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Full-Text Articles in Arts and Humanities
“I Could Still See Her In My Mind’S Eye”: Water And Maternal Imagery In Uwe Johnson’S Anniversaries: From The Life Of Gesine Cresspahl, Caroline Rupprecht
“I Could Still See Her In My Mind’S Eye”: Water And Maternal Imagery In Uwe Johnson’S Anniversaries: From The Life Of Gesine Cresspahl, Caroline Rupprecht
Publications and Research
This article analyzes the writings of East German author Uwe Johnson (1934-84) in terms of his experimental style—specifically transitions between descriptive passages—in conjunction with maternal imagery, as discussed through reference to Susan Suleiman’s concept of a “1.5 generation” of Holocaust survivors. A non- Jewish German author, Johnson addresses German history from the position of the perpetrators, yet born in 1934, he experienced National Socialism from the point of view of a child. In his tetralogy, Anniversaries: From the Life of Gesine Cresspahl (1970-83), feelings of guilt and attempts to understand the German past are negotiated through the maternal figure. This …
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
“Globalized Philomels: State Patriarchy, Transnational Capital, And The Femicides On The Us-Mexican Border In Roberto Bolaño’S 2666”, M Laura Barberan Reinares
Publications and Research
No abstract provided.
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Publications and Research
This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …