Arts and Humanities Commons^™

More Man Than A Horse? Bojack Horseman And Its Subversion Of Sitcom Conventions In Search Of Realism, Bradley Simpson

Pell Scholars and Senior Theses

As the television market diversifies and fragments, TV show creators in the postmodern era have been pushed to subvert the conventions of various genres to stay relevant. This research uses a combination of genre analysis and close content analysis of the Netflix original series BoJack Horseman to identify several conventions of the situation comedy genre that the show subverts. Through an unconventional handling of irony, tone, unique form, and subject matter, BoJack Horseman manages to transcend generic expectations by portraying a dark, realistic worldview. Contrary to the traditional view of the situation comedy as a media oriented towards escapism, BoJack …

Expanded Cinema: Fiftieth Anniversary Edition [ Table Of Contents], Gene Youngblood

Cinema & Media Studies

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category.

First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic tools. Long considered the Bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth-anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.

A unique eyewitness account of burgeoning experimental film …

Victims, Heroes, And Villains: Imaginary Beings In Contemporary Television Serials, E. Deidre Pribram Ph.D.

Faculty Publications: Communication

This chapter traces melodrama’s historical triumvirate of characters – victims, heroes, and villains – to examine how they are applied in contemporary television serial dramas. Looking in particular at the examples of Breaking Bad and Better Call Saul, the author argues that the characterological trio now often exists within singular protagonists who follow a narrative trajectory from victim through hero to arrive, ultimately, at villainy. Collapsing the characterological triad into single protagonists marks a late modern version of melodrama in which the possibilities for heroism are circumscribed, leaving characters able to opt only for victimization or villainy.

Ensemble Storytelling: Dramatic Television Seriality, The Melodramatic Mode, And Emotions, E. Deidre Pribram Ph.D.

Faculty Publications: Communication

This chapter considers seriality in contemporary television dramas in light of arguments that most popular culture falls within melodrama as modality (to include legal shows, police and detective programs, westerns, and medical series), instead of narrow genres, such as soap operas. The recent success of fully serialized dramas is a noteworthy development, producing highly popular and highly regarded programming. The traditions of melodrama, including its deep commitment to the uses of emotionality, address story worlds and audiences in terms of social relations, in contrast to psychological realism’s more individualized and inward turning tendencies. “Ensemble Storytelling” explores three specific strategies available …