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Full-Text Articles in Arts and Humanities
Turning Seventy, Rowan Cahill
Turning Seventy, Rowan Cahill
Rowan Cahill
The author's ruminations on the occasion of him reaching the age of 70 years old.
Audacious Translation: On Being Haunted And Getting Lost On The Way To Translating Spivak. A Reflection On Spivak’S “Translating Into English”, Susan R. Adams
Audacious Translation: On Being Haunted And Getting Lost On The Way To Translating Spivak. A Reflection On Spivak’S “Translating Into English”, Susan R. Adams
Susan Adams
In “Translating Into English” within An Aesthetic Education in the Era of Globalization (2012), Spivak eludes apprehension, spurns comprehension, and resists neat translation as I, an American educator, attempt to make sense of what is meant by an aesthetic education as Spivak translates the act of translation. Caught and othered as a language broker in learning the double bind of translation, I find no answers, only new questions as I grope toward ways to conceptualize and to name this moment for translators and language educators: (1) What does it mean to be a translator?; (2) Can and should the convenient …
Between Theory And Reality: Cosmopolitanism Of Nodal Cities In Pawel Huelle's Castorp, Ania Spyra
Between Theory And Reality: Cosmopolitanism Of Nodal Cities In Pawel Huelle's Castorp, Ania Spyra
Ania Spyra
FIVE YEARS BEFORE the publication of his novel Castorp, the Gdansk writer Pawel Huelle published a short piece of the same title in the essay collection Inne historie (1999), the title of which-translated as either "other stories" or "other histories"-consciously plays with the difficulty of writing a history of Gdansk, a theme to which almost all of the short pieces in this collection somehow return.The essay tells the story of a literary correspondence between a Lvov pastor and the writer Thomas Mann, in which Mann voices regret over some unelaborated ideas and abandoned storylines in The Magic Mountain. When Huelle …
Twisty Little Passages: The Several Editions Of Lady Caroline Lamb's Glenarvon, Paul Douglass
Twisty Little Passages: The Several Editions Of Lady Caroline Lamb's Glenarvon, Paul Douglass
Paul Douglass
A literary criticism of the book "Glenarvon," by Lady Caroline Lamb is presented. It presents the symbolic significance of the characters. It outlines the consequences of denying true love and the importance of aristocratic leadership and self-control. It examines the preface of the book in which the author states that the novel is not immoral even with the inclusion of crimes and she asks readers to recognize that her intention of writing the book is to describe human nature.
Lady Caroline Lamb’S Revisions To Her Novel Glenarvon: Some Observations, Paul Douglass
Lady Caroline Lamb’S Revisions To Her Novel Glenarvon: Some Observations, Paul Douglass
Paul Douglass
No abstract provided.
An Interview With Corinne Cooke, Paul Douglass
An Interview With Dr. James D. Watson, Paul Douglass
An Interview With Dr. James D. Watson, Paul Douglass
Paul Douglass
No abstract provided.
An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass
An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass
Paul Douglass
Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women's language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Stael, Mary Shelley, Elizabeth lnchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robmson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …
Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass
Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass
Paul Douglass
Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women’s language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Staël, Mary Shelley, Elizabeth Inchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robinson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …
Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass
Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass
Paul Douglass
No abstract provided.
What Lord Byron Learned From Lady Caroline Lamb, Paul Douglass
What Lord Byron Learned From Lady Caroline Lamb, Paul Douglass
Paul Douglass
Lady Caroline Lamb fictionalized the Byronic persona in Glenarvon (1816) and gave voice to the female characters that remain largely silent in Byron’s early work. Byron responded to her mimicry and to the female perspective of Glenarvon by creating a feminized hero and strong speaking roles for women in Don Juan, though his stated purpose was to undermine, not uphold, feminine power.
Lady Caroline Lamb Before Byron: The Godfrey Vassal Webster Affair, Paul Douglass
Lady Caroline Lamb Before Byron: The Godfrey Vassal Webster Affair, Paul Douglass
Paul Douglass
This article provides an overview of the love affairs of Lady Caroline Lamb. Before she met Lord Byron, she had a long messy affair with Godfrey Vassal Webster. Their affair was known through letters which was held in the British library, the public records office in Chichester, and the like. Caroline cannot or will not adapt to the complicated social milieu of regency London.
Isaac Nathan And Lady Caroline Lamb: A Response To Graham Pont, Paul Douglass
Isaac Nathan And Lady Caroline Lamb: A Response To Graham Pont, Paul Douglass
Paul Douglass
No abstract provided.
The Madness Of Writing: Lady Caroline Lamb's Byronic Identity, Paul Douglass
The Madness Of Writing: Lady Caroline Lamb's Byronic Identity, Paul Douglass
Paul Douglass
No abstract provided.
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Reading The Wreckage: De-Encrypting Eliot's Aesthetics Of Empire, Paul Douglass
Paul Douglass
The writer examines an aesthetics of empire evident in Eliot's The Waste Land. He contends that though this work's formal innovations appear “revolutionary,” its aesthetics fit into modernism's reactionary character and reflect the cultural politics of the British conservatism that Eliot had adopted. In decoding the poem's fragments and allusions, he illustrates Eliot's preoccupation with empire. He also shows how The Waste Land may be seen as part of a British literary tradition of “reading the wreckage” that goes back at least to Edward Volney's Ruins (1791).
Bionic Eye: The Resources And Limits Of The Cinematic Apparatus, Paul Douglass
Bionic Eye: The Resources And Limits Of The Cinematic Apparatus, Paul Douglass
Paul Douglass
No abstract provided.
Loose Canon On The Deck, Paul Douglass
Modernism And Science: The Case Of Pound's Abc Of Reading, Paul Douglass
Modernism And Science: The Case Of Pound's Abc Of Reading, Paul Douglass
Paul Douglass
No abstract provided.
Cradle Of The Copperheads: Education And The Career Of Jesse Stuart, Paul Douglass
Cradle Of The Copperheads: Education And The Career Of Jesse Stuart, Paul Douglass
Paul Douglass
No abstract provided.
Hebrew Melodies As Songs: Why We Need A New Edition, Paul Douglass
Hebrew Melodies As Songs: Why We Need A New Edition, Paul Douglass
Paul Douglass
No abstract provided.
Eliot's Cats: Serious Play Behind The Playful Seriousness, Paul Douglass
Eliot's Cats: Serious Play Behind The Playful Seriousness, Paul Douglass
Paul Douglass
No abstract provided.