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Articles 1 - 30 of 125
Full-Text Articles in Arts and Humanities
The Black Arts And Black Power Movements In The Artwork Of John T. Riddle, Jr., Isabella Vitti
The Black Arts And Black Power Movements In The Artwork Of John T. Riddle, Jr., Isabella Vitti
Theses and Dissertations
This thesis examines the under-studied work of the Black sculptor John T. Riddle, Jr. and how he was influenced by the politics of Los Angeles in the 1960s and 1970s. Police brutality, the Vietnam War, the Black Power Movement, and the Watts uprising had a major impact on Riddle’s work.
Ripe Spoils, Yan Cynthia Chen
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
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Cartographic Subjectivity In Fernand Deligny’S Lignes D’Erre, Anya Komar
Cartographic Subjectivity In Fernand Deligny’S Lignes D’Erre, Anya Komar
Dissertations, Theses, and Capstone Projects
Fernand Deligny (1913-1996) was a French thinker, writer, and social worker who dedicated his entire life to an abolitionist project of protecting “severely autistic” children from internment in mental asylums by allowing them to move freely through the mountains of Cévennes where he established a support network for neurodiverse children. He privileged children’s nonverbal state and let them “direct” the community.
This thesis aims to historicize the drawings made under the guidance of Fernand Deligny between the 1960s and 1980s. His drawing method of tracing children’s movement offered an unprecedented way of providing visibility to children with nonverbal autism, outside …
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Theses and Dissertations
This thesis examines the exhibition, historical reconstruction, and museum acquisition and conservation of postmodern dance, with the 2018 MoMA exhibition Judson Dance Theater: The Work Is Never Done as a case study. This exhibition considered the history and legacy of 1960s postmodern dance through a presentation of artifacts and archives alongside a continuous program of live, in-gallery performances. The Work Is Never Done catalyzed questions in the three areas of dance exhibition, reconstruction, and conservation and, as this thesis argues, represents a unique example of preserving canonical dance history while creating a generative context for spontaneity, experimentation, and reinvention.
The Gilded Tropics: Winslow Homer And John Singer Sargent In Florida, 1886-1917, Theodore W. Barrow
The Gilded Tropics: Winslow Homer And John Singer Sargent In Florida, 1886-1917, Theodore W. Barrow
Dissertations, Theses, and Capstone Projects
This dissertation examines the Floridian works of Winslow Homer and John Singer Sargent in the context of tourism, race, and the environment as perceptions of the tropics in an Anglo-American context. Both artists sojourned in Florida and produced a number of watercolors and related oils that not only testify to a rapidly-expanding tourist industry to the Sunshine State, but also update the Romantic myths of the tropics with a more sober, ironic Realist take. While Homer and Sargent continue to be popular subjects for studies and exhibitions on their own, this dissertation is the first to consider how their shared …
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
Skin Echoes, Andreia Santana
Skin Echoes, Andreia Santana
Theses and Dissertations
Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.
(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Theses and Dissertations
The collaborative works by Brazilian artist Hélio Oiticica and filmmaker Neville D’Almeida responded to Brazil’s dictatorship and their self-imposed exile in New York between 1969-1974. Oiticica’s concept of crelazer and the artists elective “marginal” position converge to create a new cinematic language; challenging gender norms, and proposing new systems for living.
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Theses and Dissertations
Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Theses and Dissertations
This thesis examines Art Across the Park (1980 and 1982), a program of sculpture and performance conceived of by artist David Hammons sited throughout overlooked regions of New York City’s public parks. Amidst debates about the proper use of public space and the role of public art in the early 1980s, Art Across the Park asserted a more culturally expansive model of being in social space, one rooted in strategies of performance as an antidote to lasting effects of social control.
Paper, Clay, And Thread: Tools Of Decolonization In The Work Of Guadalupe Maravilla, Juan Javier Salazar, And Julieth Morales, Alexandra J. Goldman
Paper, Clay, And Thread: Tools Of Decolonization In The Work Of Guadalupe Maravilla, Juan Javier Salazar, And Julieth Morales, Alexandra J. Goldman
Theses and Dissertations
This thesis contains case studies on artwork by Guadalupe Maravilla, Juan Javier Salazar, and Julieth Morales. Each chapter focuses on one important medium in ancient American indigenous art - cartography, ceramics, and textiles – as explored in-depth by a contemporary artist from a region in which the medium has significant roots.
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
Theses and Dissertations
Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral
Theses and Dissertations
This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.
Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee
Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee
Theses and Dissertations
This thesis examines a Korean Conceptual photographer, Nikki S. Lee’s performative photographs and film in the series of Projects (1998-2001) and Parts (2002-2005). Through a theoretical analysis of her self-representation in disguise, my research explores established Western stereotypes as well as the artist’s fluid identity in relation to other cultures.
An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano
An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano
Theses and Dissertations
This thesis foregrounds the methodology of humor and play employed by Chilean artists during the late 1970s and early 1980s. I argue that, through comic relief, collaborative practice, and melodrama, artists from different fields worked together in Santiago to reimagine the relationship between intellectuals and the public sphere and criticize the Pinochet regime.
