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Full-Text Articles in Arts and Humanities

Entre Multilinguisme Et Multiculturalisme : Une Nouvelle Traduction D’Incendies De Wajdi Mouawad, Natalie Larson Apr 2023

Entre Multilinguisme Et Multiculturalisme : Une Nouvelle Traduction D’Incendies De Wajdi Mouawad, Natalie Larson

Honors Theses

Incendies de Wajdi Mouawad, écrite en 2003, est la deuxième pièce de la tétralogie intitulée « Le sang des promesses ». Les quatre pièces racontent des histoires différentes mais ont des thèmes similaires. Incendies est l'histoire de jumeaux, Jeanne et Simon, qui découvrent après la mort de leur mère que leur père, qu'ils n'ont jamais connu, est vivant et qu'ils ont peut-être un frère. Ils se lancent alors dans une quête de sens et d'identité, entrecoupée de flashbacks sur le passé de leur mère dans un Liban déchiré par la guerre. Avec son langage poétique qui évoque une tragédie grecque, …


Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell Jan 2022

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …


[Introduction To] Escrituras A Ras De Suelo: Crónica Latinoamericana Del Siglo Xx, Marcela Aguilar, Claudia Darrigrandi, Mariela Méndez, Antonia Viu Jan 2014

[Introduction To] Escrituras A Ras De Suelo: Crónica Latinoamericana Del Siglo Xx, Marcela Aguilar, Claudia Darrigrandi, Mariela Méndez, Antonia Viu

Bookshelf

El proyecto de publicar una colección de artículos sobre la crónica latinoamericana aparecida en el siglo xx, principalmente entre 1930 y 1970, intenta hacerse cargo de una producción mucho menos estudiada que la crónica modernista o que la crónica de las últimas décadas, problematizando las definiciones y fundamentos que se le han atribuido al género a partir de esas tradiciones. Más que una nueva revisión de tales concepciones de la crónica, lo que el lector encontrará en los escritos agrupados en las distintas secciones de este libro son elementos parciales y problemas concretos que surgen en muy distintos contextos y …


A Calendar Of Wisdom. Daily Thoughts To Nourish The Soul. Written And Selected From The World's Sacred Texts (Book Review), Yvonne Howell Jan 1999

A Calendar Of Wisdom. Daily Thoughts To Nourish The Soul. Written And Selected From The World's Sacred Texts (Book Review), Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

Tolstoy spent over fifteen years collecting "the wisdom of the centuries in one book" (6). He began compiling this wisdom in written form, as quotes from the world's sacred texts and from famous (as well as obscure) artists, in 1902-1903. The first version of the resulting book was published in 1904. It was reprinted three times during his lifetime, variously titled Thoughts of Wise Men, A Circle of Reading, or The Way of Life. It is the early version of the book that made it into the 1957 Soviet edition of Tolstoy's collected works as Krug chteniia: …


Romantic Agonies: Human Suffering And The Ethical Sublime, Anthony P. Russell, Terryl Givens Jan 1998

Romantic Agonies: Human Suffering And The Ethical Sublime, Anthony P. Russell, Terryl Givens

Languages, Literatures, and Cultures Faculty Publications

This essay examines two poems depicting human anguish in order to explore a current in Romantic thought that implicitly yields some original and compelling insights regarding the problematic relationship between art and suffering. The focus is primarily on Wordsworth's narrative of Margaret's suffering in The Excursion, then more briefly on Shelley's Prometheus Unbound. In both cases Kant's ideas about the sublime provide us with a useful perspective from which to understand the issues these poems raise.


"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe Jan 1995

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

English Faculty Publications

African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …


Aristotle's Critique Of Mimesis: The Romantic Prelude, Terryl Givens Jan 1991

Aristotle's Critique Of Mimesis: The Romantic Prelude, Terryl Givens

English Faculty Publications

The most notable element of Plato's theory of art, or at least the most memorable, is his censorship of poetry from the ideal state (Republic III: 398; X: 607). However Plato's argument is construed, it is enlightening to note the domestication to which it is invariably subjected. Since Aristotle's theory is eminently more amenable to our contemporary appreciation for art, and, in one form or another, is judged more central to the history of Western literature, Plato's attack is dispensed with after due characterization as ironic, unmanageably ambiguous, valid only in a most limited context, or excusable in the light …