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Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula Sep 2019

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …


The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar Sep 2019

The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar

Dissertations, Theses, and Capstone Projects

This dissertation employs narrative theory to contextualize Elena Ferrante’s successful saga, L’amica geniale, within the larger tapestry of European novelistic discourses. It engages with conceptions of narrative structure put forth by critics like Ortega y Gasset, Brooks, and Winnett to understand how L’amica geniale offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement. I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of smarginatura or rupture. I …


Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista Sep 2019

Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista

Dissertations, Theses, and Capstone Projects

This dissertation looks at the creation and dissemination of alternative versions of English history through the means of dramatic fiction, and contextualizes them in the panorama of the intellectual debates of seventeenth-century Italy. Staging English Affairs in Early Modern Italy studies the ways in which the reinvention of Tudor and Stuart affairs in dramatic literature mirrored the ambitions, fears, and fantasies of a century in disquieting transformation. This research documents how news and information from England entered the Italian states, how they were perceived, and what their repurposing can reveal about the potentialities of intercultural exchange. Anglo-inspired drama became a …


Forbidden Attraction: Russian Poets Read T. S. Eliot During The Cold War, Nataliya Karageorgos May 2019

Forbidden Attraction: Russian Poets Read T. S. Eliot During The Cold War, Nataliya Karageorgos

Dissertations, Theses, and Capstone Projects

The goal of this study is to demonstrate how the reception of T. S. Eliot, one of the leading proponents of Anglo-American modernism, shaped the aesthetics of Russian poetry in the second half of the twentieth century. In the twentieth century, Russian culture found itself in a unique situation of separation from the Western world, with which it had largely identified in the previous century. The official change of the cultural paradigm that took place in the aftermath of the October Revolution led to the advancement of the literary theory and practices of Socialist Realism, shutting off modernist tendencies and …


Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer May 2019

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …


Adorno And The Language Of The Intellectual In Exile, Ana Baert May 2019

Adorno And The Language Of The Intellectual In Exile, Ana Baert

Dissertations, Theses, and Capstone Projects

Adorno’s experience as an exile influenced his two works Dialectic of Enlightenment: Philosophical Fragments (1944) and Minima Moralia: Reflections from a Damaged Life (1951). These works embody the adversity Adorno wrestled with in his personal life and voice a quasi-indignant resignation to the notion of displacement as a natural yet mutilated human condition. I will analyze Dialectic of Enlightenment through the subjective, experiential lens of Minima Moralia thereby revealing the personal allusions to Adorno himself in his analysis of Odysseus as the prototypical bourgeois.

This thesis explores a biographical approach of the man who was known for his viscero-critical voice. …


The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone, Antonella Dalla Torre May 2019

The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone, Antonella Dalla Torre

Dissertations, Theses, and Capstone Projects

This dissertation examines textual, bodily depictions in two western European, medieval and late-medieval travel accounts, which describe the eastern travels of the Venetian merchant Niccolò de’ Conti and those of the Franciscan friar Odorico da Pordenone. My analysis show how a connection between the characterizations of the body and the process of identity definition is forged and sustained in these texts.

Through a cultural-studies perspective, my work focuses specifically on depictions of the body in Poggio Bracciolini’s account of the travels of Niccolò de’ Conti and in the text of a vernacular rendition of Odorico da Pordenone’s Relatio, the …


Conceptions Of Modern Egyptian Childhood During The Period Of The “Liberal Experiment” In Egypt, 1922–1952: A Comparative Study Of Taha Hussein’S, “An Egyptian Childhood,” And Sayyid Qutb’S, “A Child From The Village”, Nora Elgabalawy May 2019

Conceptions Of Modern Egyptian Childhood During The Period Of The “Liberal Experiment” In Egypt, 1922–1952: A Comparative Study Of Taha Hussein’S, “An Egyptian Childhood,” And Sayyid Qutb’S, “A Child From The Village”, Nora Elgabalawy

Dissertations, Theses, and Capstone Projects

Counter to French social historian Philippe Aries’ argument, the concept of an Egyptian childhood has its own traceable history, separate from the modern Western European concept of childhood. As shown, with the presence of language on childhood, in a number of pre-modern Arabic/Islamic literature, notions of childhood had a rich history outside of modern Western Europe. But, depictions of an Egyptian childhood in modern Egyptian literature, specifically two childhood autobiographies/memoirs, Taha Hussein’s An Egyptian Childhood and Sayyid Qutb’s A Child from the Village, do not emerge seamlessly from these early pre-modern depictions of childhood. Both Hussein and Qutb wrote …


