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Full-Text Articles in Arts and Humanities

Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor Sep 2010

Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor

CLCWeb: Comparative Literature and Culture

In her article, "Erotic Mourning and Post-traumatic Sexual Desire" Gila Ashtor investigates the ways Dave Eggers's A Heartbreaking Work of Staggering Genius 2000 memoir contains an alternative logic of affectivity that locates possibilities for mourning in the ambivalent directionalities of post-traumatic sexual desire. Ashtor links dominant conceptualizations of post-traumatic working-through and regimes of heteronormative sexual reproductivity in order to argue that Eggers's self-exhibitionistic spectacle of failed post-traumatic healing, precisely as a drama of undoing that replaces the cumulative acquisition of psychic cohesion with survival incoherent gestures, produces a version of what this paper will call "radical mourning." To particularize the …


Gender In Winterson's Sexing The Cherry, Paul Kintzele Sep 2010

Gender In Winterson's Sexing The Cherry, Paul Kintzele

CLCWeb: Comparative Literature and Culture

In his article "Gender in Winterson's Sexing the Cherry" Paul Kintzele examines the ways in which Jeanette Winterson's 1989 novel explores and critiques aspects of gender and sexuality. While acknowledging the importance of the performance theory of gender that derives from the work of Judith Butler, Kintzele contends that such an approach must be complemented with a psychoanalytic approach that insists on a particular distinction between sex and gender. Although some scholars map the sex/gender distinction onto the perennial nature/nurture binary and thus reduce sex to biology or anatomy, scholars of psychoanalysis such as Joan Copjec and Charles Shepherdson, read …


Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe Sep 2010

Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe

CLCWeb: Comparative Literature and Culture

In their article "Nationhood and Women in Postcolonial African Literature" Elda Hungwe and Chipo Hungwe, through an analysis of Pepetela's Mayombe, Achebe's Anthills of the Savannah, and Ngugi's Petals of Blood discuss nationhood and nation in postcolonial African literature within the framework of the postcolonial theory. Postcolonial theory negates master narratives of nation and nationhood, hence it deconstructs such narratives as problematic. Hungwe and Hungwe discuss problems associated with definitions of nation where groups or members are peripheralized. While Hungwe and Hungwe acknowledge that nationalism served a critical role during decolonization, their conclusion is that in postcolonial Africa notions of …


Consumer Responses To Stereotypical Vs. Non-Stereotypical Depictions Of Women In Travel Advertising, Jessica Eran Mcdonald May 2010

Consumer Responses To Stereotypical Vs. Non-Stereotypical Depictions Of Women In Travel Advertising, Jessica Eran Mcdonald

USF Tampa Graduate Theses and Dissertations

Women are active travel consumers, yet travel advertising notoriously depicts women stereotypically. If consumers react negatively to these stereotypical portrayals in advertising, they may disregard the ad or brand and purchase a different travel product. The purpose of this study is to determine if consumers react differently to stereotypical versus non-stereotypical depictions of women in travel advertising. The study will examine these reactions, by measuring attitude toward the ad, attitude toward the brand, purchase intention, and cognitive responses to carefully prepared advertisements that are characterized as ―stereotypical‖ or ―non-stereotypical.‖ Ads are defined as stereotypical by utilizing Goffman‘s (1979) framework for …


Audience Interpretations Of "Crash", Debbie Owens Dec 2009

Audience Interpretations Of "Crash", Debbie Owens

Debbie Owens

As audience members make sense of media texts, they construct interpretations based on their individual perspectives. The film Crash portrays many instances that allowed for sustained audience discourse about culture and ethnicity, gender, and race and racism. The author analyses audiences' reactions to and interpretations of the 2005 Academy Award winning film.