An Early And Feminist History Of The Paula Cooper Gallery, Kristen Clevenson
An Early And Feminist History Of The Paula Cooper Gallery, Kristen Clevenson
Theses and Dissertations
This thesis provides a microhistory of Paula Cooper’s early efforts in creating a more cooperative gallery model with emerging artists and seeding the growth of SoHo, New York. It also argues for Cooper’s unheralded role in sustaining women artists through marketing, economic support, visibility, and wider institutional opportunities.
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Dissertations, Theses, and Capstone Projects
“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
Theses and Dissertations
This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.
The Screen To Desire, Joseph Parra
The Screen To Desire, Joseph Parra
Theses and Dissertations
Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
Theses and Dissertations
This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.
The Construction And Defense Of Artistic Authorship In Contemporary Copyright Disputes, Sophie Bell
The Construction And Defense Of Artistic Authorship In Contemporary Copyright Disputes, Sophie Bell
Theses and Dissertations
Through the lens of three contemporary copyright infringement cases, this thesis examines topics in the field of art law, each grounded in the recent history of art and its controversies, in order to illuminate the unique set of legal conditions shaping contemporary artmaking, sale, and exhibition in the United States.
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Theses and Dissertations
This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.
The Sole Result Is The Game, Julia Taszycka
The Sole Result Is The Game, Julia Taszycka
Theses and Dissertations
I address the idea of the game understood both from the perspective of the art world and the socio-economic system. My recent projects have been based almost entirely on found objects, bearing strong traces of damage, deterioration, and destruction.
Sondra Perry: On The Limits And Possibilities Of Access, Visibility, And Freedom, Sigourney Schultz
Sondra Perry: On The Limits And Possibilities Of Access, Visibility, And Freedom, Sigourney Schultz
Theses and Dissertations
Sondra Perry: On the Limits and Possibilities of Access, Visibility, and Freedom connects the intellectual history of cyberfeminism and Afrofuturism with the future of post-Black studies by exploring themes such as the abstraction of blackness and the materiality of new media.
Visual Diaries: Towards Art History As Storytelling, Alpesh Kantilal Patel
Visual Diaries: Towards Art History As Storytelling, Alpesh Kantilal Patel
Art History Pedagogy & Practice
This essay examines variants of what I refer to as “visual diaries” – or thinking through images and written or oral language – as important “worldmaking” exercises, essential for students of color, women, sexual minorities, or other marginalized subjects. I provide my reflections on assigning this dynamic and student-centered, practice-based assignment in my contemporary art courses at a Hispanic-serving institution (HSI) of higher education and a summer art residency program unaffiliated with a university. Besides my reflections on my pedagogy, I also share student feedback from unsolicited testimonials and answers to questionnaires. I argue that visual diaries transform students into …
Contextualizing Britain’S Holocaust Memorial And Museums: Form, Content, And Politics, Rebecca D. Pollack
Contextualizing Britain’S Holocaust Memorial And Museums: Form, Content, And Politics, Rebecca D. Pollack
Dissertations, Theses, and Capstone Projects
The quantity of Holocaust memorials in Britain and their prominence in public debates beseeches the question: Why does a country with a modest Jewish population, that was neither occupied by the Nazis nor lost its citizens in the horrors of the Holocaust, devote large quantities of resources and time to memorializing the events of the Holocaust? While there are private and synagogue-based Holocaust memorials in Britain, this dissertation centers on Britain’s statefunded Holocaust memorials and museums, a substantial network of memorials that is often left out of the abundant literature on Holocaust memory. Each memorial project is examined through the …
Tom Clancy: Creating A Sense Of Place A New York Sculptor’S Approach To Site 1960–87, Marina Gluckman
Tom Clancy: Creating A Sense Of Place A New York Sculptor’S Approach To Site 1960–87, Marina Gluckman
Theses and Dissertations
This thesis contextualizes the sculptural work made by American artist Tom Clancy (b. 1933) in New York between the 1960s and 1980s. Discussing Clancy’s approach to indoor and outdoor sites, it emphasizes the reasons the artist’s work should be considered within the history of the downtown New York art scene.
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon
Theses and Dissertations
This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.
Cherokee Abstract Artist Leon Polk Smith: A Convergence Of Traditions, Danielle Montanino
Cherokee Abstract Artist Leon Polk Smith: A Convergence Of Traditions, Danielle Montanino
Dissertations and Theses
This paper analyzes how Leon Polk Smith's Indigenous roots and upbringing in Indian Country had a significant impact on his artistic practice in a time of discrimination and segregation in the United States. Through examination contextualizing his work within the history and political events of the Cherokee, Chickasaw, and Choctaw Nations it is revealed how Polk Smith developed a formal language that could navigate both worlds and be viewed through a pure abstraction lens or a lens embodying his Indigenous traditions. In addition to his Indigenous philosophies, Mesoamerican Inca Nation’s cultural motifs further ground Polk Smith’s Indigenous aesthetic, and avant-garde …