Arts and Humanities Commons^™

Moving “Passed” Life For Death, Gwyneth Morrissey

The Criterion

The paper Moving “Passed” Life for Death explores Emily Dickinson's poem #479, "Because I could not stop for Death," focusing on the theme of movement expressed through the word "passed." It analyzes the contradictory qualities of movement and stopping and how they interplay. At the same time, it looks into how the poem's periodic stopping points highlight the natural cycle of life and death, challenging the conventional and fearful understanding of dying. Dickinson's use of "passed" ultimately alludes to the persistence of life after death, altering readers' perceptions of mortality. The essay presents an intriguing interpretation of life, death, and …

The Facade Of Names In Benjamin Clark’S “The Emigrant”, Brad Donegan

The Criterion

No abstract provided.

Eliot’S Raid On The Ineffable, Louie Alexandris

The Criterion

In the poem Four Quartets, T.S Eliot employs a fragmentary form to dramatize the disjointed continuity of time. Within the poem though, the fluctuation or fragmentation of the form is also in service to the whole by showing the unending exploration of man to reach the “still point” of divine contemplation. For Eliot, the fragmentary nature of the form in Four Quartets is in service to the whole, because the continual fluctuation of musicality embodies a journey or exploration for the “still point” of the world to achieve true contemplation. In that sense, Eliot’s poem is an artistic success, …

Paul Celan And The Processes Of Survival In Post-Shoah Jewish Writing, Ari Savage

Theses

The following is a study of the poetry of Paul Celan as a representation of psychological and social processes present in the written works of Shoah survivors. It begins with an analysis of the place of writing in Jewish culture, then identifies three primary processes which operate in sequence: alienation, individuation, and integration. By examining Paul Celan’s highly personal and autobiographical texts in the context of his life experience as a Shoah survivor it is possible to discern the social and psychological forces at work which compel survivors to express their traumas in written form, and to gain a better …

Ladybugs, Gabrielle Bologna

Comparative Woman

No abstract provided.

Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne

Dissertations, Theses, and Capstone Projects

This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21^st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21^st-century poets and their 20^th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …

The Birds That Embrace Both Illusions: An Intersemiotic Translation Of All Watched Over By Machines Of Loving Grace By Richard Brautigan, Veronika Yadukha

Comparative Literature M.A. Essays

This essay analyzes the influence of various worldviews on Richard Brautigan's poetry, which form his particular language. A combination of Zen Buddhism, Japanese aesthetics, American poetic tradition, and echoes of the philosophy of absurdism are some of the core themes that serve as mechanisms for Brautigan's poems.

For each chapter of the book All Watched Over by Machines of Loving Grace, I make an intersemiotic translation transposing Brautigan's poems into ceramic tea bowls. By combining different art forms and translating from an abstract symbolic art – poetry – to a form of applied art that is much more physically …

5 Poems, Rebecca Ruth Gould

Comparative Woman

These poems examine the challenges facing the woman creator, and focus in particular on the problem of the muse, and how this relates to the feminist reconceptualization of traditional notions of gender and sexuality. As part of this broader poetic inquiry, I also challenge traditional notions of monogamy and heterosexual desire.

Steven Patrick Fernandez’S Transcreation Of Poetry And The Integrated Performing Arts Guild’S Sugatula/Crossing Poetry: An Autotheoretical Analysis, Onnah Pierre P. Talle

Akda: The Asian Journal of Literature, Culture, Performance

This is an analysis of Steven Patrick Fernandez’s transcreation of poetry through the Integrated Performing Arts Guild’s SugaTula. I use autotheory as I retell, examine, and reflect on my experiences on SugaTula and on Fernandez’s transcreation of poetry. From my autotheoretical analysis, I then situate Fernandez’s and IPAG’s SugaTula in the field of translation studies. The study reveals that Fernandez’s transcreation of poetry through SugaTula is a concept which is not only significant for theater practitioners but also for reading and literature teachers. Transcreation can also be used as a method to explore not only poetry but other various literary …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The City As A Poetic Object: An Ethnographic Approach To Milwaukee And Its Poets, Antonio Paniagua Guzmán

Theses and Dissertations

Poetry has historically been an important component of cities’ culture, urban life, and history. There is a mutual influence of poetry and the city; while the city and the way its history unfolds shape poetic production patterns and poets’ narratives, it is capable of illuminating diverse social and urban phenomena and shape diverse social groups’ cultural practices and urban experience. While scholars from social science and humanistic disciplines have investigated the relationship between poetry and the city by looking at how cities are represented poetically and how cities shape the production, distribution, and consumption of poetry, I turn to a …

The Ancient's View Of The Poet And Poetry, Brahim Soussi

Dirassat

The poet’s position in society has always been much discussed throughout the ages and inall civilizations.Thus the poet is accepted and receives praise sometimes, but is rejected and banished from society at other times. The poet's oscillation between these two extremes has always existed and will exist, it seems, as long as there is poetry. However, these two contradictory attitudes towards the Poet and Poetry have never received complete consensus from the different classes of society. The absence of this agreement, no doubt, denotes the necessity of the poet's voice for some and its danger fo rothers.

Disability As An Existential Challenge: Reading The Body In Sarah Ismail’S Poetry, Amrit Mishra

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Translating The Poetry Of Leena Malhotra, Komal Agarwal

Living in Languages

No abstract provided.

"The Battle Trumpet Blown!": Whitman's Persian Imitations In Drum-Taps, Roger Sedarat

Publications and Research

While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his explicit foreign references, aside from observations of specific Persian signifiers in “A Persian Lesson,” his engagement with the poetry of Iran has remained especially speculative and therefore analogical, with studies like J. R. LeMaster and Sabahat Jahan’s Walt Whitman and the Persian Poets showing how his mystical relation to his own religious influences tends to resemble the Sufism of Rumi and Hafez. A new discovery emerging from an examination of his personal copy of William Alger’s The Poetry of the East along with his …

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

'Y Mi Rebelión Se Convirtió En Arte’ Raúl Salinas Y Su Poesía Política: Una Historia Literaria Chicana, Santiago Vidales

Doctoral Dissertations

In this dissertation I present a literary history of poet and revolutionary Raúl Salinas. Born in 1934, Salinas left a major legacy for Latinx and Chicanx letters. I focus on narrating, for the first time in Spanish, the relationship between his prison radicalism and his poetic production. The time Salinas spent as a political prisoner in Leavenworth Penitentiary (1967-1972) was foundational to his political transformation and (re)education. Along with members of the Black Panthers, AIM, Puerto Rican Nationalists, and other radicalized Chicanos, these inmates formed study groups, networks of support, and established a newspaper to both combat the oppressive conditions …

Mukhammas Genre In The Second Half Of The Xix Century And The Beginning Of The Xx Century And The Principles Of Its Evolution, Sirojiddin Kholmakhmatovich Khujaqulov

Scientific reports of Bukhara State University

Introduction. The article discusses the evolution of the mukhammas genre in the national enlightenment and jadid literature, the principles of evolution of this genre, the place of the general literary process in the system of literary genres, its new principles, theme and ideological content, examples of works of jadid and enlightened poets. Traditional and innovative features in comparative typological monograph, analytical-comparative, descriptive and critical aspects are analyzed. Methods. During this period, it is possible to observe literary processes and trends in the form of paradoxical models of poetic norms of classical literature, based on realistic elements in the expression of …

Précisions À Propos De La Poésie Orale Du Rif, Abdelmottaleb Zizaoui

Dirassat

This article preaches the authenticity of Rifaine society in harmony with its physical and symbolic environment. While reflecting on Rifaine oral poetry, the author evokes the roots of the ancient poem as an element of socio-territorial identification in the test of time. Through the song rallabuya, it is the local heritage that forces admiration and forge the perpetual adaptation of young people. Following the orientation of Jean Cohen and Roman Jakobson, the author reinvests the concept of poeticity while resorting to the theses of the orality of Paul Zumthor in order to extract the poetic forms and thorny aspects accompanying …

الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي

Dirassat

Title : The controversial foundations for interpreting the problem of al-Maari's poetry between Batalyawsi and Ibn al-Arabi

The poetry of Abu Al-Alaa Al-Maari is distinguished for its interactive and argumentative context. In addition, it is rich in interpretative capabilities. In addition, Al-Maari’s poetry has a brilliant interpretive potential that establishes the literary rule. Accordingly, it aims at analyzing the foundations of dispute between Abd Allāh Ibn Muḥammad al-Baṭalyawsī and Abu Bakr Ibn al-Arabi who were famous for interpreting poetic discourse. As far as Abu Al-'Ala al-Ma'ari is concerned; the reality of his poetry resides in an …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

Idealistic Study Of Proverbs In “Zarbulmasal” Of Gulkhani, Saodat Abdurakhimovna Kodirova

Scientific reports of Bukhara State University

Introduction. "Zarbulmasal" is a unique example of Uzbek prose art, as well as a unique original work in terms of structure, content, language, sharpness of artistic means. A great deal of attention has been given to this work by artistic people, as it’s literary critics, originality in terms of content and ideological direction totally differs from other works. In this article, the ideological, artistic and historical features of “Zarbulmasal” are elucidated. Proverbs are one of the oldest popular genres of Uzbek folklore, which reflects the worldview, attitude to society and moral norms of the people. In this article, spiritual and …

Review: Hand In Hand: An American History Through Poetry, Rachel Schwedt, Janice A. Delong

Ages 10-12

No abstract provided.

The Joy Of Listening: Three Voices In The Poetry Of Wisława Szymborska, Mimi Thompson

CMC Senior Theses

One of the greatest feats that a poet may achieve in his or her lifetime is to develop a voice so characteristic of themself, it would be impossible to confuse it with that of any other poet. Polish-speaking and non-Polish-speaking scholars alike have agreed that the voice of 1996 Nobel Laureate Wisława Szymborska is utterly distinct, despite the fact that her poems explore a wide range of topics and are told from multiple narrative perspectives, rarely featuring herself through any personal details. How, then, is it possible for hundreds of poems, each with their own narrator, to still be “heard” …

On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney

Transference

Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.

Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow

Transference

Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"

Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist

Transference

No abstract provided.

Drops From Black Candles By Abdallah Zrika, Mike Baynham

Transference

English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.

While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson

Transference

A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.

Corona By Paul Celan, David Capps

Transference

No abstract provided.