Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane

Electronic Thesis and Dissertation Repository

This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa …

Space, Territory, Occupy: Towards A Non-Phenomenological Dwelling, Brett Mommersteeg

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This thesis analyzes the relationship between the body and space through the works of Henri Lefebvre, and Gilles Deleuze and Félix Guattari. The aim of the project is to move beyond Lefebvre’s theory of the production of space, which relies on a phenomenological understanding of the body and space. In order to do so, it will find in Deleuze and Guattari’s concept of ‘territory’ a non-phenomenological and constructivist concept of space that does not posit the ‘lived body’ as a transcendent ground. As a result, it will also attempt to trace out a non-phenomenological concept of ‘dwelling’ that is not …

Experiencing Nothing: Anxiety And The Philosophy Of Alain Badiou, William E. Rankin Iv

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This thesis proposes to supplement the philosophy of Alain Badiou with an existentialist account of anxiety. After identifying a “phenomenological deficit” in Badiou’s thought, I argue that Kierkegaard, Heidegger, and Sartre provide the conceptual resources for theorizing the affective emergence of subjectivity from within the confines of a determinant situation. My contention, simply, is that anxiety is a rare and unsettling experience of nothing that makes apparent the underlying contingency of all situations, thereby prompting new modes of subjective behavior. In this sense, I treat anxiety as the in-situation experience of an event that may occasion the transition from a …

Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois

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This dissertation conjoins the two most dominant trends in the secondary criticism of Samuel Beckett today: the philosophical and historicist approaches to his work. It explores how the Reign of Terror that erupted during the French Revolution acts as a traumatic catalyst for key developments in modernist literature and continental philosophy of which the philosophical writing of Alain Badiou, the literary-critical writing of Maurice Blanchot, and the literary-narrative writing of Beckett are perhaps the most exemplary expressions. The overarching thesis that this dissertation defends is that Beckett’s post-war prose work in The Unnamable and Texts for Nothing is overshadowed by …

Deleuze's Apocalypse, Grant Dempsey

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Deleuze refers to the apocalyptic both positively, declaring retrospectively that Difference and Repetition was apocalyptic in its purpose, and negatively, sharing the horror expressed in D. H. Lawrence’s Apocalypse. Deleuze scholars, for their part, tend either to find in Deleuze a manner of living resistance that compels a certain apocalyptic appreciation, or to fear in Deleuze the very same and wonder how a philosophy that seems largely purposed for the promotion of disruption could be anything but escapist at best and socially-politically counterproductive at worst. This thesis is a Deleuzian investigation into the concept of apocalypse: how apocalypse can …

Deleuze Through Wittgenstein: Essays In Transcendental Empiricism, M. Curtis Allen

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This thesis undertakes a comparative study of the philosophers Gilles Deleuze and Ludwig Wittgenstein to elaborate three related problems in what in Deleuze calls ‘transcendental empiricism’. The first chapter deals with the problematic of the dimension of sense in language, and culminates in a concept of the event. The second details the immanence of stupidity within thought and culminates in a practice of showing through silence. The third investigates the consequences of aesthetics for the theory of Ideas, and culminates in the concepts of ‘late intuition’ and of a form of life. Each argues for a new way of broaching …

"The Almost Nothing Of The Unpresentable": The Experience Of "My Death" In The Thought Of Jacques Derrida, Derek Liu

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This thesis argues that the understanding of Derrida’s major concepts of différance, trace, and writing requires the reference to the impossible experience of my death as having always already occurred. The thesis tries to make this experience explicit with reference to the work of Blanchot and Heidegger. Having argued that an experience of “I am dead” is the bedrock of Derrida’s early concepts and the deconstruction of the metaphysics of presence, the last chapter shows the centrality of this experience to the undoing of the animal/human binary. Coterminous with an experience of a disjointed temporality, the radical evil and expropriation …