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Full-Text Articles in Arts and Humanities
The Politics Of Wounds, Jonathan Nash
The Politics Of Wounds, Jonathan Nash
Electronic Thesis and Dissertation Repository
What configuration of strategies and discourses enable the white male and settler body politic to render itself as simultaneously wounded and invulnerable? I contextualize this question by reading the discursive continuities between Euro-America’s War on Terror post-9/11 and Algeria’s War for Independence. By interrogating political-philosophical responses to September 11, 2001 beside American rhetoric of a wounded nation, I argue that white nationalism, as a mode of settler colonialism, appropriates the discourses of political wounding to imagine and legitimize a narrative of white hurt and white victimhood; in effect, reproducing and hardening the borders of the nation-state. Additionally, by turning to …
Invisible Labour: Support-Service Workers In India’S Information Technology Industry, Indranil Chakraborty
Invisible Labour: Support-Service Workers In India’S Information Technology Industry, Indranil Chakraborty
Electronic Thesis and Dissertation Repository
The dissertation investigates the life, working conditions and urban experience of support-service workers in the Information Technology (IT) sector of India: the janitors, security guards, fast food delivery service professionals and car pool drivers who work in and around technology parks that develop software applications for a world-market. The common experiences of these employees are migration from rural contexts to a radically modern employment setting, where they work long hours with minimal benefits in informal conditions that often violate basic labour laws. The thesis draws on quantitative and qualitative research, and in particular on analysis and interpretation of hundred and …
Industrial Stagecraft: Tooling And Cultural Production, Jennifer A. Hambleton
Industrial Stagecraft: Tooling And Cultural Production, Jennifer A. Hambleton
Electronic Thesis and Dissertation Repository
The tooling of theatrical spectacle requires collaboration between stagecraft technicians and designers in an increasingly globalized and standardized manufacturing process. While hand skills are still used and remain useful, digital fabrication and other tools are now incorporated in labour processes in scenery manufacturing workshops, altering collaborative work in complex ways. This thesis is an inquiry into the epistemological role of software and digital fabrication tools in stagecraft practices and explores how the politics of craft labour intersect with material practices in media production labour. The technical aspects of the fabrication of theatrical spectacles and display environments, the way objects are …