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Full-Text Articles in Arts and Humanities
The Fable In Medieval Literature, Ashraf Abdel Fattah Eissa
The Fable In Medieval Literature, Ashraf Abdel Fattah Eissa
Archived Theses and Dissertations
No abstract provided.
The Middle Frame And Medieval Narratology, Faten Morris Isshak
The Middle Frame And Medieval Narratology, Faten Morris Isshak
Archived Theses and Dissertations
No abstract provided.
The Absurd In Theory And Dramatic Practice, Wail Abul-Hassan
The Absurd In Theory And Dramatic Practice, Wail Abul-Hassan
Archived Theses and Dissertations
No abstract provided.
Autobiography And The Language Of Memory, Maha Gamil Khairy
Autobiography And The Language Of Memory, Maha Gamil Khairy
Archived Theses and Dissertations
No abstract provided.
Temporality And The Ontological Experience In The Works Of Virginia Woolf To The Lighthouse And Edward Al-Kharrat The City Of Saffron, Maggie Hosni Awadalla
Temporality And The Ontological Experience In The Works Of Virginia Woolf To The Lighthouse And Edward Al-Kharrat The City Of Saffron, Maggie Hosni Awadalla
Archived Theses and Dissertations
No abstract provided.
The Beach Scene In James Joyce's Novel A Portrait Of The Artist As A Young Man & Thomas Mann's Novella Death In Venice, Mona Hamed Sallam
The Beach Scene In James Joyce's Novel A Portrait Of The Artist As A Young Man & Thomas Mann's Novella Death In Venice, Mona Hamed Sallam
Archived Theses and Dissertations
No abstract provided.
Translation As Interpretation : Siegfried Lenz' "Motivsuche", John F. Disterheft
Translation As Interpretation : Siegfried Lenz' "Motivsuche", John F. Disterheft
Dissertations and Theses
It is the purpose of this thesis to show that literary interpretation and translation are closely interrelated, that the translator cannot pursue his goal, the transfer of a work of literature from one language into another, without interpreting that work as literature.
"For Though It Swam In France, It Might Have Sunk In England": A Comparison Of John Vanbrugh’S The Confederacy With Its French Source, Les Bourgeoises À La Mode, Diane T. Harris
Masters Theses
In the summer of 1705, as Sir John Vanbrugh was casting about for dramatic source material which might play successfully at the new Haymarket theatre, he rediscovered Florent Dancourt's Les Bourgeoises à la Mode and, in the manner of Restoration theatre playwrights, created an adapted version in many respects quite different from the original. This adaptation, known as The Confederacy, is considered by many Vanbrugh scholars to be one of the English author's best works.
This paper is essentially a comparative study of the two plays. It begins with a plot summary of the play Vanbrugh used as the …