Arts and Humanities Commons^™

Una Visión Holística De La Memoria Digital Sobre El Conflicto Armado En Las Narrativas Digitales Del Centro Nacional De Memoria Histórica De Colombia, Talia Mendez

Electronic Thesis and Dissertation Repository

The connective turn marks the contemporary memory boom. The omnipresence of digital media is a provocation that makes us wonder about the relationships and connections of memory with the past, present and future in the digital world (Hoskins 9).

Using a conceptual analysis based on the idea of the connective turn, this thesis shows how the National Center of Historical Memory of Colombia has been addressing the message of memory of the armed conflict through the case study of the digital narratives of the "Digital Specials", and how the message is transmitted in their Instagram profile.

The study reflects the …

Music Sounds Better With You, M Gillian Carrabre

Electronic Thesis and Dissertation Repository

Electronic Dance Music (EDM) is a catalyst for creative expression, from the solo dance form known as shuffling, to “Flow Arts” activities (forms of self-expression inducing a flow state) like poi, hula hooping, orbiting, and gloving. Gloving is a subcultural practice and artform that couples LED lights with dexterous finger movements. It is a method of expression for dance music enthusiasts (also known as ravers) and has become an important component of the EDM scene, particularly over the past decade. Glovers engage in “secondary” performances to live music (DJs) using complex techniques such as symbolism, word painting, and what the …

Heavy Metal Fundraisers: Entrepreneurial Recording Artists In Platform Capitalism, Jason Netherton

Electronic Thesis and Dissertation Repository

Abstract

How do cultural producers square customary understandings of what it means to be authentic and autonomous creators in new contexts characterized by digital-era entrepreneurial pressures and online platform-mediated financial opportunities? This study examines how heavy metal recording artists experience these pressures; how some of them engage in platform-based crowdfunding, argue over its legitimacy, and rationalize varying degrees of acceptance and dependence. First, my analysis centers on a case study which follows the experiences of a progressive metal band as they navigate a new financial relation in conjunction first with the fundraising platform Pozible and then the patronage-based crowdfunding platform …