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Full-Text Articles in Arts and Humanities
Queer(Ing) Politics And Practices: Contemporary Art In Homonationalist Times, Cierra A. Webster
Queer(Ing) Politics And Practices: Contemporary Art In Homonationalist Times, Cierra A. Webster
Electronic Thesis and Dissertation Repository
This project investigates homonationalism through three different art practices. Briefly, homonationalism is a term to articulate the imbricated systems of contemporary mainstream LGBT politics and nationalist politics. The first article, Queering the Canon: Museum Politics and Hide/Seek at the Smithsonian, unpacks the first major exhibition of gay artwork in America as an example of homonationalist processes in the United States. The second article, entitled Colonial Queeries: Centering a Two-Spirit Critique of Homonationalism, analyses Canadian artist Kent Monkman’s paintings and focuses on the political potential of Miss Chief Eagle Testickle. (Pink)Washing the Conflict in Zero Degrees of Separation is …
Following The Turn: Mapping As Material Art Practice, Kyla Christine Brown
Following The Turn: Mapping As Material Art Practice, Kyla Christine Brown
Electronic Thesis and Dissertation Repository
Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with …
"A Painter's Brush That Also Makes Poems": Contemporary Painting After Northern Song Calligraphy, Andy J. Patton
"A Painter's Brush That Also Makes Poems": Contemporary Painting After Northern Song Calligraphy, Andy J. Patton
Electronic Thesis and Dissertation Repository
There is no Western equivalent to the practice of calligraphy in pre-modern China, an aesthetic form which does not resolve itself into a literary object or a visual one. Calligraphy was sustained by a rich and complex body of thought that can fully rival art criticism and theory in the West. To undertake this project, I immersed myself in the study of both key works of calligraphy and the aesthetic that sustained it during the Northern Song dynasty (960-1127) in China—not in order to practice calligraphy but to transform my own understanding of art and make contemporary Western paintings out …