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Re-Dress As Redress: Shakespeare’S Comedy Of Errors, Jane Foster Woodruff

Quidditas

DELNO C. WEST AWARD WINNER

Writing near the end of a century-long ‘explosion’ of Tudor theatre, Shakespeare benefitted from a variety of influences, both sacral and secular. Among his literary influences were the works of classical dramatists (Sophocles, Seneca, Plautus, and the like), who had used their plays to editorialize on contemporary societal issues. To this same end, in his early historical play Richard III Shakespeare chose to address a multiplicity of problematic themes, the most obvious being that, although Richard’s ambition and his lethality had been sufficient to win him a crown, they were insufficient to preserve it: power …

William Shakespeare’S All Is True, Lord Chamberlain’S “Truth,” And Civil Religion, Paul Olson

Department of English: Faculty Publications

The first title for Shakespeare’s Henry VIII—All Is True—may reflect standard early modern usage signifying that all is an aspect of ‘troth’ or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare’s only character so named, serves the Henrician monarchy’s “truth” by serving Henry’s religious and monarchic goals as the Jacobean Lord Chamberlain similarly served James I’s goals, assuring audiences of the integrity, truth, and legitimacy of the monarchy and its faith. The play shows the Lord Chamberlain working to strengthen the loyalty of Henry’s realm …

The Past And Present: Issues Of Male Patriarchy Throughout Historic Literature And Dominance In Media Today, Leah Moore

Undergraduate Honors Theses

Women’s subjugation to the objectification of men is a traced theme throughout the history of Western culture. In this thesis, the attributes of the male gaze will be explored via the patriarchal pioneers of literature: Dante to Petrarch to Shakespeare. The solidification of the male gaze takes place during the late middle ages as Dante Alighieri writes an infatuated love for Beatrice throughout La Vita Nuova and Inferno, demonstrating the virgin-whore dichotomy with Francesca. Similarly, Francesco Petrarch’s poetry of Rime Sparse describes the objectification and dismantling of woman for erotic pleasure and patriarchal power. The shift from early to …

On Cleopatra Vii: From Horace And Shakespeare To Self-Representation, Silja M. Hilton

Honors Theses

This thesis explores and analyzes Horace’s Ode 1.37 and Shakespeare’s Antony and Cleopatra in context of their poetic and theatrical narratives, word choice, and grammatical structures in an effort to form a clearer image of Cleopatra VII. While each work is placed within its historical settings, I do not pursue their historical ‘truths.’ Rather, I draw from the authors’ literary conceptions about the Ruler, from Horace’s inpotens (“a woman lacking in self-control”) to fierce agency in deciding death (“deliberata morte ferocior”), to Shakespeare’s ‘othering’ of Cleopatra as tawny, gypsy, and whore, to his portrayals of her as Goddess …

Blurring The Gender Lines: Margaret Of Anjou's Use Of Gender As Power In Shakespeare’S First Tetralogy, Blythe Abramowitz

Dissertations and Theses

Queen Margaret of Anjou is a uniquely placed character in Shakespeare’s tetralogy beginning with I Henry VI. Margaret is the only female character to be featured in and survive all four plays. From her entrance in I Henry VI, she is a force to be reckoned with; she uses her femininity as a weapon, and as the Henry VI plays continue, her power grows. Her feminine prowess is demonstrated in several ways including her use of her beauty as well as her enchantment of both Suffolk and Henry. She continues to use her femininity to her advantage, and, as …

Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers

Dissertations, Theses, and Capstone Projects

Mirroring its many definitions, the concept of hybridity has historically been a highly fraught one, with creatures such as the centaur or the satyr alternately treated as wild and wise. Defined as a “mixed entity,” the English word “hybrid” derives from the ancient Greek hybris, a term with several connotations, including wanton violence, lust, or outrage. The word is also synonymous with “hubris,” or excessive pride. Hybris also developed additional meanings, referring to a deed of excess, an attempt to rise above one’s station, or the desire to surpass the gods. More positively, hybris may also be translated as …

The Voices Of Life And Death In Shakespeare’S Narrative Poems, Jonathan Locke Hart

