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Full-Text Articles in Arts and Humanities
Alice Meynell's Negative Happiness: The Primacy Of Emotion And The Nature Of Art, Laura H. Clarke
Alice Meynell's Negative Happiness: The Primacy Of Emotion And The Nature Of Art, Laura H. Clarke
Publications and Research
In a review of Alice Meynell’s essays, Coventry Patmore declared that her prose challenged conventional views of gender: “At rare intervals the world is startled by the phenomenon of a woman whose qualities of mind and heart seem to demand a revision of its conception of womanhood and as an enlargement of those limitations which it delights in regarding as essentials of her very nature.” Meynell, he exclaims, “belongs to a species quite distinct from that of the typical sweet companion of man’s life” in that she is a “woman of genius.” Patmore contends that “in a very small volume …
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Publications and Research
This document briefly explores the ways in which trans people have been written through Baroque aesthetics in the social and cultural imaginary of Latin America, despite the various unjust forces that have attempted to make them invisible and exclude them from the national narrative. The differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho are analyzed, while exploring their individual limitations and potentialities for voicing the joys and pains of being trans in an exclusionary society.
The Dmz Responds, Seo-Young J. Chu
The Dmz Responds, Seo-Young J. Chu
Publications and Research
Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
Publications and Research
No abstract provided.