Arts and Humanities Commons^™

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …

Totalitarian Threats And Colonial Geography: The Politics Of Defining Terrorism In Beauvoir, Camus, And Dib, Araceli Hernandez-Laroche

Re-visioning Terrorism

Can terrorism be justified as a means for social justice? Can a so-called democratic state engaged in indiscriminate bombardments of civilian populations be held accountable for terrorist acts? How is political crime different from senseless murder? Can and should genocide be defined differently from a civil war operation? Who has the right to decide for the life or death of others?

This paper compares important representations in prose and theater of moral dilemmas that plagued war-torn Europe and France during the Spanish Civil War, World War II, and the Algerian War. I analyze the complexities and divergences of existential writers …