CLCWeb: Comparative Literature and Culture

The article “The Voices of Life and Death in Shakespeare’s Narrative Poems” uses Shakespeare’s dedications and Venus and Adonis and The Rape of Lucrece to discuss art and life, death and life, life-writing and death-writing. The relation between life and art, often framed in terms of mimesis, is fraught with difficulties, so that the connection between ethics and aesthetics is intricate. After briefly discussing the theoretical debate on mimesis, this article examines closely Shakespeare’s narrative poems, to discuss life and death as well as, to some extent, health, illness. The poems explore the themes of time, love, lust and death …

Shakespeare's Henry Vi And Depression, Cindy Chopoidalo

CLCWeb: Comparative Literature and Culture

In her article "Shakespeare’s Henry VI and Depression”, Cindy Chopoidalo discusses Shakespeare’s Henry VI plays not only as his first significant explorations of the tragic consequences of war and the price of ambition, but also as his first major treatment of a character who, in both fiction and reality, suffered from what has sometimes been described as severe clinical depression and what would have been known in Shakespeare’s time as melancholy. In Shakespeare’s Henry VI, as well as in his historical inspiration, we see an early counterpart of his later characters who have been linked to melancholy or depression, such …

Of Levinas And Shakespeare: "To See Another Thus", Sandor Goodhart, Moshe Gold, Kent Lehnhof

Purdue University Press Book Previews

Scholars have used Levinas as a lens through which to view many authors and texts, fields of endeavor, and works of art. Yet no book-length work or dedicated volume has brought this thoughtful lens to bear in a sustained discussion of the works of Shakespeare. It should not surprise anyone that Levinas identified his own thinking as Shakespearean. "The play’s the thing" for both, or put differently, the observation of intersubjectivity is. What may surprise and indeed delight all learned readers is to consider what we might yet gain from considering each in light of the other.

Comprising leading scholars …

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

Labouring For The Lost Love, Christine S. Williams

Quidditas

Shakespeare’s Love’s Labour’s Lost often is considered a “problem play” because of its emphasis on word-play and its extreme “topicality” to a 16th-century, London audience. Yet imaginative staging reveals that the play actually provides excellent opportunities for connecting with our current millennial students and audience members.

All The World's Ashamed, Peter David Lane

Senior Projects Spring 2017

Senior Project submitted to The Division of Languages and Literature of Bard College.

This project is an analysis of three Shakespeare plays through three different ways of understanding shame. Othello, Coriolanus, and Measure for Measure are inspected through a social, bodily, and religious understanding of shame, respectively. The purpose of this tripartite view of shame is to reveal the many different ways in which shame makes itself a part of our lives. The first paradigm is based off of Erving Goffman’s 1956 sociology text, The Presentation of Self in Everyday Life, and explores how the ways social …

Familial Betrayal And Trauma In Select Plays Of Shakespeare, Racine, And The Corneilles, Lynn Kramer

Theses and Dissertations

In this dissertation I will argue that familial betrayal is a central element in sixteenth-century British tragedy and seventeenth-century French tragedy. Family relationships help to define who the characters are and provide a point of identification between the audience and the play. This identification, as Aristotle argues, is necessary for the arousal of pity and fear and thus creates the possibility of catharsis. Fear is a key component of psychological trauma. This is the main link between Aristotle’s theories and modern trauma theory but there are other overlapping ideas that form a basis as to why old tragedies still resonate …

The Mystification Of Christian Salvation: On The Anxiety Of Redemption In Renaissance Poetry And Drama, Kimberly Paige Ambroziak

Dissertations, Theses, and Capstone Projects

"The Legend of the Red Crosse Knight," "Doctor Faustus," "Hamlet," and "Samson Agonistes" are secular poetic explorations with a common idea: the possibility of Christian salvation. These examples of the redemptive quest seem to reveal the uneasiness of salvation which is representative, if only broadly, of the atmosphere in which their authors were writing. More specifically, the intention of this study is to reveal the possibility and nature of Christian uncertainty as it is firmly rooted in the early modern period. As Christian doctrine proves protean from its beginnings in the first century to Protestant tracts in the sixteenth, these …