Migritude: Migrant Structures Of Feeling In A Minor Literature Of Globalization, Ashna Ali May 2019

Migritude: Migrant Structures Of Feeling In A Minor Literature Of Globalization, Ashna Ali

Dissertations, Theses, and Capstone Projects

Migritude: Structures of Feeling in a Minor Literature of Globalization examines contemporary postcolonial narratives of migration written by women of color writing in English and in Italian under the rubric of “migritude.” Migritude literature describes the work of a disparate yet distinct group of contemporary authors whose work describes the condition of being a migrant under globalization with a critical feminist and anti-imperialist politics and poetics. It is a global justice movement that sees literature as a form of cultural activism. Migritude literatures traces the connections between contemporary globalization and colonial processes of the past and sheds light on how …


The Novelist And The Nun: Two Sisters, One Bond, Kathleen J. Gaffney May 2019

The Novelist And The Nun: Two Sisters, One Bond, Kathleen J. Gaffney

Dissertations, Theses, and Capstone Projects

Gabrielle Roy (1909 - 1983) was a French-Canadian author, journalist and teacher. She was also my third cousin, first cousin of my grandfather, Stephen McEachran. She wrote fiction and nonfiction in the latter part of the twentieth century and her work spotlighted Canada’s poor, immigrants, and marginalized women. Gabrielle Roy rose to fame as a keen-eyed witness and commentator in writings spanning over forty years. Her sister Bernadette (1897 – 1970) lived a more private, spiritual life as a nun, named Sister Léon-de-la-Croix, far away from the public spotlight.

In this thesis I summarize the events that shaped both sisters’ …


The Subject Of The Novel: Aphra Behn, Charlotte Brontë, Fyodor Dostoevsky, And Samuel Beckett, Jin Chang Feb 2019

The Subject Of The Novel: Aphra Behn, Charlotte Brontë, Fyodor Dostoevsky, And Samuel Beckett, Jin Chang

Dissertations, Theses, and Capstone Projects

Aesthetic theory arose as a response to the fragmentation of areas of life in early modernity. As the discourse that could recuperate the senses for the larger project of knowing the world, aesthetics also provided a grammar of the subject, a way of conceiving the troubled relationship between subject and object. In Hegel’s Aesthetics: Lectures on Fine Arts, aesthetic discourse found its strongest and most totalizing form as that which supplanted the object of aesthetic theory – the work of art. Thus Hegel’s infamous statement that “art, considered in its highest vocation, is and remains for us a thing …


The Urban Domestic: Homosocial Domesticity, Literature, And Culture In 19th And 20th Century New York City, Krystyna Michael Feb 2019

The Urban Domestic: Homosocial Domesticity, Literature, And Culture In 19th And 20th Century New York City, Krystyna Michael

Dissertations, Theses, and Capstone Projects

My dissertation, The Urban Domestic: Homosocial Domesticity in the Literature and Culture of 19th- and 20th-Century New York City,explores the relationship between transformations in urban planning and domestic ideology through American literature. Specifically, I take up Walt Whitman and Edith Wharton as two authors with distinctly ambivalent relationships to the hetero-normative nuclear family and the ways New York’s built environment shaped and controlled the nation’s gender and sexual politics. My reading bridges a critical gap between studies of culture and its literary expressions on the one hand, and of architectural design and the urban environment …


The Music In His Words: The Art Of Sound And Folk In Louis Armstrong’S Manuscript For Satchmo: My Life In New Orleans, “The Armstrong Story”, Adriana C. Filstrup Feb 2019

The Music In His Words: The Art Of Sound And Folk In Louis Armstrong’S Manuscript For Satchmo: My Life In New Orleans, “The Armstrong Story”, Adriana C. Filstrup

Dissertations, Theses, and Capstone Projects

This thesis dives into the musical journey embedded in the autobiographical writings of America’s jazz ambassador, Louis Armstrong. It examines Armstrong’s typewritten manuscript, The Armstrong Story, which was eventually revised by an editor and published as his second autobiography with the title of Satchmo: My Life in New Orleans in 1954 (originally published in France in 1952.) Armstrong’s manuscript reads like sheet music, where any sound could affect the harmony of the story. He created a voice that had met every art form before it became the manuscript of his autobiography, but along with that voice, references from Black …