metaphysics, Martin Zwick Oct 2022

Speculative Realism And Systems Metaphysics, Martin Zwick

Systems Science Faculty Publications and Presentations

Recent developments in Continental philosophy have included emergence of a school of “speculative realism” which rejects the human-centered orientation that has long dominated Continental thought, but also opposes naïve realism or positivism. Proponents of speculative realism differ on several issues, but most agree on the need for an object-oriented ontology. Speculative realists who draw upon Marxist thought identify realism with materialism, while others accord equal reality to objects that are non-material, even fictional. Several thinkers retain a focus on difference, a well-established theme in Continental thought. This paper looks at speculative realism from the perspective of the metaphysics of systems …


Nietzschean Problematics, Jacob Vangeest Aug 2020

Nietzschean Problematics, Jacob Vangeest

Electronic Thesis and Dissertation Repository

This thesis is a commentary and exegesis on François Laruelle’s 1977 text Nietzsche contre Heidegger with a focus on the concept of the ‘Nietzschean problematic.’ It explores Laruelle’s use of Nietzsche by comparing his reading with that of Gilles Deleuze. This relation is explored in Deleuze and Laruelle’s reading of the Nietzschean problematic through the distinction between complementarity and supplementarity to enable a reading of Laruelle’s text as an extension of Deleuze’s project. This extension is one that simultaneously overturns what it extends. Laruelle’s aim is presented as a ‘machinic materialism’ infused with Derridean différance. Over the course of the …


The Notions Of The "Closet" And The "Secret" In Oscar Wilde's, The Picture Of Dorian Gray, Jessica Maria Oliveira Jun 2019

The Notions Of The "Closet" And The "Secret" In Oscar Wilde's, The Picture Of Dorian Gray, Jessica Maria Oliveira

FIU Electronic Theses and Dissertations

This thesis will discuss the notions of the “closet” and “secret” within Oscar Wilde’s, The Picture of Dorian Gray, as well as offer a clear and precise definition of queer theory to assist in elucidating many of the concepts being discussed. Close reading techniques will be utilized to further uncover the metaphoric, symbolic, and otherwise figurative importance of certain aspects of The Picture of Dorian Gray and supporting texts. Through Judith Butler’s conceptualization of sex and gender, as well as Jacques Derrida’s interpretation of the “secret”, this paper will explicate the intricacies of Wilde’s work and unveil queered aspects …


Animal Justice: Following Derrida & Other Animals, Andrew Weiss Apr 2015

Animal Justice: Following Derrida & Other Animals, Andrew Weiss

Electronic Thesis and Dissertation Repository

What calls for justice? Are we called to do justice to other animals? How ought we to understand and relate to the other animals around us? The work of Jacques Derrida offers a strong foundation from which to consider these questions, and I build on his work by developing a set of clear conceptual tools to understand justice and animality (or animal alterity) through the demands they make on us. I argue that this interrelation between justice and animality can be addressed in a profound way by considering the figure of "the call"—including the calls of other animals and the …


Ruining Representation In The Novels Of China Miéville: A Deleuzian Analysis Of Assemblages In Railsea, The Scar, And Embassytown, Kristen Shaw Aug 2012

Ruining Representation In The Novels Of China Miéville: A Deleuzian Analysis Of Assemblages In Railsea, The Scar, And Embassytown, Kristen Shaw

Electronic Thesis and Dissertation Repository

This work explores the social and political potentialities of body-assemblages in China Miéville‘s novels Railsea, The Scar and Embassytown. Using the theories of Deleuze and Deleuze and Guattari, my analysis focuses on the manner in which assemblages within these texts resist unification and reification under representational frameworks and forge new identities based on an ethical appreciation of difference, fluidity, and creative self-actualization. Whereas representational schemas privilege supposedly ahistorical, transcendent, and cognitive-based iterations of identity divorced from material contingencies, the assemblages at work in Railsea, The Scar, and Embassytown instead focus on embodied-knowledge and fluid, emergent notions …