The Role Of Rumor And The Prodigal Son: Shakespeare’S Sources And Fathers And Sons In The Second Henriad, Steven Hrdlicka

Quidditas

This article challenges traditional, critical interpretations of Shakespeare’s character Prince Hal by examining changes Shakespeare makes to sources he used, in particular the anonymous play Famous Victories of Henry V. Shakespeare does not portray a “prodigal” Prince Hal character as has often been argued by critics, but instead carefully follows Holinshed’s observations that the prince was virtuous in youth and that rumors about the prince’s supposed prodigal behavior were spread by those who were in the service of Henry IV. These rumors were aimed to cause conflict between father and son. Shakespeare’s inclusion of these two important details found in …

The Canon And Shakespeare's Plays On The Contemporary East Asian Stage, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "The Canon and Shakespeare's Plays on the Contemporary East Asian Stage" I-Chun Wang argues that although globalization often refers to the phenomenon of international trade and (im)migrants, globalization has made strong impacts in all aspects of culture and literature. Shakespeare's Antony and Cleopatra and Julius Caesar have attracted attention of East Asian playwrights and directors in the last several years. By juxtaposing the trends of local cultural performing arts with representations of local cultural legacies, Wang discusses the staging of these two Roman plays in Japan, Taiwan, and Hong Kong. By probing into the imperial themes represented …

Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick

Publications and Research

No abstract provided.

“Nothing But Sit, And Sit, And Eat, And Eat”: The Cantankerous Teacher In The Taming Of The Shrew, Eric L. De Barros

Quidditas

By definition, all comedies must end by praising and/or celebrating the elimination of a serious threat to the patriarchy order, and Shakespeare sets up the final scene of The Taming of the Shrew, one of his earliest comedies, to do just that. In short, by the time we reach Lucentio and Bianca’s wedding banquet, Petruccio has effectively tamed Katherine of her shrewishness. However, despite this scene of and cause for celebration, Petruccio remains oddly dissatisfied, as he responds to Lucentio’s encouragement of the sitting, chatting, and eating appropriate to such a festive occasion with these mood-killing words: “Nothing but …

Shylock And Joachim Gaunse: And A Real Jew, Michael T. Walton

Quidditas

Joachim Gaunse, a Bohemian metallurgist, was brought to England to help evaluate the resources of the New World. During a visit to Bristol in 1589, he defended his Jewish rejection of Jesus. The reaction of those who heard this real Jew gives some indication of how theater audiences may have responded to Shakespeare’s Shylock.

Othello: Homosocial Desire And Its Conversion To Homosexual Desire, Christopher Jason Dugger

Dissertations and Theses

No abstract provided.

‘Robes And Furr’D Gowns Hide All’: Edgar’S Role(S) In King Lear, Annette Lucksinger

Quidditas

Despite his centrality in the play, Edgar’s role in King Lear has rarely attracted sustained analysis. To be sure, scholarly neglect doubtless results from Edgar’s own elusiveness, from the disguises that grant him access to the major characters in the play, disguises that encourage others to read in him what they wish to see. Analyzing what other characters see or fail to see in Edgar’s disguises offers important light on his character and his role in the play. A Lacanian analysis of Lear’s reading of Edgar’s role as Poor Tom shows that Lear’s effort to establish (or to re-establish) his …

Much Ado And Pride And Prejudice: Twin Characters And Parallel Plots, Ace G. Pilkington

Quidditas

Much Ado About Nothing and Pride and Prejudice are telling a similar story which centers on Beatrice and Benedick in the first case and Darcy and Elizabeth in the second. The article also argues that Jane Austen had Much Ado in mind while writing Pride and Prejudice, but this second proposition is not readily provable (as such borrowings often are) by direct quotation and comparison. Jane Austen’s familiarity with Shakespeare and the similarity of her plot suggest the truth of this second proposition, but more important for this paper are the comparisons between the narratives themselves since they tell important …

A Tale Of Two Shakespeares: Staging Shakespeare At Conservative Christian Colleges, Christine Sustek Williams

Quidditas

American Theatre publishes an annual list of the top ten plays in production in regional theatres each year and simply removes all Shakespeares from consideration. Otherwise the top ten list would simply be the top ten Bard List. However, when it comes to attempting Shakespeare on the college stage, I argue that many theatre teachers in higher education think twice, or even thrice, before brushing off the old complete works. Most students are quite intimidated when they reach for Shakespeare, having been told for many years that his work is hard to read and harder to understand. Add to that …

Politics And Play: The National Stage And The Player King In Shakespeare’S Henry V And Macbeth, Kristin M.S. Bezio

Quidditas

This article examines the intersection between theatrical and political discourse in early modern England. It argues that that the dialog surrounding early modern discourses of monarchy intersects specifically with theatrical notions of performance by means of the social contract implicit in English Common Law. The link between the political stage and the theater is perhaps most transparent in the metaphor of the theatrum mundi. Because the theatrum mundi requires the active participation of the audience, they must always be included in the theatrum mundi as participatory citizens in its illusory world. They are drawn into the conversation between stage …

William Shakespeare And Chinua Achebe: A Study Of Character And The Supernatural, Kenneth N. Usongo

Electronic Theses and Dissertations

This study examines how Shakespeare and Achebe use supernatural devices such as prophecies, dreams, beliefs, divinations and others to create complex characters. Even though these features are indicative of the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists.

Through an essentially New Historicist approach to the study of character and the supernatural in the tragedies and novels of Shakespeare and Achebe respectively, I argue that both writers, besides using supernatural features to explore the …

Shakespeare And The Making Of Early Modern Science: Resituating Prospero's Art, Elizabeth Spiller

Department of English: Faculty Publications

Some readers may ask what it means to use the term "science" in conjunction with Shakespeare. From a modern perspective, science may not seem to be able to tell us much about Shakespeare or Shakespeare about science. Looking backwards, it is fair to say that Aristotle would probably have agreed with such a perspective: what scholasticism came to call scientia has nothing to do with ars. In between Aristotle and Einstein, though, matters stood differently. The late sixteenth and early seventeenth century saw the historic transition from Aristotelian models of scientia to modern "science." Both classic and modern epistemologies of …

Review Essay: “Will In Overplus” A Review Of Shakespeare Biographies, Stephannie S. Gearhart

Quidditas

Whoever hath her wish, thou hast thy Will,

And Will to boot, and Will in overplus;

More than enough am I that vex thee still

William Shakespeare, Sonnet 135, ll.1-3

It seems to be a kind of Respect due to the Memory of Excellent Men,

specially of those whom their Wit and Learning have made Famous,

to deliver some Account of themselves, as well as their Works, to Posterity.

For this Reason, how fond do we see some People of discovering any little

Personal Story of the great Men of Antiquity, their Families, the common

Accidents of their Lives, and …

Using John Wilders To Teach Shakespeare’S Second Tetralogy, Edmund M. Taft

Quidditas

John Wilders. The Lost Garden: A View of Shakespeare’s English and Roman History Plays. Totowa, NJ: Rowman & Littlefield, 1978. 154 pp.

“O thoughts of men accurst!

Past and to come seems best; things present, worst.”

(2 Henry 4.1.3.107-108)

Tracing Shakespeare’S Sea-Change: From The Tempest To The New York Times, Joshua L. Comer

Quidditas

An historical approach to the changing use of a Shakespearean phase, like “sea- change,” offers a case study in the long-standing power and evolving meaning of Shakespeare’s language. While all sea-changes today are not so major as those of which Ariel sang in The Tempest, the rich language of Ariel’s song has acquired a significant place in the history of American journalism.

Rendering Shakespearean Rhetoric Visible In The Boydell Shakespeare Gallery, Katherine Kickel

Quidditas

Traditionally, the Boydell Shakespeare Gallery is considered an important moment in England’s art history narrative. In this essay, I argue that the Boydell collection also reflects a new preference for reading Shakespeare’s plays in the eighteenth century via its editorial illustration of parts of the plays that would not normally be emphasized in theatrical productions.