Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Materials And Techniques In D’Improvviso Da Immobile S’Illumina, For Bass Clarinet, Two Orchestras, Piano And Percussion, Federico Bonacossa
Materials And Techniques In D’Improvviso Da Immobile S’Illumina, For Bass Clarinet, Two Orchestras, Piano And Percussion, Federico Bonacossa
FIU Electronic Theses and Dissertations
D’improvviso da immobile s’illumina is a concerto for bass clarinet, two orchestras, piano, and percussion, that I composed during my graduate studies at Florida International University in Miami. The work is approximately 16 minutes long and is scored for 30 independent instrumental parts in addition to the bass clarinet soloist. Although the piece does not incorporate electronics, electronic music was a major influence in its creation, and the computer was used extensively as a compositional tool. In addition, the writings of Henry Cowell and the music of Sofia Gubaidulina influenced the concerto in a number of ways. While writing this …
A Particle System For Musical Composition, Bruno Degazio
A Particle System For Musical Composition, Bruno Degazio
Publications and Scholarship
This paper describes the development of a software particle system for musical composition. It employs a generator as described in William Reeves’ seminal 1983 paper on the subject, but one in which the particles are musical themes rather than images or points of light. This is distinct from an audio-level particle system such as might be employed effectively in conjunction with granular synthesis, because an audio-level process has no “musical intelligence” in the traditional sense as the term is used in discussing rhythm, melody, harmony or other traditional musical qualities. The particle system uses the author’s software, The Transformation Engine …
The Harmonic Implications Of The Non-Harmonic Tones In The Four-Part Chorales Of Johann Sebastian Bach, Timothy Willingham
The Harmonic Implications Of The Non-Harmonic Tones In The Four-Part Chorales Of Johann Sebastian Bach, Timothy Willingham
Doctoral Dissertations and Projects
This study sought to identify the harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach and to identify if the implications were modern, extended harmonies. The study examined if non-harmonic tones implied traditional or extended harmonies more often, which non-harmonic tones more frequently implied extended harmonies, and which chords typically preceded implied extended harmonies. The study was a corpus analysis of the four-part chorales. The data collected was organized in and analyzed with frequency charts and a chi-square goodness of fit test and chi-square tests of independence from the chordal analysis conducted by the researcher. …
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Senior Honors Theses
Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …
A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra
A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra
Senior Honors Theses
A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness …