Arts and Humanities Commons^™

In Search Of The Armorial Aesthetic: The Counter-Reform Of Ariano Suassuna And The Compositional Techniques In Clovis Pereira’S Suite Macambira, Wagner De Oliveira Duarte

LSU Doctoral Dissertations

Throughout the first half of the twentieth century, in the wake of the Week of Modern Art in São Paulo in 1922, Brazil grappled with defining its national identity, distinct from European influences. While eminent figures such as Villa-Lobos, Camargo Guarnieri, and Francisco Mignone provided foundational narratives in this quest, the Armorial movement emerged as a unique and emblematic response to these nationalistic aspirations.

Originating from the creative vision of Ariano Suassuna, the Armorial movement, though often perceived as a regional initiative, epitomized a broader endeavor to represent Brazil's diverse cultural tapestry. Central to understanding this movement is the work …

A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part consists of a synthesis of contemporary music composition pedagogy practices for the undergraduate and graduate level sequences. A conversation of the study of music composition pedagogy is used to investigate current pedagogical practices in music composition and present those findings as a resource guide for new and future teachers. The second part presents an Exploration of Time, Sound, and Space, an Aleatoric Event Score Collaboration with the LSU Museum of Art. This event score is a product of the development of this dissertation commenced with a straightforward question; can we experience/consume …

Bendit_I/O: A System For Extending Mediated And Networked Performance Techniques To Circuit-Bent Devices, Anthony Thomas Marasco

LSU Doctoral Dissertations

Circuit bending—the act of modifying a consumer device's internal circuitry in search of new, previously-unintended responses—provides artists with a chance to subvert expectations for how a certain piece of hardware should be utilized, asking them to view everyday objects as complex electronic instruments. Along with the ability to create avant-garde instruments from unique and nostalgic sound sources, the practice of circuit bending serves as a methodology for exploring the histories of discarded objects through activism, democratization, and creative resurrection. While a rich history of circuit bending continues to inspire artists today, the recent advent of smart musical instruments and the …

Symphony No.2 And The Text Setting Of Henry Purcell's Dido And Aeneas, Sungho Kim

LSU Doctoral Dissertations

This work is conceived as a unit that has two parts. Part one is an original composition, Symphony No. 2. This piece is scored for symphony orchestra and it is a sequel of the composer’s master thesis, a symphonic poem titled Moonlight Sprite, which describes the various landscapes of imaginary sprites in nature. The compositional techniques include whole tone scale, octatonic scale, pentatonic scale, atonality, bitonality, polytonality, tone clusters, and minimalism. The piece’s orchestration style and techniques are mainly influenced by Stravinsky, Bartok, Schoenberg, Webern, Penderecki, Charles Ives, and Dinos Constantinides.

Part two is an analysis of the text …

Concerto For Violin And Orchestra And "Nevertheless, She Composed: A Contemporary Survey Of Women Composers Of The Twenty-First Century", Elizabeth Anne Knox

LSU Doctoral Dissertations

This dissertation consists of two parts: the first part includes an original composition titled, “Concerto for Violin and Orchestra.” This twenty-minute work is composed for traditional orchestral instrumentation and solo violin. Motivic variation is the primary focus of this piece with a goal to show evidence of a thorough understanding and use of this technique. In music composition, variation is a technique achieved by restating musical material in an altered form. Schoenberg describes a motive as, “a unit which contains one or more features of interval and rhythm [whose] presence is maintained in constant use throughout a piece.” Therefore, motivic …

Analysis And Utilization Of Hip-Hop Techniques In Classical Music, William Francis Montgomery

LSU Doctoral Dissertations

ABSTRACT

As of January 4^th, 2018, R&B/Hip-Hop (including rap) had overtaken rock and roll as the most popular genre among music fans. Nielsen Music reported that rap had surpassed rock in terms of total consumption with rappers such as Drake and Kendrick Lamar leading the charge. This would lead to the second-highest growth of any genre of music, spiking at 25% over the previous year.[1] This came as a very big surprise to many, especially when we take into consideration the rocky at best relationship that rap has had with public perception.

There are many misconceptions and …

Mobile Music Development Tools For Creative Coders, Daniel Stuart Holmes

LSU Doctoral Dissertations

This project is a body of work that facilitates the creation of musical mobile artworks. The project includes a code toolkit that enhances and simplifies the development of mobile music iOS applications, a flexible notation system designed for mobile musical interactions, and example apps and scored compositions to demonstrate the toolkit and notation system.

The code library is designed to simplify the technical aspect of user-centered design and development with a more direct connection between concept and deliverable. This sim- plification addresses learning problems (such as motivation, self-efficacy, and self-perceived understanding) by bridging the gap between idea and functional prototype …

Old School For The New School: Discussing The Importance Of Motown Records In American Music History, Crystal Darcell Birdsong

LSU Doctoral Dissertations

The purpose of this study is to look at the contribution of Motown Records within music history and American history, as well as why it should be of great importance to those who study 20^th century music. It tends to be overlooked in the world of academia, despite efforts to bring the subject to the forefront of today’s classwork and courses at the collegiate level. It is not so much that it does not exist, but it is not nearly as prevalent as it should be, seeing as its contribution to music history and history in general is so …

Requiem For Orchestra And Choir, Luciano Vaz Correa

LSU Master's Theses

Five Movements of a Requiem is a composition for orchestra, solo soprano, solo alto, solo tenor, solo bass and choir, and is approximately 20 minutes in length. To compose it, I’ve studied many different requiem masses from Renaissance polyphony to our days, works from Tomás Luis de Victoria’s Missa Pro Defunctis to Schnittke’s Requiem. In this study, I’ve tried to understand which techniques they used in their compositions, and how these techniques could be useful on helping me to express my own music. In Christian liturgy, Requiem masses are offered for the dead and the name is derived from the …